Professional Audio Equipment rental for any conference, convention and high quality corporate event
From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.
The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.
The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.
The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels
The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.
Set comprises:
Optimized structure and efficiency in meetings Up to 31 simultaneous translation channels, plus the one for the basic language Full range of voting functions Flexible interface with devices from other manufacturers Easy system expansion with wired and wireless units The Digital Congress Network (DCN) ) by Bosch offers the benefits of innovative digital technology to the systems used in debates and conferences. It is the first fully digital system of its kind and offers versatility and high quality audio and data transmission while allowing complete control of conferences.
Availability: 10 cabins 2500 receivers 20 interpreting stations
The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats.
The HME DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions. The HME DX210 is a two-channel intercom system that has advanced the capabilities of the legendary DX200. The DX210’s wired intercom interface is now compatible with Clear-Com’s or RTS’ 2-wire systems, and provides two separate 2-wire and 4-wire interconnections. In single channel mode, the powerful 1RU base station supports up to 16 full-duplex and 44 half-duplex beltpacks and/or wireless headsets by linking four base stations. The DX210 is paired with the rugged BP210 beltpack and All-in-One WH220 Wireless Headset, which have two intercom buttons (IC1/IC2) with ISO. The system is also backward compatible with the DX200 COMMUNICATOR models such as BP200, and WH200.
The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
The mics can easily be positioned at different angles to provide a variety of sound nuances. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
The mount can also be used with various instruments with magnetic surfaces.
The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.
Clip for attaching a 4099 instrument microphone to thin-bodied and unusually shaped instruments. The design of the microphone clip includes a Velcro attachment strap to fit instruments of various sizes and diameters such as oboe, clarinet, bassoon, recorder and flute. The attachment strap tightens to fit the circumference of the instrument, like a wristwatch on your arm
The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
BEHRINGER B-CONTROL FADER BCF2000: Total-Recall USB/MIDI Controller with 8 Motorized Faders. Total-recall, cascadable desktop MIDI controller with analog feel and intuitive user interface. 8 ultra-precise, 100-mm, motorized faders for ultimate control of virtual mixers, organ-drawbars (inverse mode) or virtual synths and samplers. 4 virtual groups with 8 dual-mode, high-resolution encoders that feature LED rings and an additional push function. 16 + 4 illuminated buttons freely assignable to all types of MIDI functions from note on/off, control change and program change to MMC and system exclusive data. All panel elements freely assignable - manually or via user-friendly learn mode. Additional multi-function foot switch and foot controller connectors can be used to address all types of MIDI data. 32 user presets each with 4 encoder groups. Configurable MIDI and USB modes for ultra-flexible system integration. 1 MIDI In plus 2 MIDI Outs, usable as an additional USB to MIDI interface. Multi-function, 4-digit LED display with real-time parameter indication plus write-in fields for your own labeling. MIDI input with merge function for cascading several control units. Easy connection to any computer/expander, etc. using standard MIDI In/Out connectors. Generic USB MIDI support with Windows XP and Mac OS X operating systems. Additional drivers and editor/librarian software available for free download at behringer.com. High-quality components and exceptionally rugged construction ensure long life. Conceived and designed by BEHRINGER Germany. Redefine how you make music. Be in control with the BCF2000! Stop by your local BEHRINGER dealer and push those faders around.
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.
J-SUB is a bi-amplified 2-way bass-reflex subwoofer incorporating three 18 "long-excursion neodymium speakers, two of which are mounted on the front panel and one on the rear panel. which derives from this architecture avoids the unwanted projection of energy behind the system, which thus benefits from a considerable reduction of the reverberated field at the serious frequencies and therefore translates into an incomparable reproduction precision.The J-SUB systems can be used to complement the J8 and J12 systems in various combinations, either on the ground or suspended, either integrated into the column at the top of the J8 / J12 array, or in independent J-SUB columns. built in marine plywood covered with the exclusive PCP (Polyurea Cabinet Protection) treatment to protect against shocks and atmospheric agents.The front and back panels are protected by a rigid metal grid ca, while on each side panel there are four handles. Four 100mm wheels and an EP5 or NL8 connector complete the rear panel.
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D12 utilizes an autosensing switch mode power supply for mains voltages 120 V/230 V, 50 - 60 Hz (optional 100/200V). The D12 amplifier incorporates d&b SenseDrive for accurate control of LF drivers in d&b loudspeakers driven in 2-Way Active mode or in actively driven d&b subwoofers. When the D12 is fitted with EP5 connectors and appropriate 5 wire cabling, d&b SenseDrive can be used, resulting in an extremely precise bass performance even at high levels. NL4 and NL8 connector options are also available. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.
