The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.
Professional Audio Equipment rental for any conference, convention and high quality corporate event
-
The QL series mixers offer mixing, processing and routing functions for small and medium-sized live performances, corporate events, installations and much more.Pure and natural sound with a powerful internal processing for a wide and creative control
The Yamaha sound starts with a faithful reproduction of the sound source. The QL series mixers are equipped with circuits and components that have been designed and selected with the utmost care, obtaining an audio with surprising purity, both in input and output.Refined control for smooth operation
The ability to respond quickly and reliably to the many and changing needs is essential for effective support for live sound. The QL series mixers offer large touch-screen displays that, combined with the "touch and turn" potentiometer, provide a significantly quick and efficient control interface.Expandable All-in-One support for every application
In addition to the wide availability of analog inputs and outputs, the QL series mixers are equipped with the same Dante audio network protocol available in CL mixers, which offers extensive connectivity. Also available is an innovative "Port to Port" feature that can direct each input port to each output port so that the QL mixer can function as a remote I / O device for any other QL or CL series mixer. -
Features:
- D-PRE mic preamps deliver clean, transparent, and natural sound
- 3-band EQ on all mono channels for sound-shaping
- 1-knob compressors provide straightforward dynamics control
- Pad switch on mono inputs for managing loud sources
- Metal chassis for durability
-
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Main Features
- Compact and Lightweight
- Ample Bus Capacity: 16 MIX, 8 MATRIX, and STEREO
- Virtual Rack with Top-quality Effects
- Multiple Fader Functions
- Intuitive Interface
- Recall Safe and Recall Focus...Right Down to Head Amp Gain
- USB Memory Recording and Playback
- LS9 StageMix for iPad®
- LS9 Editor
- Yamaha Console File Converter
- LS9 + Dante I/O Rack System
- LS9 + EtherSound Stage Box System
- LS9 + DSR Speakers
-
The Yamaha CL series digital mixers represent a new level of refinement. They offer an advanced experience for simplicity of mixing, with in addition a purity and a capacity to shape the sound that will give every sound engineer unprecedented creative freedom. The CL series embodies the main standards of live sound in their most advanced and expressive form. The "virtual racks" available on the CL series consoles allows you to combine the signal processors needed for your work in a unique and easily accessible location, much like the traditional analog outboard racks. Efficiency and intuitiveness are essential. Yamaha's acclaimed Centralogic interface is the core of a revamped user interface that offers an unprecedented level of operational efficiency in the CL series, from visual feedback to the shape and tactile feel of faders and controls. The Yamaha Centralogic user interface has already demonstrated its value as the most user-friendly among the available digital operating environments, even for those engineers who were previously only at ease on analogue consoles..
-
The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.
Main Features
Precise 24-bit/96-kHz Audio and High-performance Head Amps 40-input 18-bus Mix Capacity at 96 kHz Versatile Connectivity and Expandability for a Wide Range of Applications Powerful Channel Functions with Flexible Control and Patching Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys Versatile Pairing and Grouping Functions Enhance Mixing Efficiency I/O Expansion Slot for Easy Expansion in a Variety of Formats Sophisticated DAW or Digital Recorder Integration -
Made from carbon fibre, the RØDE Boompole Pro weighs only 535gm (18oz) and, from a compact 810mm (2‘ 8”), extends to a full 3m (10’). Designed for use with professional shotgun microphones such as the RØDE NTG3 as well as the Blimp windshield system, the Boompole Pro joins RØDE’s popular boom pole range which now consists of five models ranging in size, weight, and construction material. Each of the five pole sections is comprised completely from carbon fibre making it incredible lightweight while maintaining high levels of strength. The sections are easily extendable with one hand thanks to an intuitive twist-lock mechanic. RØDE offers boom pole cable clips as an optional accessory, however the company’s new RØDELink wireless XLR adaptor allows users to record audio from a shotgun microphone on the end of the Boompole Pro without the hassle and possible handling noise of cables -
The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included. -
The new TASCAM CD-01U and CD-01U Pro are professional CD players, each designed to fit into one rackspace. Available in two versions - an affordable unbalanced model and a professional model with balanced analog and digital outputs - the CD-01U and CD-01U Pro will save room in broadcast equipment racks and custom installations. Both the CD-01U and CD-01U Pro have an RS-232 control port available for programming with AMX and Crestron systems. They feature MP3 playback, 20-second shock protection and pitch controls for flexible performance. Naturally, they each use reliable TASCAM slot-loading CD transports for years of trouble-free use, making the CD-01U and CD-01U Pro the new standards for compact CD playback.
-
Professional Speaker Stand Set- Material: Aluminium
- At maximum height can hold up to 30 kg centric load
- Height: 1.25 m - approx. 2.00 m
- Pole diameter: 35mm
- Weight (per piece): 2.16 kg
- Total weight including carry bag (without packaging): 4.73 kg
- Colour: Black
-
The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.
Features:
- Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Lengendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
-
Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
- Replacement cartridge: R59
-
The MV5 packs the clarity of almost a century of audio experience into a super-portable microphone. You get sound quality, squared. Singular simplicity: Plug-and-play is only part of the story. Though you’ll be set up in seconds, it’s also easy to select vocals, flat or instrument modes so you’re good to go when inspiration strikes. Globetrotting audio: Designed to travel with your computer or phone, the MV5 rests on its own or connects via a standard 3/4 inch (1.9 cm) mount to the included desktop stand. Easy, friendly control: The ShurePlus MOTIV audio app gives you the ability to record studio-quality audio — and so much more. Trim and share in multiple formats with a few quick taps. -
The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
Features
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
-
The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
-
The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Features
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliability
-
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
-
The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Features
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
- Replacement cartridge: R57
-
Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.Features
- 19’’ 2-Channel receiver, 19 inch 1RU
- Large 244 MHz switching bandwidth
- Legendary Long Range mode (LR) with proprietary audio codec (SeDAC) from the masterpiece Digital 9000
- True bit diversity utilizes both receiver paths, combines their information content to provide the best possible signal
- Equidistant frequency grid for maximum channel density and simplest setup
- 32 superior quality RF pre-selection filters for optimal suppression of interference signals at antenna input
- Error correction and audio error masking
- AES-256 encryption
- Automatic frequency setup
- Digital and transformer balanced analog outputs XLR, 6.3 mm jack, AES-3, EM 6000 Dante with Brooklyn II Card and Amphenol RJ-45
- Integrated antenna splitter for cascading of up to 8 systems
- one high-quality OLED display per channel
- Link Quality Indicator (LQI)
- Wireless Systems Manager (WSM) compatible
- Compatible with standard Sennheiser UHF antennas
- Compatible with Digital 9000 transmitters in Long Range mode
-
The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.Features
- Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
- Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
- Highly effective intermodulation protection
- AES 256 encryption and Digital 9000 encryption
- Compatible with EK 6042 and EM 9046 in Long Range mode
- Li-ion battery packs with 5.5 hours run time
- Magnesium housing
-
High-quality handheld transmitter. Compatible with all ew capsules. Up to 6 x 64 user-programmable channels. Switchable output power. User-friendly menu operation with backlit graphic display. Rugged metal housing.
Features
- Rugged metal housing
- Up to 75 MHz switching bandwidth
- 20 fixed frequency bands with up to 64 compatible presets
- 6 banks each with up to 64 tunable channels
- Frequency setting in 25 kHz steps
- Pilot tone squelch for interference-free operation
- External charging contacts for recharging battery BA 2015 in the transmitter
- Backlit display on transmitter (keystroke activation)
- Auto-lock feature to prevent buttons from accidently being pressed
- Audio and RF MUTE feature for muting the transmitter
- Transmitters can be configured from the receiver menu
- Possible to synchronize with the receiver using infrared interface
- Wide range of accessories for virtually any use
-
Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.Features
- Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)
- Designed for 12 hours of continuous operation
- Made with ultra-light robust metal housing weighing only 112 grams
- Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup
- Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series
- Resistant to moisture and sweat
- Two detachable clips (0°/90°) for secure fit in any position
- Exchangeable antenna and battery
- Can be used with a variety of lavalier microphones and headsets
-
Lightweight, robust bodypack transmitter. AF frequency response optimized for bass guitar. Up to 6 x 64 user-programmable channels. Easy receiver-transmitter synchronization at the push of a button. All-metal housing.
Features
- Sturdy all-metal housing
- Up to 75 MHz switching bandwidth
- 20 fixed frequency banks with up to 64 compatible presets
- 6 banks each with up to 64 tunable channels
- Frequency setting in 25 kHz steps
- Pilot tone squelch for interference-free operation
- External charging contacts for recharging battery BA 2015 in the transmitter
- Backlit display on transmitter (keystroke activation)
- Auto-lock feature to prevent buttons from being pressed accidently
- Audio and RF MUTE feature for muting the transmitter
- Wide range of accessories for virtually any use
- Enhanced audio frequency response in the bass range for optimum transmission from bass guitars
- Input sensitivity above 60 dB can be set in 3 dB steps
- Transmitters can be configured from the receiver menu
- Can be synchronized with the receiver using infrared interface
- Wide range of accessories for virtually any use
-
The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.
The phantom power adaptor is available in two different versions:- MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless)
- MZA 900 P-4 with lockable 3-pin special socket
The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.
The MZA 900 P can also be used as a cable tester for XLR microphone cables.
Features
- Robust metall chassis
- Switchable gain (0/-12dB)
- Switchable roll-off filter (125 Hz (-3 dB), 12 dB/oct)
- Two-colour control LED (phantom power, audio peak)
- Input 3,5mm stereo jack socket, lockable
- Output XLR-3M