Rent Audio Equipment

Professional Audio Equipment rental for any conference, convention and high quality corporate event

  • Features:

    • 8 MIDAS-designed mic preamplifiers for incredible sound
    • Reference-class Cirrus Logic 24-bit converters for excellent A/D and D/A conversion
    • Digital I/O on ADAT optical for maximum compatibility
    • 60dB of available gain — works with any mic
    • Phantom power on all channels
    • Can be used as a master clock, or sync'd to ADAT or Word Clock
  • From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.

    Features:

    • Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
    • Lock Mode disables all controls easily for live and installation use
    • Incredible Dynamic Range of 152 dB
    • Three different bass cut filters and three pre-attenuation levels
    • Peak Hold LED detects even shortest overload peaks
    • Includes carrying case, pop filter, windscreen, and spider-type shock mount
    • Frequency range: 20 to 20 000 Hz
    • Sensitivity: 20 mV/Pa (-34 dBV) +/- 0.5 dB
    • Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
    • Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
    • Signal/noise ratio: 88 dB
    • Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
    • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
    • Impedance: <=200 ohms
    • Recommended load impedance: >= 2,200 ohms
    • Powering: approximately 4 mA
    • Connector: 3-pin XLR to IEC
    • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
    • Net weight: 300g (10.6oz.)
    • Requires +48V phantom power
  • AKG-C451B

    20.00
    Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.

    Main features

    • Polar Diagram: Cardioid
    • Frequency response: 20Hz - 20kHz
    • Sensitivity: 9 mV / Pa (-41 dBV)
    • SPL max: 135/145/155 dB
    • S / N ratio (A-weighted): 76dB
    • Pad: 10 dB, 20 dB
    • High pass filter: 12 dB / Octave at 75Hz and 100Hz
    • Power supply: Phantom 9V - 52V
    • Dimensions: D19 x 160mm
    • Weight: 125g
  • The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.

    Main features

    • Frequency band: 20Hz-17kHz
    • Sensitivity: 1.8 mV / Pa
    • Electrical impedance: 210 Ohm
    • Recommended load impedance: 2000Ohm
    • Polar diagram: Cardioid
    • Audio output: XLR M, 3-pole balanced
    • Dimensions: 115 x H126 x D70mm
    • Weight: 0.300kg
  • FEATURE:

    • 4 mic/line inputs, 2 with Class A FET high impedance inputs
    • Neutrik mic XLR
    • Neutrik 1/4 inch jacks
    • 3 band EQ with MusiQ
    • 2 auxes
    • Sound image pan
    • Illuminated PFL indicator
    • Stereo returns & playback
    • All inputs with level control
    • 12 bar meters
    • Responsive 3-band, swept mid EQ with MusiQ
    • 2 stereo sources with MP3 player compatibility
    • Separate 2-track record outputs
    • Stereo playback input for 2-track replay
    • XLR main stereo outputs with inserts
    • Comprehensive monitoring
    • Configurable USB stereo audio in/out
    • Stereo monitor outs
    • 48V microphone phantom power
    • DI level switching for sub mixing
  • The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.

    Specifications

    • Frequency range:  450 – 960 MHz
    • Pick-up pattern:  directional
    • Antenna gain:  4 dBi
    • Connector:  BNC
    • Opening angle:  +- 50 degrees
    • Impedance:  50 Ohm
  • Features:

    • Ultra-linear condenser microphone for measurement and recording application
    • Perfectly suited for room equalization application plus high-resolution studio recording and live applications
    • Exceptionally flat frequency response and ultra-high sound resolution
    • Evenly weighted, true omnidirectional pattern
    • Perfect for use with the Behringer Ultracurve or any other analyzer
    • Ultra-low noise transformerless FET input eliminates low-frequency distortion
    • Gold-plated 3-pin XLR connector for highest signal integrity
    • Swivel stand mount and transport case included
    • High-quality components and exceptionally rugged construction ensure long life
    • Requires phantom power, +15 to +48V
  • The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels

  • Features:

    • Lots of input options at a budget-friendly price
    • Channels 1-4 each feature one-knob compression
    • 3-band EQ
    • 24-bit multi-FX processor
    • USB connection for stereo computer recording
  • The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

    Drum Mic Set

    Set comprises:

    • 1x Bass drum Boundary microphone TG D71
    • 2x Condenser microphones D57c for Tom Toms (cardioid, Clip-On)
    • 3x Condenser Microphones D58c for Snare/Tom Toms (cardioid, Clip-On)
    • 2x Condenser microphones MC 930 for overhead (cardioid)
    • 1 Condenser microphone MC 950 for Hi-hat (super-cardioid)
    • Solid M Bag Drum Softbag with protective foam insert and space for additional microphones and accessories
    • Microphone clips
  • Optimized structure and efficiency in meetings Up to 31 simultaneous translation channels, plus the one for the basic language Full range of voting functions Flexible interface with devices from other manufacturers Easy system expansion with wired and wireless units The Digital Congress Network (DCN) ) by Bosch offers the benefits of innovative digital technology to the systems used in debates and conferences. It is the first fully digital system of its kind and offers versatility and high quality audio and data transmission while allowing complete control of conferences.

    Availability: 10 cabins 2500 receivers 20 interpreting stations
  • The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats.

    KEY FEATURES

    IMPROVED SOUND DESIGN For the best possible club sound, we've added a 96 kHz/24-bit sound card and improved the digital signal processing (DSP) and Digital Out. Analogue noise is reduced to a minimum by a high-performance 32-bit D/A converter and separate analogue power supply. Crisp high-resolution audio is supported for FLAC, Apple Lossless Audio (ALAC), as well as MP3, WAV, AAC, and AIFF. LARGE TOUCH SCREEN The 7-inch, full-colour touch screen gives you instinctive control of your favourite features. It displays all the info you need, including Wave Zoom, Needle Countdown, Phase Meter, and more. Keyword Search and Track Filter mode help you browse and select your tracks faster for an effortless performance. 8 HOT CUES Set cue points in rekordbox and customise their colours. 2 banks of 4 colour-illuminated Hot Cues put instant playback of pre-set cue points at your fingertips. BEAT PERFECT Quantize snaps cues and loops to the rekordbox beat grid for a reliable performance every time. ADD A DDJ-SP1 Add the DDJ-SP1 to your set-up and access even more performance features. Simply plug in a USB cable and control up to 4 CDJ-2000NXS2s using Pro DJ Link.
  • Features:

    • 2-Channel Headset/Speaker Main Station with built-in 2-amp power supply, rack mount (1RU) - UL Listed
    • Compact, feature-laden, single rack-space intercom main station supports up to 40 RS-601 beltpacks, 10 speaker stations or 12 headset stations on two channels.

    Other features include:

    • Channel A-B linking
    • Program input with individual channel level controls
    • Remote Mic Kill switch
    • External relay circuit
    • Stage Announce
  • The HME DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions. The HME DX210 is a two-channel intercom system that has advanced the capabilities of the legendary DX200. The DX210’s wired intercom interface is now compatible with Clear-Com’s or RTS’ 2-wire systems, and provides two separate 2-wire and 4-wire interconnections. In single channel mode, the powerful 1RU base station supports up to 16 full-duplex and 44 half-duplex beltpacks and/or wireless headsets by linking four base stations. The DX210 is paired with the rugged BP210 beltpack and All-in-One WH220 Wireless Headset, which have two intercom buttons (IC1/IC2) with ISO. The system is also backward compatible with the DX200 COMMUNICATOR models such as BP200, and WH200.

  • The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

  • The versatile magnet mount/gooseneck system provides stable and repeatable positioning.

    The mics can easily be positioned at different angles to provide a variety of sound nuances. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

    The mount can also be used with various instruments with magnetic surfaces.

  • The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.

  • Clip for attaching a 4099 instrument microphone to thin-bodied and unusually shaped instruments. The design of the microphone clip includes a Velcro attachment strap to fit instruments of various sizes and diameters such as oboe, clarinet, bassoon, recorder and flute. The attachment strap tightens to fit the circumference of the instrument, like a wristwatch on your arm

  • The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

  • BEHRINGER B-CONTROL FADER BCF2000: Total-Recall USB/MIDI Controller with 8 Motorized Faders. Total-recall, cascadable desktop MIDI controller with analog feel and intuitive user interface. 8 ultra-precise, 100-mm, motorized faders for ultimate control of virtual mixers, organ-drawbars (inverse mode) or virtual synths and samplers. 4 virtual groups with 8 dual-mode, high-resolution encoders that feature LED rings and an additional push function. 16 + 4 illuminated buttons freely assignable to all types of MIDI functions from note on/off, control change and program change to MMC and system exclusive data. All panel elements freely assignable - manually or via user-friendly learn mode. Additional multi-function foot switch and foot controller connectors can be used to address all types of MIDI data. 32 user presets each with 4 encoder groups. Configurable MIDI and USB modes for ultra-flexible system integration. 1 MIDI In plus 2 MIDI Outs, usable as an additional USB to MIDI interface. Multi-function, 4-digit LED display with real-time parameter indication plus write-in fields for your own labeling. MIDI input with merge function for cascading several control units. Easy connection to any computer/expander, etc. using standard MIDI In/Out connectors. Generic USB MIDI support with Windows XP and Mac OS X operating systems. Additional drivers and editor/librarian software available for free download at behringer.com. High-quality components and exceptionally rugged construction ensure long life. Conceived and designed by BEHRINGER Germany. Redefine how you make music. Be in control with the BCF2000! Stop by your local BEHRINGER dealer and push those faders around.

  • Rental Audio kit d & b audiotechnik composed by: N.6 d & b Q1 N.2 d & b Q7 No. 6 d & b QSub N.4 d & b D12 N.1 Yamaha LS9 mixer Design and configuration assistance
  • The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.

  • J-SUB is a bi-amplified 2-way bass-reflex subwoofer incorporating three 18 "long-excursion neodymium speakers, two of which are mounted on the front panel and one on the rear panel. which derives from this architecture avoids the unwanted projection of energy behind the system, which thus benefits from a considerable reduction of the reverberated field at the serious frequencies and therefore translates into an incomparable reproduction precision.The J-SUB systems can be used to complement the J8 and J12 systems in various combinations, either on the ground or suspended, either integrated into the column at the top of the J8 / J12 array, or in independent J-SUB columns. built in marine plywood covered with the exclusive PCP (Polyurea Cabinet Protection) treatment to protect against shocks and atmospheric agents.The front and back panels are protected by a rigid metal grid ca, while on each side panel there are four handles. Four 100mm wheels and an EP5 or NL8 connector complete the rear panel.

  • The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D12 utilizes an autosensing switch mode power supply for mains voltages 120 V/230 V, 50 - 60 Hz (optional 100/200V). The D12 amplifier incorporates d&b SenseDrive for accurate control of LF drivers in d&b loudspeakers driven in 2-Way Active mode or in actively driven d&b subwoofers. When the D12 is fitted with EP5 connectors and appropriate 5 wire cabling, d&b SenseDrive can be used, resulting in an extremely precise bass performance even at high levels. NL4 and NL8 connector options are also available. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.

  • The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used. The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V - 240 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d&b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d&b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.

  • The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d&b loudspeakers and a linear mode; exceptions are 2-Way Active, V-Series and B2-SUB. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D6 incorporates Class D amplifiers utilizing a switch mode power supply with active Power Factor Correction (PFC), suitable for mains voltages 100 V/120 V/200 V/ 230 V, 50 - 60 Hz and maintains a stable and increased output when used with weak or unstable mains supplies. It is supplied with two NL4 loudspeaker output connectors. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.

  • The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft) to be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D80 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen of the D80 amplifier is tilted up for ease of operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases the application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D80 amplifier enables the electrical compensation of loudspeaker cable properties, without the need for an extra conductor. This results in an increased accuracy of audio reproduction over a bandwidth of up to 20 kHz, preserving the tonal balance when cable lengths of up to 70 m (230 ft) are used. The D80 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V/120 V/200 V/230 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector, while individual outputs are optionally NL4 or EP5 connectors. RJ 45 and etherCON connectors enable access to the d&b Remote network via CAN-Bus and OCA/AES70 via Ethernet respectively.

  • d&b e12

    30.00

    The E12 and E12-D are high performance 2-way multipurpose loudspeakers, employing an integrated coaxial driver. The E12 and E12-D can be used for speech and music applications as stand-alone full range systems or incorporated into larger distributed sound reinforcement situations and, with the addition of an E15X or B4 subwoofer, can also easily reproduce high level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The E12 has an 80° x 50° dispersion pattern (h x v), while the E12-D has a wider 110° x 50° pattern. The horns in both loudspeakers are easily rotatable through 90° providing 50° x 80° or 50° x 110° dispersion patterns. The E12 and E12-D cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating handles and a hidden socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

  • The E6 is a relatively small high performance multipurpose loudspeaker, employing an integrated coaxial driver. The horn with its 100° x 55° dispersion pattern can easily be rotated through 90° providing a 55° x 100° pattern without the use of tools. This enables deployment of the loudspeaker either vertically or horizontally. Its distinctive cabinet design and extensive range of accessories allow easy deployment in almost any situation, including stage monitoring. It provides a very compact reinforcement solution that inspires through its sound quality and is also perfectly compatible with the larger E8 and E12 loudspeakers. With the addition of an E12X subwoofer or any other E-Series subwoofer it can also reproduce high level music program. The E6 cabinet has an impact resistant paint finish incorporating a handle. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with a metal plate in the specified colour covering the handle recess.

  • d&b Q-sub

    30.00

    The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. d&b SenseDrive technology is available when powered by the D12 amplifier. The Q-SUB is mechanically compatible with the Q1 and Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. The Q-SUB cabinet is constructed from marine plywood with an impact resistant paint finish, a pair of handles, four heavy duty wheels and an M20 threaded flange in the top panel to accept a loudspeaker stand. The front of the loudspeaker cabinet is protected by a rigid metal grill covered with replaceable acoustically transparent foam and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel. Two runners protect the bottom of the cabinet from scratching; these are located in correspondingly shaped recesses in the top panel to prevent movement when stacked. Fittings for securing an optional wooden lid are also provided.

  • The Q1 is a passive 2-way loudspeaker housing two 10" LF drivers positioned in a dipolar arrangement and a 1.3" HF compression driver fitted to a toroidal waveshaping device. The 75° constant directivity horizontal dispersion pattern is maintained down to 400 Hz, while the vertical HF dispersion of 15° allows the Q1 to be used to construct vertical columns that produce a curved coherent wavefront. The mechanical and acoustical design of the cabinet enables vertical splay angles to be set between 0° and 14°. Q1 cabinets can therefore be used in vertical configurations starting from two cabinets with a 15° to 30° dispersion, up to 20 cabinets with a fully user and venue defined vertical profile. The Q1 cabinet is constructed from marine plywood, incorporates a pair of handles and has an impact resistant paint finish. The front of the loudspeaker is protected by a rigid metal grill covered with replaceable acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.

     
  • Audio rental d&b audiotechnik Big Kit composed of: N.20 Q1 d & b audiotechnik N.4 Q7 d & b audiotechnik N.12 QSub d & b audiotechnik N.1 Yamaha M7CL mixer. Design and configuration assistance
  • The Q7 is a 75° x 40° passive 2-way loudspeaker housing two 10" LF drivers and a 1.3" HF compression driver with a rotatable constant directivity horn and a passive crossover network. The two 10" neodymium LF drivers are positioned in a dipolar arrangement providing exceptional vertical dispersion control with the nominal angle being maintained down to 400 Hz. The Q7 with the horn rotated is used to mount the loudspeaker horizontally where space is limited, or the maximum horizontal pattern control is needed and when added to the bottom of Q1 arrays. The Q7 can be used as a stand-alone full range system, in combination with other Q-Series cabinets ground stacked or mounted on a high stand with a swivel bracket. They can also be combined in flown array systems. The Q7 cabinet is constructed from marine plywood and has an impact resistant paint finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, covered with a replaceable acoustically transparent foam. The cabinet incorporates a pair of handles and mounted on the rear panel are two EP5 or NL4 connectors wired in parallel.

  • The T10 is a passive 2-way loudspeaker housing two 6.5" drivers positioned in a dipolar arrangement and a 1.4" HF compression driver and a passive crossover network. The T10 can be used both as a line array and as a high directivity point source loudspeaker. The HF driver is fitted to a unique waveguide horn producing vertical line source directivity with a 90° horizontal pattern that is maintained down to approximately 600 Hz. An acoustic lens placed in front of the horn widens horizontal dispersion to 105°, rotation of the horn by 90° relative to this produces an accurate point source dispersion, transforming a vertically oriented T10 into a stand-alone full range loudspeaker with 90° horizontal and 35° vertical directivity pattern. The T10 cabinet is constructed from polyurethane integral hard foam, incorporates integrated line array rigging hardware and has an impact resistant finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.

  • The compact Y12 line array loudspeaker is designed for use in vertical columns. The 2-way passive design features two 8” drivers in a dipole arrangement and a centrally mounted 1.4” compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 120° horizontal directivity controlled down to 500 Hz. The mechanical and acoustical design enables vertical arrays of up to twenty four loudspeakers with vertical splay angles from 0° to 14° with a 1° resolution. It can be used in columns of purely Y12 loudspeakers or combined with Y8 and/or Y-SUB cabinets. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle while two additional recessed grips are provided at the rear. Three point rigging hardware is integrated into the loudspeaker enclosure.

  • The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

Title