Rent Video, Cinema and television equipment

  • Features:

    • 7" LCD, 1024 x 600 Pixels resolution
    • 2K / 3G / HD/SD-SDI input and output loop
    • Front / Rear Tally
    • HDMI input
    • Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
    • AFD, timecode, H/V delay
    • Zebra stripes, Peaking focus assist
    • R/G/B/Mono, False colour
    • 2 channel embedded audio level indicator
    • Selection of 2 audio channels for audio output
    • USB Service Firmware update port
    • SSL JVC50 / 75 battery connection plate
  • With security provided by Knox, the displays feature Samsung Workspace which supports wireless cloud service access and control of a PC without needing a physical connection. Samsung Workspace simplifies meeting spaces while also improving security.
  • The MSG-5300 from Grass Valley, a Belden Brand, is a modular multiformat master sync generator designed for use in the most demanding broadcast and post production facilities. In master sync applications it may be controlled by the internal, high precision oven controlled master clock, or locked to an optional GPS receiver. In slave applications MSG5300 can be genlocked to PAL and NTSC video, blackburst signals, subcarrier and 5 MHz or 10 MHz clocks. All HD and SD outputs are individually timeable for synchronization of sophisticated video installations.
  • The LED 46" NEC X462S offers customers a super-slim depth of 1.7” and a brighter screen than its predecessor. This industrial-strength, full HD LCD display delivers high-quality imagery with advanced connectivity, including DisplayPort, HDMI and an Open Pluggable Specification (OPS) slot. These digital options increase flexibility for users in a variety of digital signage applications, especially video walls where up to 100 displays can be used in a 10x10 configuration. The optional color calibration solution enables color uniformity and fidelity across individual and multiple screens, creating a perfectly matched image in tiled digital signage environments. The X462S is ideal for hospitality, retail and government applications where minimal depth is required.

  • NEC's 46" V463 high-performance large-screen display utilizes LED backlighting to deliver both environmental and functional benefits for digital signage. The V463's commercial-grade panel is capable of displaying brilliant imagery and capturing the audience's attention. This full HD model features built-in 10W speakers and an Open Pluggable Specification (OPS)-compliant expansion slot, which future-proofs the display and allows for the seamless integration of a computer or other NEC/third-party component. Because video, RS-232 control and power are passed internally from the display to the computer, additional cabling is not required, thereby simplifying installations. With integrated temperature sensors and fans, this display is ideal in applications that require extended use, including retail stores, restaurants, indoor venues, training facilities and corporate boardrooms. LED backlighting technology reduces power consumption and allows for a slimmer cabinet depth Built-in expansion slot supports the Open Pluggable Specification (OPS), which is the industry's first standardization option slot that simplifies digital signage installations Full 1080p high-definition resolution provides stunning detail Commercial-grade LCD panel and components enable extended run time Expanded connectivity with digital loop-through

  • NEC’s 55” V552 commercial-grade large-screen LCD display utilizes LED-backlighting to reduce the product’s depth and power consumption when compared to its predecessor. The V552 also features built-in 10W speakers and an Open Pluggable Specification (OPS)-compliant expansion slot. This future-proofs the display and allows for the seamless integration of a computer or other NEC/third-party component. Because video, RS-232 control and power are passed internally from the display to the accessory, additional cabling is not required, thereby simplifying installations. The V552’s full high-definition panel is capable of displaying brilliant imagery and capturing the audience’s attention, making it ideal for use in applications that require extended use, including retail stores, restaurants, indoor venues, training facilities and corporate boardrooms.

  • The Dimension 3D is a unique and highly versatile 3D Format converter allowing the conversion of any standard 3D format to another including changing of the frame rate. Standard video formats are supported from high definition to 2K. Dimension-3D accepts both dual and single stream as well as HDMI inputs and outputs. The versatility of Dimension 3D makes it suitable to fit into virtually all stereoscopic workflows: - Allows for any 3D input stream format to be used with all types of display components currently available, including high end projectors and the latest generation of 3D ready LCD displays. - Converts stereoscopic camera rig output to recorders and displays. - Enables double stack 3D projection. - By encoding the left and right eye streams into a single HDSDI stream and back again the unit becomes ideal for recording 3D content on standard HD tape and server technologies. - When coupled with Doremi’s Nugget or V1 servers, a very cost-effective 3D playout solution is provided especially in conjunction with the powerful Doremi Asset Management software. A two-line LCD display and function knob together simplify navigation through the Dimension-3D’s menus. A USB connection for remote operation and an infrared remote control are also provided.
  • Ready Rig GS is the industry leading tool that allows you to push your creativity with total freedom of movement and weight support. The Ready Rig GS redistributes the weight of gimbal mounted and handheld camera builds to your legs and core, enabling you to shoot for longer periods of time with less fatigue. The Ready Rig GS is designed to reduce the bounce motion that can be experienced during handheld and gimbal shots. This kit is compatible with any gimbal in standard or underslung mode. The Ready Rig GS features a load capacity range of 1 to 30 pounds, carbon fiber support arms, and an aluminum frame. A durable zippered carrying case is included to store your kit which can be hand-carried or worn as a backpack. See your creations come to life with the Ready Rig GS. Includes: - 1x Ready Rig Vest - 2x GS Carbon Fiber Support Arms - 2x GS Shoulder Fulcrum Clamps - 2x Power Bungees - 2x Universal Gimbal Attachments - 1x Ready Rig GS 1000D Cordura Carrying Case - Limited 1-Year Warranty
  • Video Input Digital 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported) 4x Fiber LC*,  3G-SDI, SMPTE-297, 10-bit 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*) Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*) Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*) 1x HDMI standard type A connector HDMI v2.0 YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60 HDMI v1.4b, RGB or YCbCr   Video Formats (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*  (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97* (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (HD) 1080i 50, 59.94, 60 (HD) 1080PsF 23.98, 24, 25**, 29.97** (HD) 720p 50, 59.94, 60
  • Get the compact, portable and affordable disk recorder that’s battery powered so it’s the perfect on set field recorder! HyperDeck Shuttle records to uncompressed QuickTime and compressed Apple ProRes 422 HQ or Avid DNxHD MXF file formats. Bypass your camera’s compression and record from SDI and HDMI onto low cost solid state disks. SSDs are cheap and fast, so you can edit directly from the SSD media itself!

    Connections

    SDI Video Input 1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector. SDI Video Output 1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector. SDI Rates 270Mb, 1.5G HDMI Video Input 1 x HDMI type A connector HDMI Video Output 1 x HDMI type A connector SDI Audio Input 16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. SDI Audio Output 16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. HDMI Audio Input 8 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. HDMI Audio Output 2 channels embedded in SD and HD Recorder Configuration Use USB 2.0 high speed interface Computer Interface 1 x Mini-B type USB 2.0 connector for initial setup, software updates and HyperDeck Utility software control.
  • HyperDeck Studio Pro is the ultimate in compatibility and technology, featuring a more advanced design that includes 6G-SDI so you get SD, HD and Ultra HD formats, plus HyperDeck Studio Pro includes a wide range of video and audio connections in both analog and digital so you get the widest compatibility with older and newer equipment. Get SD, HD up to 1080p60 and Ultra HD up to 2160p30 all in the one deck! Also includes 6G-SDI and Quad SDI, HDMI 4K, analog component, balanced analog audio and AES/EBU audio compatibility. You even get built in Thunderbolt for computer capture and UltraScope software for live scopes!

     
  • The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

    Features

    • 1920 x 1200 Touchscreen Display
    • 10-Bit FRC Monitor Processing
    • 4K HDMI and 12G-SDI Inputs/Outputs
    • 1500 cd/m² Brightness
    • HDR Mode with 10-Stop Dynamic Range
    • High Bright Mode for Rec. 709 Viewing
    • UHD 4K up to 60p / 1080p up to 240 fps
    • 10-Bit 4:2:2 ProRes and DNxHR Encoding
    • Records to 2.5" SSD/HDD Media
    • Dual Sony L-Series Battery Slots
  • available 7 camera for Rent Sony HDC-1700 and rent Sony HDC-4300 slowmotion camera, 4K, 25p 50P

    General

    Power requirement:  240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass:  4.5 kg (9 lb 15 oz)

    Camera Section

    Pickup device:  3-chip 2/3-inch type Progressive CCD Effective picture elements:   1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system:  F1.4 prism system Built-in filters(ND)  1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical):   Typical -60 dB    
  • The HDC-4300 joins Sony’s widely acclaimed HDC Series family of Live Production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down.
  • rental Roni2 dji full optional. Gimbal very professional for stabilised and very customised shooting. Available also with Readyrig
  • 12GDA is a miniature 1x6 12G-SDI reclocking distribution amplifier that allows facilities to save on cable runs and install times. With support for 12G-SDI for 4K/UltraHD single link workflows, the format agnostic device features six separately buffered SDI outputs identical to the recovered input. It also offers automatic input detection, reclocking and cable equalization, as well as a throw down package and LED signal detection indicator. Compact 12G-SDI distribution Six separately buffered outputs Miniature size 12G cable equalization (1694 coax) 12 Gbps, 70m 6 Gbps, 120m 3 Gbps, 190m 1.5 Gbps, 195m 270 Mbps, 405m 12G/6G/3G/HD/SD-SDI input, auto sensing Passes all ancillary data DWP-U-R1 power supply included Five year warranty
  • Nuovi radiomicrofoni serie sennhieser d6000 anche nella versione ENG per la realizzazione di acquisizione audio di qualità superlativa anche nelle troupe di ripresa ENG
  • This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).

    Features

    Focus marks are in feet with select markings in luminous paint
    High image performance covering full frame sensors; suitable for 8K capture
    Fast T1.5 maximum aperture aids in shooting with low light levels
    Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
    Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)
  • Edelkrone SliderPLUS v5 PRO Long, double length with movable rails, 2.9' with tripod mounted 9kg payload and ground mounted 19Kg payload, Supports Motion Control Slider Module v3, Tilt up to 22.5° with Slider Module v3, Quick release magnetic belt clips, Lockable folding legs
  • SliderPLUS+ è l'estensione rispetto agli slider normali. Quando si spinge la fotocamera, le rotaie arretrano o avanzano senza interferire con le riprese.
  • A perfect balance of portability and rigidity. Easy to use slider for rigs up to 20kg. Thanks to a wide variety of custom options you can complete an ideal slider for your needs.
  • SMARTONE cart is made for film industry professionals who value ​​time, quality and work comfort. This mobile and easy-to-use solution allows you to carry and organize on-set equipment you need. High durability components and brakes system provides performance and safety. Have the compact and lightweight SMARTONE always at your hand or compact car where fits perfectly.

  • Featuring two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!

     

    Connections

    SDI Video Input: Automatically switches between SD, HD and 3G-SDI. Reclocked loop through output. Multi Rate Support: Auto detection of 2K, HD or standard definition inputs. Updates and Configuration: Via USB 2.0 high speed (480 Mb/s) Ethernet: 10/100 BaseT with loop through. Tally: 9-pin D connector Power Supply: 12V universal power supply included with international socket adapters for all countries.
  • New 33.0 MP full-frame Exmor R back-illuminated CMOS image sensor Advanced BIONZ XR image processor with up to 8 times higher processing performance Reliable AF capabilities including Real Time Eye AF for people, animals and birds Video production with 4K 60p4, 4:2:2 10-bit recording capability Advanced movie functions including Active Mode, Breathing Compensation and AF Assist
  • Experiences like you've never had before. The Sony FX3 (ILMEFX3.CEC) takes you into the world of filmmaking. The camcorder is super compact, but it has everything you could want as a cinematographer. 4K image quality, low-light shooting, real-time automatic eye focus, ""touch tracking,"" and more. Sensor: Sony's FX3 (ILMEFX3.CEC) uses a 10.2-megapixel Exmor R CMOS sensor. Together with the Bionz XR processor, this technology provides the performance you're looking for. This sensor not only allows you to film in 4K at 120fps, but also with minimal ""rolling shutter."" This means you have no blackouts. They also guarantee a great result in difficult lighting conditions. You have an ISO up to 409,800 and a wide dynamic range of more than 15 stops.
  • Full-frame creativity. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the impossible. Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.

  • The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality - and anticipate tomorrow's production needs while maintaining full compatibility with today's workflows and system hardware.
  • The HDCU-3500 Camera Control Unit is designed for operation with the Sony HDC-3500 and HDC-3500 4K/HD system cameras. It provides interfaces to external equipment and power supply to the camera in a compact, portable half rack width 3U form factor that’s ideal for OB production environments. A 12G-SDI and 4K output is available via an optional software license HZCU-UHD35. The CCU also provides a pathway for IP operation with HDC Series optical fibre studio cameras. IP Tally support (TSL UMD v5.0) is featured as standard, while CCU menu settings can be conveniently adjusted remotely via a network. HDCU-3500 support not only HDC-3500, HDC-3100 but existing HDC-2500 series natively. Moreover, with hardware options, HDCU-3500 is capable of connecting to HDC-5500, the flagship 4K camera.
  • Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.

    The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.

    In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired 'look' of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set

  • The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality. The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422. The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***. With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.

    * 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0) operation requires V1.2 firmware. ** Operation in MPEG HD at 18Mb/s is replay only. *** SD operation requires CBKZ-MD01 option.
  • The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.

  • High definition XAVC recordings

    The PDW-HD1550 provides high definition XAVC Intra 422 recordings at 1920 x 1080 at various bitrates, including 59.94i, 50i, 29.97p, 23.98p and 25p.

    Multi-format recording and playback capabilities

    The PDW-HD1550 has a highly flexible multi-format recording and playback capability as standard. As well as XAVC, users can select recording and playback formats from HD (MPEG HD422 50 Mbps and MPEG HD420 35 Mbps and 25 Mbps) and SD (MPEG IMX50/30 and DVCAM) in a variety of frame frequencies

    Support for Quad Layer and Triple Layer Professional Discs

    The recorder supports the latest Professional Disc media, including Quad Layer PFD-128QLW, Triple Layer PFD-100TLA, Dual Layer PFD-50DLA and Single Layer PFD-23A

    8 channels of digital audio

    Uncompressed PCM recording of 24-bit 48 kHz audio enables 8-channel audio recording at high sound quality.

    Supports a variety of interfaces

    This unit supports HD-SDI video, 8-channel audio input and output, SD-SDI video, 8-channel audio input and output (the SD/HD-SDI input connector doubles as an SD-SDI input connector), SD composite output, AES/EBU digital audio 4-channel input and output, analogue audio 2-channel input and output, remote RS-422A (D-sub 9-pin x1) and video remote (D-sub 9-pin x1), plus HDMI output
  • The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode or a 25Mb/s, HDV 1080i compatible mode. To take advantage of this high performance recording capability, the PMW-EX3 uses the same imaging system as the PMW-EX1, consisting of three ½-inch type CMOS sensors, each with an effective pixel count of 1920x1080. In addition, there's a purpose-built interchangeable Fujinon Professional HD ½-inch 14x lens and a unique dual focus ring mechanism. Included in the package is a ½-inch lens adaptor to allow use of other ½-inch lenses, plus the ability to use other optional lens adaptors for 2/3rd-inch, cinema-style and digital SLR lenses. To maximise recording time, the PMW-EX3 has two memory card slots which means with a pair of 16 GB SxS PRO memory cards, it can record up to 140 minutes of HD footage.

  • The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimised the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.

    General

    Mass: Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card) Power Requirements:  DC 12 V

    Camera Section

    Imaging Device (Type):  Super35 type Single-chip Exmor CMOS Effective Picture Elements: 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) Built-in Optical Filters:  Clear, 1/4ND, 1/16ND, 1/64ND Sensitivity (2000 lx, 89.9% reflectance):  Video Gamma: T14 (3840 x 2160/23.98P mode 3200K) ISO Sensitivity:  ISO 2000(S-Log3 Gamma D55 Light source) Minimum Illumination:  0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4) S/N Ratio:  57 dB (Y) (typical) Shutter Speed:  1/3 sec to 1/9,000 sec Slow & Quick Motion Function: XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P) XAVC-L mode 3840x2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P) White Balance:  Preset, Memory A, Memory B(1500K-50000K)/ATW Gain:  -3, 0, 3, 6, 9, 12, 18 dB, AGC Gamma Curve:  STD,HG,User,S-log3  

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