- Convert HDMI 2.0b to 4K/UltraHD 60 fps to 12G-SDI with a second mirrored output
- Supports up to 60p input at 4:4:4/4:2:2/4:2:0
- EDID Emulation
- Two Sample Interleave (2SI) 4K/UltraHD source mapping
- Analyzes HDR Infoframe data coming in over HDMI in accordance with HDMI v2.0b/CTA-861-G
- Simple Frame Rate Conversion (FRC) 60 fps to 59.94 fps, and 59.94 fps to 60 fps
- Embedded audio can be selected from the HDMI or Analog audio inputs
- Embedded audio pass-through of E-AC-3 (Dolby Digital Plus) compressed audio, including DD+ Atmos (aka DD+ JOC) immersive sound
- Configure via USB port and supplied AJA Mini-Config software on PC/Mac
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AJA’s HA5-12G converts an HDMI 2.0 input to 12G-SDI for 4K/UltraHD single link outputs. HA5-12G includes two 12G-SDI distribution amplifier outputs with 8 or 2-channels of embedded audio from an HDMI source or two-channel analog audio (RCA) input. HA5-12G also supports Extended Display Identification Data (EDID) emulation, which ensures the connected source continuously supplies custom preferred video formats on output. HA5-12G-T and HA5-12G-T-ST Fiber SFP-equipped models are single channel transmitters capable of extending HDMI 4K/UltraHD signals over long distances, up to 10km over a single LC or ST Fiber link respectively. These models ship with SFPs installed, and include all functionality of the HA5-12G, with the added benefit of extending audio and video signals further. -
12GDA is a miniature 1x6 12G-SDI reclocking distribution amplifier that allows facilities to save on cable runs and install times. With support for 12G-SDI for 4K/UltraHD single link workflows, the format agnostic device features six separately buffered SDI outputs identical to the recovered input. It also offers automatic input detection, reclocking and cable equalization, as well as a throw down package and LED signal detection indicator. Compact 12G-SDI distribution Six separately buffered outputs Miniature size 12G cable equalization (1694 coax) 12 Gbps, 70m 6 Gbps, 120m 3 Gbps, 190m 1.5 Gbps, 195m 270 Mbps, 405m 12G/6G/3G/HD/SD-SDI input, auto sensing Passes all ancillary data DWP-U-R1 power supply included Five year warranty -
The SPG 1707 is a compact, versatile analog sync pulse generator with genlock providing HD / SD video sync and audio reference signals. The module provides three SD sync outputs and three HD sync outputs and a separate audio sync output that can be switched between 48 KHz Word Clock or Digital Audio Reference (DARS). Flexible genlock capability allows the module to genlock to any SD or HD reference input, with full cross lock capability, even across unmatched standards. The HD tri-level sync outputs can be set to any of the available HD standards, and the bi-level SD outputs set for NTSC, PAL or PAL M/N. The SD and HD sync outputs and audio sync signals are all frequency locked to the reference regardless of the selected sync standard for the outputs. The SD sync outputs can be Color bars, Black Burst or Sync only with selectable 7.5 IRE pedestal for NTSC standards with adjustable burst phase in 8 increments. The sync generator is robust and temperature stabilized, suitable as a reference source with 2ppm accuracy. All user controls are located on the top of the module clearly labelled and easily accessible. This facilitates simple changes to module function and configuration without referring to a manual. The compact portable design makes it suitable for a wide range of applications in broadcast and mobile production environments. -
Input Frequency: 18.3 to 20.2 GHz Output Frequency: 28.1 to 30.0 GHz Polarization: Standard: Circular, Cross-polarized, with remote switching option electronical Switch Ambient Temperature: -40° to +55° C -
Mini Converter UpDownCross HD is a full standards converter that lets you convert any SD or HD video format to any other SD or HD video format! You get both SDI and HDMI inputs and outputs, along with reference input for built in re‑sync, high quality Teranex conversion algorithms, automatic audio delay for perfect AV sync, international power supply and more!-
- SDI Video Inputs
- 1 x SD, HD or 3G‑SDI Video Input and 1 x External Reference Input.
- HDMI Video Input
- 1 x HDMI type A connector.
- SDI Video Outputs
- 1 x loop out and 2 x outputs
- HDMI Video Output
- HDMI type A out. Output supports EDID of the monitor.
- SDI Rates
- 270Mb, 1.5G, 3G.
- Reference Input
- Black burst and Tri‑Sync for SD & HD.
- Multi Rate Support
- Auto detection of HD or standard definition SDI inputs.
- Updates and Configuration
- USB
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The HDCU-3500 Camera Control Unit is designed for operation with the Sony HDC-3500 and HDC-3500 4K/HD system cameras. It provides interfaces to external equipment and power supply to the camera in a compact, portable half rack width 3U form factor that’s ideal for OB production environments. A 12G-SDI and 4K output is available via an optional software license HZCU-UHD35. The CCU also provides a pathway for IP operation with HDC Series optical fibre studio cameras. IP Tally support (TSL UMD v5.0) is featured as standard, while CCU menu settings can be conveniently adjusted remotely via a network. HDCU-3500 support not only HDC-3500, HDC-3100 but existing HDC-2500 series natively. Moreover, with hardware options, HDCU-3500 is capable of connecting to HDC-5500, the flagship 4K camera. -
Advanced 1720mAh lithium-ion battery boosts camera performance over standard GoPro batteries across a wide temperature range. Increases recording time in both HERO10 Black + HERO9 Black with up to 40% improvement in HERO10 Black using high-performance settings. Dramatically improves cold-weather performance in temperatures down to 14°F (-10°C). Up to 13% faster charging rate than standard GoPro batteries. -
The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality - and anticipate tomorrow's production needs while maintaining full compatibility with today's workflows and system hardware. -
The PMV 1841 is a compact quad split multiviewer ideal for applications needing basic quad split multiview capability into an HDMI monitor. Four SDI inputs are supported with a single HDMI output. The module has three basic modes of operation:- Quad Split - All four inputs are arranged into a fixed quad display. Each input can have the monitoring tools (or on screen overlays) individually configured.
- Full Screen - One of the four inputs is displayed full screen with the user configured monitoring tools. In this mode 2 channels embedded audio from the selected SDI input is embedded into the HDMI output.
- 4K Monitoring - The module can be used to monitor 4K (12G) signals. The four SDI inputs are "stitched" together to make a full frame for monitoring. The 4K image is down converted to HD for display (4K monitor not required). Note: There are no on screen monitoring tools available in 4K mode.
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Max video input & loop through: 4096x2160 60fps. Supported resolutions include:- 4096x2160p/3840x2160p/2048x1080p/1920x1080p 23.98/24/25/29.97/30/47.95/48/50/59.94/60
- 2048x1080i/1920x1080i 25/29.97/30/47.95/48/50/59.94/60
- 1280x720p 50/59.94/60
- 720x576 25p/50i (PAL SD)
- 720x480 29.97p/59.94i (NTSC SD)
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Logitech Brio is our best and most advanced business webcam. Packed with innovative technologies, Brio raises the bar for ultra 4K HD video collaboration excellence. RightLight 3 and high dynamic range (HDR) technology automatically adjust to help you look professional in any lighting environment, including low light, direct sunlight or high contrast lighting conditions. Brio is a remarkable piece of technology that streams crystal-clear video with superb resolution, frame rate, color and detail, including autofocus and 5x HD zoom. Brio delivers 4K Ultra HD video at 30 fps, HD 1080p at either 30 or 60 fps, and HD 720p at 30, 60 or an ultra-smooth 90 fps for outstanding clarity, smoothness, and detail. Choose from three field of view (FOV) presets to perfectly frame your video. To frame an ideal head and shoulders view, select 65° diagonal. To capture more of the room, choose 78° or 90° degrees diagonal. Whichever dFOV setting you select, get a closer look with 5x HD zoom in spectacular 4K resolution -
The MSG-5300 from Grass Valley, a Belden Brand, is a modular multiformat master sync generator designed for use in the most demanding broadcast and post production facilities. In master sync applications it may be controlled by the internal, high precision oven controlled master clock, or locked to an optional GPS receiver. In slave applications MSG5300 can be genlocked to PAL and NTSC video, blackburst signals, subcarrier and 5 MHz or 10 MHz clocks. All HD and SD outputs are individually timeable for synchronization of sophisticated video installations. -
The Expedition is a portable 2 channel, digital Broadcasters’ Phone with 7kHz HD Voice audio. It is used for live news and sport reporting or talkback situations. HD Voice is available on compatible 4G LTE and 3G UMTS networks. Narrowband calls are also available on 2G GSM, 3G UMTS, and 4G LTE networks. A 2G GSM, 3G UMTS, and 4G LTE mobile phone with features specifically for broadcast. The HD Voice system allows 7kHz mobile calls on compatible mobile networks using 3G UMTS or 4G LTE networks. There are independent, duplicated controls for both inputs. The illuminated on-air button can be configured as latching, momentary or intelligent. There is a small gain control for setting input level. There are two x 6.35mm headphone sockets with a level adjust. Battery power is available from 6 x AA batteries. There is also an external DC input from 10 - 15V. The Expedition can be set to answer incoming calls automatically. An output compressor prevents any peak in the audio being sent onto the HD Voice network. HD Voice is very sensitive to peaks and the output compressor improves the quality of the audio received at the remote end. -
MX2-16x16-DH-8DPi-A-R is a member of the MX2 DH standalone matrix switcher series, supporting uncompromised 4K UHD resolution at 60Hz with RGB 4:4:4 colorspace and with down-conversion capabilities to 4:2:2. The DisplayPort inputs on the MX2 DH series routers allow connecting DisplayPort 1.2 video sources directly, without the need of adapters or dongles. Highlighted features- Audio embedding and de-embedding
- HDCP 2.2 and HDCP 1.4 compliant with cross conversion capabilities
- Device control via Ethernet (TCP/IP), RS-232 and USB
- Supports HDMI 4K signal formats (4K UHD @60Hz RGB 4:4:4, up to 18 Gbps)
- HDR and Low Latency Dolby Vision support
- Uncompressed video up to 18 Gbps datarate (600 MHz pixel clock)
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MX2M-FR24R-RFP is a member of the Lightware MX2 modular matrix switcher series, supporting uncompromised 4K UHD resolution at 60Hz with RGB 4:4:4 colorspace. Equipped with two PSUs to provide redundant power supply for the frame itself and also redundant remote powering via PoE. Highlighted features:- Six slots for 4-port video input boards, six slots for 4-port video output boards and additional four slots for low-speed (audio, GPIO, etc) IO boards
- Audio layer for independent audio routing of uncompressed (e.g. 7.1 LPCM) and compressed
- HBR audio signals received and extracted by the video IO boards or via low-speed audio IO boards
- IT security features e.g. LDAP and AD integration, SSH, HTTPS for control, etc.
- Flexible design with support for hot-swappable IO boards
- Connectivity for breakout boxes that can accommodate additional low-speed IO boards
- HDCP 2.2 and HDCP 1.4 compliant with cross conversion capabilities
- Device control via Ethernet (TCP/IP)
- Supports HDMI 4K signal formats (4K UHD @60Hz RGB 4:4:4, up to 18 Gbps)
- HDR and Low Latency Dolby Vision support
- Redundant power supplies available
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available 7 camera for Rent Sony HDC-1700 and rent Sony HDC-4300 slowmotion camera, 4K, 25p 50PGeneral
Power requirement: 240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass: 4.5 kg (9 lb 15 oz)Camera Section
Pickup device: 3-chip 2/3-inch type Progressive CCD Effective picture elements: 1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system: F1.4 prism system Built-in filters(ND) 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical): Typical -60 dB -
The HDC-4300 joins Sony’s widely acclaimed HDC Series family of Live Production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. -
rental of velvet Evo2 rgbwcw softlight for studio and cine shooting -
rental Roni2 dji full optional. Gimbal very professional for stabilised and very customised shooting. Available also with Readyrig -
Nuovi radiomicrofoni serie sennhieser d6000 anche nella versione ENG per la realizzazione di acquisizione audio di qualità superlativa anche nelle troupe di ripresa ENG -
Broadcast video mixer a noleggio. For-A Hvs-490 è un mixer video 4K con 2ME che permette di realizzare eventi e regie televisive senza limiti di creatività nella messa in onda di camere e contenuti complessi.HVS-490 switcher inherits key technology of HVS-2000 and HVS-390HS while opening the door to even more affordable 4K production. Exclusive MELite™ technology extends the switcher’s 2 M/Es to offer 6 M/E performance.*1 Expand your switching capabilities even more by assigning FLEXaKEY™ or feature rich 2.5D DVE, for compositing with up to 12 keyers. Take advantage of this truly broad range of switching in live production.
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Product Highlights- Compatible with 3rd generation Bolt 500, Bolt 500 XT, Sidekick II, and 703 Bolt
- SDI loop out on TX
- External antennas on Bolt 500 TX
- Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)
- Extremely affordable and offers the same wireless performance as the XT
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Portable greenscreen set 6x6 meters to create a virtual studio in the client house, photo rooms, hotel meeting room. -
The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.Features
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- 1920 x 1200 Touchscreen Display
- 10-Bit FRC Monitor Processing
- 4K HDMI and 12G-SDI Inputs/Outputs
- 1500 cd/m² Brightness
- HDR Mode with 10-Stop Dynamic Range
- High Bright Mode for Rec. 709 Viewing
- UHD 4K up to 60p / 1080p up to 240 fps
- 10-Bit 4:2:2 ProRes and DNxHR Encoding
- Records to 2.5" SSD/HDD Media
- Dual Sony L-Series Battery Slots
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This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).Features
- Focus marks are in feet with select markings in luminous paint
- High image performance covering full frame sensors; suitable for 8K capture
- Fast T1.5 maximum aperture aids in shooting with low light levels
- Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
- Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)
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Rental No. 6 Canon C300 Mark II EF Lenses: Canon 16-35 mm f4; Canon 24-70 f 2.8 Canon 70-200 f 2.8 Canon macro No. 4General
Power Supply: 14.4V DC (battery pack), 16.7 V DC (DC-IN) Main Unit Weight: Approx. 3.9 lb (1770 g)Camera Section
Sensor: CMOS sensor (single-panel) equivalent to Super 35 mm Total Pixels: Approx. 9.84 megapixels (4206 x2340) Shutter Setting: Speed, Angle, Clear Scan, Slow, or Off mode selected Either 1/3 or 1/4 steps selected as speed increment lris Setting: 1/2-stop, 1/3-stop or fine setting selected (1) Push auto iris control (2) Auto iris control * * Available only with some EF lenses ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] ND Filter: 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected] Motorized drive -
The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.
Product Category: CINE-SERVO Product Series: CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT Mount Type: PL Zoom Ratio: 7x Angular Field of View: Aspect Ratio 1.9:1 26.2 x 13.8mm 75.2° x 44.2° at 30mm / 12.5° x 6.6° at 105mm Focal Length Range: 17-120mm Iris Blades: 11 Maximum Photometric Aperture T Number: T2.95 at 17-91mm T3.9 at 120mm MOD From Image Sensor: 0.85m / 2.8’ Scene Object Dimensions at MOD: Aspect Ratio 1.9:1 26.2 x 13.8mm 92.1 x 48.5cm at 17mm / 12.7 x 6.7cm at 120mm Dimensions (W x H x L): 6.86 x 4.92 x 10.04 in. (174.2 x 125.0 x 254.9 mm) Weight: 6.39lbs. (2.9kg) Front Diameter: Φ114mm Focus Angle: Focus: 0.8/0.5 Zoom: 0.5 Iris: 0.4 -
The DSLR Recoil Rig from Zacuto includes a Mini DSLR Baseplate with 6.5" rods, a QR Shoulder Pad, - the Recoil Handgrip Kit - a mechanical handgrip follow focus set up. The Mini DSLR Baseplate attaches to your camera with a single 1/4" 20 screw - has one 1/4" 20 - one 3/8" 16 screw underneath for tripod attachment. The Mini DSLR Baseplate has two lightweight spaced threaded rod ports at the back of the unit, a 15mm female rod port (tightened with an Allen key) which can be found at the left side, - a 15mm rod port which can be found on the underside of the unit. It has a built in quick release for the camera which is released with a red quick release ratcheting lever. This kit comes with 6.5" rods to attach to the front of the baseplate.
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PRODUCT HIGHLIGHTS DSLR Rail Support Shoulder Support Suitable for any Body Type Allows Connection of Accessories Includes 350mm Long Rails 15mm Offset High Bracket Handgrip Kit Load-bearing Capacity - up to 55.1 lb Topside Handgrip Weight Attachment Plate / 1kg Weight Manufacturer: Vocas Systems Shoulder pad: Adjustable, Removable Shoulder pad size: Standard Bars position: Front , Rear Bars system: 15 mm Camera mounting points: 2 Material: Aluminum, Leather Weight: 3,298(gr.) -
The GoPro Hero6 Black looks just like the Hero5 Black. It's the same small size and still waterproof to 10 meters (33 feet) with the same ports, controls, battery and same size touchscreen on back.
But, as the saying goes, it's what's inside that counts, and what's inside is a new custom-designed processor, the GP1, that's responsible for a whole lot of improvements. CEO Nick Woodman said in the past GoPro was building its cameras around off-the-shelf processors and those chips were available to competitors as well. The GP1 ends that by allowing GoPro to make a camera with the capabilities it wanted.
The Hero6 Black can record 4K 2,160-pixel resolution clips at 60 frames per second, which can give fast action a smoother look. And if you're into slow-motion clips, you can record in 2.7K at 120fps and 1,080p at 240fps.
Video Resolutions:
800 x 480 | 1280 x 720 |1920 x 1080 | 2560 x 1440 | 3840 x 2160 pixels
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Feature:
- 2/3" B-4 Mount
- Focal Length: 11-363mm
- ENG style lens
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Product Highlights:
- 18x Optical Zoom
- Shuttle-Shot Technology
- Manual Zoom
- Servo Focus
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The Canon 22x HD is a high quality 22x zoom lens for professional 2/3" remote video cameras. This model is highly versatile and can be used in a variety of professional applications, including teleconferencing, distance learning, and specialized broadcasting including sports coverage. The focal-length range is 7.6-168mm with a minimum object distance of 2.8' (0.9 m). Additionally, the lens comes equipped with a manually operated 2x extender which can be coupled with an external control unit.
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Canon FPD-400 (FPD400D) Digital focus servo demand. Canon's FPD-400D is a digital focus servo demand for use with Canon lens controller kits, such as the SS-41-20D, SS-42-20D, SS-41-IASD and SS-42-IASD. It provides precision focus control and is useful in a variety of professional broadcast applications.
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Canon ZSD-300D (ZSD300D) Servo Zoom Demand (remote) for Digital Drive ENG/EFP Lenses. Canon ZSD-300D Digital Zoom Servo Demand - for J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses. The ZSD-300D zoom demand will operate the shuttle shot and frame preset features of the lens. All digital demands connect to the lens via a new one-touch 20-pin connector. -
All Teradek codecs can stream to any online video platform, including Facebook Live, YouTube Live, Periscope, Twitch, and more. Go live on multiple platforms at the same time to increase viewership and engagement with our Core platform. Cube packs world-class video quality into a rugged, portable chassis for quick IP video deployments at any location. Each encoder and decoder includes HDMI and 3G-SDI I/O, Ethernet / WiFI connectivity, and full duplex IFB. Cube, codecs are cross compatible and offer streaming latency as low as 100ms on local networks or over the Internet.* For complex, real-time IP video routing, our Core platforms allows you to transmit feeds from Teradek encoders to any other decoder around the world.