Professional Audio Equipment rental for any conference, convention and high quality corporate event
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The QL series mixers offer mixing, processing and routing functions for small and medium-sized live performances, corporate events, installations and much more. -
- Live performance digital console control centre with up to 88 simultaneous input channels
- 35 time-aligned and phase-coherent mix buses
- HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
- Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
- HyperMAC router with 192 bidirectional channels over copper and optical fibre
- Provides dual redundant snake connection to DL371PRO9 Audio System Engine
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- 10 VCA (variable control association) and 6 POPulation groups
- Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
- Up to 8 multi-channel digital signal processing effects engines
- 29 MIDAS PRO motorised 100 mm faders
- 2 daylight viewable 15” full colour TFT display screens
- Fully interpolated touch sensitive controls
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Digital Mixing System
- 64 Channels x 27 Buses
- 28 motorised faders: 3x 8, 1x 4
- Equipped with 8 mic/line inputs
- 16 Analog outputs
- 2 AES inputs
- 3 AES outputs
- Weight: 46 kg
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Features:- Band: E-Band Frequency range: 823 - 865MHz
- Apex angle: approx. 100° Front-to-back
- ratio: > 14 dB
- Gain: typ. 10 dB
- Dimensions: 258 x 273 x 35 mm
- Weight: 350g
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The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.
Drum Mic Set
Set comprises:
- 1x Bass drum Boundary microphone TG D71
- 2x Condenser microphones D57c for Tom Toms (cardioid, Clip-On)
- 3x Condenser Microphones D58c for Snare/Tom Toms (cardioid, Clip-On)
- 2x Condenser microphones MC 930 for overhead (cardioid)
- 1 Condenser microphone MC 950 for Hi-hat (super-cardioid)
- Solid M Bag Drum Softbag with protective foam insert and space for additional microphones and accessories
- Microphone clips
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The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.
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Instrument microphone design When it comes to versatility, no single microphone can do more for you than the d:vote™ CORE 4099 Instrument Microphone. You can use it in the studio today and during your live performance tomorrow. Designed with a supercardioid polar pattern for high rejection and superior gain-before-feedback, the mic retains a highly uniform off-axis frequency response. It also features an enhanced shock mount design, a choice of detachable cables in two diameters, as well as a versatile gooseneck extender. Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ CORE 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.
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Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.
FEATURES- Digital AGC processor with 2 band EQ
- Balanced XLR I/O (mic/line)
- Built-in tone generator
- Remote control software and dialer
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Optimized structure and efficiency in meetings Up to 31 simultaneous translation channels, plus the one for the basic language Full range of voting functions Flexible interface with devices from other manufacturers Easy system expansion with wired and wireless units The Digital Congress Network (DCN) ) by Bosch offers the benefits of innovative digital technology to the systems used in debates and conferences. It is the first fully digital system of its kind and offers versatility and high quality audio and data transmission while allowing complete control of conferences.
Availability: 10 cabins 2500 receivers 20 interpreting stations -
The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 16 compatible frequencies
- Adaptive diversity for high reception quality
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Automatic frequency scan feature searches for available frequencies
- Enhanced AF frequency range
- Wireless synchronization of receiver parameter from transmitter
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Receiver features battery indicatation in 4 steps
- HiBoost, adjustable limiter, stereo/focus mode, balance
- Contacts for recharging BA 2015 accupack directly in the receiver
- Wide range of accessories adapts the system to any requirement
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The HMS-4X HelixNet Main Station provides power and networked channels of audio to support up to 20 digital beltpacks. The sleek 1RU digital system can be mounted into any standard 19" rack. HelixNet Main Stations accept linking as well as two-wire and four-wire optional interface modules, offering seamless connectivity to LAN and virtually all common two-wire and four-wire audio systems. Delivering superb digital sound quality, the two-channel HBP-2X HelixNet Beltpack enables access to 2 of any 24 system channels over a single cable. The rugged, ergonomically designed HelixNet Beltpack was created to perform on the big stage, offering reliability and durability that will withstand the most demanding production environments.
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The new TASCAM CD-01U and CD-01U Pro are professional CD players, each designed to fit into one rackspace. Available in two versions - an affordable unbalanced model and a professional model with balanced analog and digital outputs - the CD-01U and CD-01U Pro will save room in broadcast equipment racks and custom installations. Both the CD-01U and CD-01U Pro have an RS-232 control port available for programming with AMX and Crestron systems. They feature MP3 playback, 20-second shock protection and pitch controls for flexible performance. Naturally, they each use reliable TASCAM slot-loading CD transports for years of trouble-free use, making the CD-01U and CD-01U Pro the new standards for compact CD playback.
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Wireless version of the Sennheiser and 908 B, without adapter for phantom power, for use with any pocket / instrument wireless evolution transmitter. The e 908 B EW has been designed for saxophones. To microphones trumpets, trombones and flugelhorns, we recommend using the E 908 T EW, which has a lower sensitivity.
Main features- Polar Diagram: Cardioid
- Transducer: Pre-polarized, condenser
- Equivalent noise: 30 dB (A)
- Nominal impedance: 100 Ohm
- Phantom power supply: 12 - 48V / 3mA
- SPL Max: 147dB
- MIA 900 P Phantom Power Adapter not included
- Connectors: 3.5mm mini jack
- Dimensions: D47 x 193 mm
- Weight: 140g
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The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.
Main Features
Precise 24-bit/96-kHz Audio and High-performance Head Amps 40-input 18-bus Mix Capacity at 96 kHz Versatile Connectivity and Expandability for a Wide Range of Applications Powerful Channel Functions with Flexible Control and Patching Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys Versatile Pairing and Grouping Functions Enhance Mixing Efficiency I/O Expansion Slot for Easy Expansion in a Variety of Formats Sophisticated DAW or Digital Recorder Integration -
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Main Features
- Compact and Lightweight
- Ample Bus Capacity: 16 MIX, 8 MATRIX, and STEREO
- Virtual Rack with Top-quality Effects
- Multiple Fader Functions
- Intuitive Interface
- Recall Safe and Recall Focus...Right Down to Head Amp Gain
- USB Memory Recording and Playback
- LS9 StageMix for iPad®
- LS9 Editor
- Yamaha Console File Converter
- LS9 + Dante I/O Rack System
- LS9 + EtherSound Stage Box System
- LS9 + DSR Speakers
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Features:
- 2-Channel Headset/Speaker Main Station with built-in 2-amp power supply, rack mount (1RU) - UL Listed
- Compact, feature-laden, single rack-space intercom main station supports up to 40 RS-601 beltpacks, 10 speaker stations or 12 headset stations on two channels.
Other features include:
- Channel A-B linking
- Program input with individual channel level controls
- Remote Mic Kill switch
- External relay circuit
- Stage Announce
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The HME DX210 offers the perfect blend of wireless intercom performance, system compatibility with wired intercom systems, and ease of use. Operating in the 2.4GHz band, the DX210 delivers exceptional sound clarity and enables interference-free communication for highly demanding productions. The HME DX210 is a two-channel intercom system that has advanced the capabilities of the legendary DX200. The DX210’s wired intercom interface is now compatible with Clear-Com’s or RTS’ 2-wire systems, and provides two separate 2-wire and 4-wire interconnections. In single channel mode, the powerful 1RU base station supports up to 16 full-duplex and 44 half-duplex beltpacks and/or wireless headsets by linking four base stations. The DX210 is paired with the rugged BP210 beltpack and All-in-One WH220 Wireless Headset, which have two intercom buttons (IC1/IC2) with ISO. The system is also backward compatible with the DX200 COMMUNICATOR models such as BP200, and WH200.
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Midland presents the walkie‐talkie more complete and more powerful range as ever: XT LINE. 7 new models, each featured by new colors! XT LINE comes from over 40 years of experience in the radio communication world, designed to conquer the world market and meet all its needs! Seduced by the innovative packaging and high performance technology. XT line introduces Micro USB charger in the walkie talkie world, the fast charge (in XT60 and XT70), 500 MW speaker (in XT70). On the beach, at a festival or just a keen adventurer enjoying a day out, XT LINE is a great way to keep in touch. Extremely reliable, XT LINE is the ideal solution for those who want to talk in all situations, professional and during leisure time. Our high performance walkie‐talkies are great for extreme sports enthusiasts who need reliable two‐way communications for their adventures. With a range of up to 12kms, these consumer radios are the ultimate accessory for anyone serious about adventure, style and simple communication. XT LINE is ready to use and easy to surf thanks to the keys located on the radio front.
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The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.
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Features:
- D-PRE mic preamps deliver clean, transparent, and natural sound
- 3-band EQ on all mono channels for sound-shaping
- 1-knob compressors provide straightforward dynamics control
- Pad switch on mono inputs for managing loud sources
- Metal chassis for durability
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Features:
- Lots of input options at a budget-friendly price
- Channels 1-4 each feature one-knob compression
- 3-band EQ
- 24-bit multi-FX processor
- USB connection for stereo computer recording
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The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.
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Lightweight, robust bodypack transmitter. AF frequency response optimized for bass guitar. Up to 6 x 64 user-programmable channels. Easy receiver-transmitter synchronization at the push of a button. All-metal housing.
Features
- Sturdy all-metal housing
- Up to 75 MHz switching bandwidth
- 20 fixed frequency banks with up to 64 compatible presets
- 6 banks each with up to 64 tunable channels
- Frequency setting in 25 kHz steps
- Pilot tone squelch for interference-free operation
- External charging contacts for recharging battery BA 2015 in the transmitter
- Backlit display on transmitter (keystroke activation)
- Auto-lock feature to prevent buttons from being pressed accidently
- Audio and RF MUTE feature for muting the transmitter
- Wide range of accessories for virtually any use
- Enhanced audio frequency response in the bass range for optimum transmission from bass guitars
- Input sensitivity above 60 dB can be set in 3 dB steps
- Transmitters can be configured from the receiver menu
- Can be synchronized with the receiver using infrared interface
- Wide range of accessories for virtually any use
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High-quality handheld transmitter. Compatible with all ew capsules. Up to 6 x 64 user-programmable channels. Switchable output power. User-friendly menu operation with backlit graphic display. Rugged metal housing.
Features
- Rugged metal housing
- Up to 75 MHz switching bandwidth
- 20 fixed frequency bands with up to 64 compatible presets
- 6 banks each with up to 64 tunable channels
- Frequency setting in 25 kHz steps
- Pilot tone squelch for interference-free operation
- External charging contacts for recharging battery BA 2015 in the transmitter
- Backlit display on transmitter (keystroke activation)
- Auto-lock feature to prevent buttons from accidently being pressed
- Audio and RF MUTE feature for muting the transmitter
- Transmitters can be configured from the receiver menu
- Possible to synchronize with the receiver using infrared interface
- Wide range of accessories for virtually any use
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Cardioid clip-on microphone. Excellent speech intelligibility. High feedback-rejection. Outstanding bass reproduction.Features
- High gain before feedback
- Very good speech intelligibility
- Outstanding bass reproduction
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Features
- Great strengths – small microphone
- Very small dimensions (3.3 mm capsule diameter)
- High maximum sound pressure level (142 dB)
- Very high speech intelligibility; clear, pleasant treble
- Full, natural sound with low ambient noise
- Thin (1 mm diameter) and robust cable; flexible with minimum handling noise
- Very sweat-resistant due to protective membrane
- Flexible tubes for attaching the microphone with clips or adhesive tape
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High-quality, robust bodypack transmitter with switchable HF output power. Greater choice of usable channels when switched to 10 mW output. User-friendly menu operation with backlit graphic display. Metal housing.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 32 compatible frequencies
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronization of transmitters via infrared interface from receiver
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Transmitter features battery indicatation in 4 steps, also shown on receiver display
- Programmable Mute function
- Contacts for recharging BA 2015 accupack directly in the transmitter
- Wide range of accessories adapts the system to any requirement
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Super-cardioid microphone/transmitter with impressive sound. Clear, prominent voice reproduction. Highest feedback rejection. User-friendly menu operation with backlit graphic display. Auto-Lock function.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 32 compatible frequencies
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronization via infrared interface from receiver
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Battery indicatation in 4 steps, also shown on receiver display
- Easy-exchangeable microphone modules from evolution series
- Contacts for recharging BA 2015 accupack directly in the transmitter
- Wide range of accessories adapts the system to any requirement
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Robust cardioid handheld microphone/transmitter. Fit for every vocal style. Lively, powerful sound. User-friendly menu operation with backlit graphic display. Sturdy metal housing.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 12 compatible frequencies
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronization via infrared interface from receiver
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Battery indicatation in 4 steps, also shown on receiver display
- Exchangeable microphone modules from evolution series
- Contacts for recharging BA 2015 accupack directly in the transmitter
- Wide range of accessories adapts the system to any requirement
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Features
- High gain before feedback
- Very good speech intelligibility
- Outstanding bass reproduction
- Frequency response 40...20.000 Hz
- Sensitivity as per 121 TR 9-5 42 mV/Pa +- 3dB
- Maximum sound pressure level (passiv) 118 dB (k=1%)
- Pick-up pattern cardioid
- Dimensions d=12mm, l=26mm
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The E6 is a relatively small high performance multipurpose loudspeaker, employing an integrated coaxial driver. The horn with its 100° x 55° dispersion pattern can easily be rotated through 90° providing a 55° x 100° pattern without the use of tools. This enables deployment of the loudspeaker either vertically or horizontally. Its distinctive cabinet design and extensive range of accessories allow easy deployment in almost any situation, including stage monitoring. It provides a very compact reinforcement solution that inspires through its sound quality and is also perfectly compatible with the larger E8 and E12 loudspeakers. With the addition of an E12X subwoofer or any other E-Series subwoofer it can also reproduce high level music program. The E6 cabinet has an impact resistant paint finish incorporating a handle. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with a metal plate in the specified colour covering the handle recess.
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Active Compact Loudspeaker- 2x 6,5" Bass + 1" tweeter (full neodymium)
- 120 Watt RMS (Class D amplifier with 24 Bit DSP)
- Max. SPL: 118 dB
- 70 - 20,000 Hz
- Dispersional pattern: 80° x 60°
- XLR/ jack in
- Stereo RCA in
- Soft clip limiter
- Tansport handle AK 50 on option (110949)
- Stand adaptor SN 120/ 130 available on option
- Dimension: 210 x 350 x 270 mm
- Weight: 5 Kg
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MAX is a 2-way full range loudspeaker with remarkable vocal presence, clarity and high feedback stability. Due to its coaxial design it is an extremely compact low height cabinet with two set-up angles. MAX can be used either as a stage monitor, as a downfill in flown applications or together with the C7-SUB as a flexible PA system. The MAX cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish and M10 threaded inserts. A socket to accept loudspeaker stands, ratchet strap guide plates and an optional version with MAN CF4 stud plates complete the multiple application options for MAX.
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The 2-way passive MAX2 loudspeaker houses a 15” LF driver and a coaxially mounted 1.4” HF compression driver and achieves 75° conical constant directivity dispersion. The driver arrangement uses a single magnet assembly, allowing for a compact cabinet design with a low profile for strict visual demands. The MAX2 provides a broad variety of deployment possibilities, whether used individually as a stage monitor; as a stand-alone full range system or, when combined with d&b subwoofers, as a drumfill. The loudspeaker cabinet is constructed in marine plywood with an impact resistant paint finish. Four M10 threaded inserts allow connection to a flying bracket. The cabinet incorporates a pair of recessed grips for handling, while the front is protected by a rigid metal grill backed with an acoustically transparent foam. A pole mount is incorporated into one of the side panels. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.
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The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D12 utilizes an autosensing switch mode power supply for mains voltages 120 V/230 V, 50 - 60 Hz (optional 100/200V). The D12 amplifier incorporates d&b SenseDrive for accurate control of LF drivers in d&b loudspeakers driven in 2-Way Active mode or in actively driven d&b subwoofers. When the D12 is fitted with EP5 connectors and appropriate 5 wire cabling, d&b SenseDrive can be used, resulting in an extremely precise bass performance even at high levels. NL4 and NL8 connector options are also available. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.