Professional Audio Equipment rental for any conference, convention and high quality corporate event
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Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display. -
Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
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DPA’s selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation. These mics guarantee a natural and precise sound reproduction of the entire kit. The specific mic placements prevent artefacts, bleed and other shadowing effects. The DDK4000 Drum Microphone Kit contains the following mics and accessories: Microphones 1 x 2012 Cardioid Microphone 2 x 2015 Wide Cardioid Microphone (Stereo Pair) 1 x 4055 Kick Drum Microphone 3 x 4099 Core Instrument Microphone, Extreme SPL Accessories 3 x MicroDot Cable (CM2218B00) 3 x Drum Microphone Clip (DC4099) 3 x Adapter for MicroDot to 3-pin XLR (DAD6001) -
Clip for attaching a 4099 instrument microphone to thin-bodied and unusually shaped instruments. The design of the microphone clip includes a Velcro attachment strap to fit instruments of various sizes and diameters such as oboe, clarinet, bassoon, recorder and flute. The attachment strap tightens to fit the circumference of the instrument, like a wristwatch on your arm
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The G4 In-Ear Monitoring Sets make your gig an extraordinary experience – not just for your audience, but also for you! Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications. Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage Half-rack stereo transmitter in a full-metal housing with OLED display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Compatible with Sennheiser WSM control software for flexible frequency allocation Up to 16 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 50 mW) depending on country regulations -
Made from carbon fibre, the RØDE Boompole Pro weighs only 535gm (18oz) and, from a compact 810mm (2‘ 8”), extends to a full 3m (10’). Designed for use with professional shotgun microphones such as the RØDE NTG3 as well as the Blimp windshield system, the Boompole Pro joins RØDE’s popular boom pole range which now consists of five models ranging in size, weight, and construction material. Each of the five pole sections is comprised completely from carbon fibre making it incredible lightweight while maintaining high levels of strength. The sections are easily extendable with one hand thanks to an intuitive twist-lock mechanic. RØDE offers boom pole cable clips as an optional accessory, however the company’s new RØDELink wireless XLR adaptor allows users to record audio from a shotgun microphone on the end of the Boompole Pro without the hassle and possible handling noise of cables -
The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included. -
The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise. Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed. • Pronounced directivity • Maximal rejection of side noise • Switchable "Low Cut" filter minimizes wind noise • Phantom or battery powering • Battery switch with "Low Batt" indicator • Rugged all-metal housing • Very good suppression of structure-borne noise • Supplied with foam windshield and shock mount -
The MV5 packs the clarity of almost a century of audio experience into a super-portable microphone. You get sound quality, squared. Singular simplicity: Plug-and-play is only part of the story. Though you’ll be set up in seconds, it’s also easy to select vocals, flat or instrument modes so you’re good to go when inspiration strikes. Globetrotting audio: Designed to travel with your computer or phone, the MV5 rests on its own or connects via a standard 3/4 inch (1.9 cm) mount to the included desktop stand. Easy, friendly control: The ShurePlus MOTIV audio app gives you the ability to record studio-quality audio — and so much more. Trim and share in multiple formats with a few quick taps. -
The EK 6042 is a true diversity two channel receiver. It is designed to fit into all standard receiver slots on cameras. Its highly compatible to a wide range of Sennheiser wireless microphones be it analog or digital and can connect to virtually every Sennheiser wireless system including G3, 2000 series, 3000/5000 series and digital 9000. With the built-in web server, setup is easily managed using any browser including imports and exports of the entire configuration. The EK 6042 is SuperSlot™-compatible and works seamlessly with your existing equipment. Same for ARRI, Panasonic and Sony. The optional accessories like backpanel adapter and battery pack makes it possible to use the EK 6042 stand alone as well. The automatic configuration makes it possible to set up any microphone in less than 5 seconds.- 2 channel true diversity receiver
- 184 MHz switching bandwidth
- HDX, HiDyn+ AND Digital 9000 compatible
- Camera adapters for Sony® and Panasonic® (Unislot)
- SuperSlot™ compatible
- Optional backpanel adapter & batterypack (Hot swappable)
- Auto configuration & scene setup
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The Sennheiser L 60 Charging Unit allows you to recharge two BA 60 or BA 61 rechargeable transmitter battery packs at once. The automatic charging process ensures that the battery packs cannot be overcharged, eliminating memory effect. The L 60 charger allows you to simultaneously charge two BA 60 or two BA 61 or one BA 60 and one BA 61. Up to four L 60 units can be daisy-chained and connected to a single NT 3-1 US power supply (available separately), to recharge up to eight battery packs at the same time. -
The Expedition is a portable 2 channel, digital Broadcasters’ Phone with 7kHz HD Voice audio. It is used for live news and sport reporting or talkback situations. HD Voice is available on compatible 4G LTE and 3G UMTS networks. Narrowband calls are also available on 2G GSM, 3G UMTS, and 4G LTE networks. A 2G GSM, 3G UMTS, and 4G LTE mobile phone with features specifically for broadcast. The HD Voice system allows 7kHz mobile calls on compatible mobile networks using 3G UMTS or 4G LTE networks. There are independent, duplicated controls for both inputs. The illuminated on-air button can be configured as latching, momentary or intelligent. There is a small gain control for setting input level. There are two x 6.35mm headphone sockets with a level adjust. Battery power is available from 6 x AA batteries. There is also an external DC input from 10 - 15V. The Expedition can be set to answer incoming calls automatically. An output compressor prevents any peak in the audio being sent onto the HD Voice network. HD Voice is very sensitive to peaks and the output compressor improves the quality of the audio received at the remote end. -
DANTE / MADI Converter
- Design: 19 "/ 1U
- 64 Channels
- Included: Sample rate conversion, optical and coax MADI
Ulteriori informazioni
Amount Of Channels 64 AD Conversion No DA Conversion No Max. Resolution 24 bit Max. sampling rate 192 kHz S/PDIF Connecor No AES/EBU Connector No ADAT No Word clock Yes Number of analog inputs 0 Number of Analog Outputs 0 Headphone connection No -
Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.Features
- 19’’ 2-Channel receiver, 19 inch 1RU
- Large 244 MHz switching bandwidth
- Legendary Long Range mode (LR) with proprietary audio codec (SeDAC) from the masterpiece Digital 9000
- True bit diversity utilizes both receiver paths, combines their information content to provide the best possible signal
- Equidistant frequency grid for maximum channel density and simplest setup
- 32 superior quality RF pre-selection filters for optimal suppression of interference signals at antenna input
- Error correction and audio error masking
- AES-256 encryption
- Automatic frequency setup
- Digital and transformer balanced analog outputs XLR, 6.3 mm jack, AES-3, EM 6000 Dante with Brooklyn II Card and Amphenol RJ-45
- Integrated antenna splitter for cascading of up to 8 systems
- one high-quality OLED display per channel
- Link Quality Indicator (LQI)
- Wireless Systems Manager (WSM) compatible
- Compatible with standard Sennheiser UHF antennas
- Compatible with Digital 9000 transmitters in Long Range mode
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Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.Features
- Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)
- Designed for 12 hours of continuous operation
- Made with ultra-light robust metal housing weighing only 112 grams
- Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup
- Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series
- Resistant to moisture and sweat
- Two detachable clips (0°/90°) for secure fit in any position
- Exchangeable antenna and battery
- Can be used with a variety of lavalier microphones and headsets
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The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.Features
- Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
- Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
- Highly effective intermodulation protection
- AES 256 encryption and Digital 9000 encryption
- Compatible with EK 6042 and EM 9046 in Long Range mode
- Li-ion battery packs with 5.5 hours run time
- Magnesium housing
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The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.
Specifications
- Frequency range: 450 – 960 MHz
- Pick-up pattern: directional
- Antenna gain: 4 dBi
- Connector: BNC
- Opening angle: +- 50 degrees
- Impedance: 50 Ohm
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FEATURE:
- 4 mic/line inputs, 2 with Class A FET high impedance inputs
- Neutrik mic XLR
- Neutrik 1/4 inch jacks
- 3 band EQ with MusiQ
- 2 auxes
- Sound image pan
- Illuminated PFL indicator
- Stereo returns & playback
- All inputs with level control
- 12 bar meters
- Responsive 3-band, swept mid EQ with MusiQ
- 2 stereo sources with MP3 player compatibility
- Separate 2-track record outputs
- Stereo playback input for 2-track replay
- XLR main stereo outputs with inserts
- Comprehensive monitoring
- Configurable USB stereo audio in/out
- Stereo monitor outs
- 48V microphone phantom power
- DI level switching for sub mixing
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The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.
Main features
- Frequency band: 20Hz-17kHz
- Sensitivity: 1.8 mV / Pa
- Electrical impedance: 210 Ohm
- Recommended load impedance: 2000Ohm
- Polar diagram: Cardioid
- Audio output: XLR M, 3-pole balanced
- Dimensions: 115 x H126 x D70mm
- Weight: 0.300kg
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Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.Main features
- Polar Diagram: Cardioid
- Frequency response: 20Hz - 20kHz
- Sensitivity: 9 mV / Pa (-41 dBV)
- SPL max: 135/145/155 dB
- S / N ratio (A-weighted): 76dB
- Pad: 10 dB, 20 dB
- High pass filter: 12 dB / Octave at 75Hz and 100Hz
- Power supply: Phantom 9V - 52V
- Dimensions: D19 x 160mm
- Weight: 125g
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Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
- Replacement cartridge: R59
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The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.
Features:
- Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Lengendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
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The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Features
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
- Replacement cartridge: R57
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The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
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The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
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The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Features
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliability
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Features:
- Sensitivity: -40dB ± 2dB / 100ohm ±30%
- Output Levels: –
- Frequency response: 40Hz -20KHz (-3dB)
- Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)
- Gooseneck length: 445 mm
- Controls: ON/OFF SWITCH
- Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR
- Dimensions (W x H x D): 115 x 140 x 30mm
- Weight: 0.7 kg (1.543 lb)
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The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
Features
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
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Features
- Metal construction: Rugged and reliable
- Shock-mounted capsule: Low sensitivity to impact and handling noise
- Cardioid pickup pattern: Insulation from other on-stage signals
- Hum compensating coil: Reduces electrical interference
- Neodymium ferrous magnet with boron: Keeps microphone stable regardless of climate
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The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs.
- Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum
- Interchangeable cartridges provide the right polar pattern for every application
- Balanced, transformerless output for increased immunity to noise over long cable runs
- Shock mount that provides over 20 dB isolation from surface vibration noise
- Locking flange mount for permanently securing microphone to lecterns, pulpits, or conference tables
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Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.
FEATURES
- Single gooseneck section near microphone base for easy orientation of the microphone.
- Tubular preamp body sized to fit many standard accessories.
- Slide on windscreen
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.
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The versatile magnet mount/gooseneck system provides stable and repeatable positioning.The mics can easily be positioned at different angles to provide a variety of sound nuances. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
The mount can also be used with various instruments with magnetic surfaces.
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The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.
The phantom power adaptor is available in two different versions:- MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless)
- MZA 900 P-4 with lockable 3-pin special socket
The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.
The MZA 900 P can also be used as a cable tester for XLR microphone cables.
Features
- Robust metall chassis
- Switchable gain (0/-12dB)
- Switchable roll-off filter (125 Hz (-3 dB), 12 dB/oct)
- Two-colour control LED (phantom power, audio peak)
- Input 3,5mm stereo jack socket, lockable
- Output XLR-3M