Rent Audio Equipment

Professional Audio Equipment rental for any conference, convention and high quality corporate event

  • The QL series mixers offer mixing, processing and routing functions for small and medium-sized live performances, corporate events, installations and much more.

    Pure and natural sound with a powerful internal processing for a wide and creative control

    The Yamaha sound starts with a faithful reproduction of the sound source. The QL series mixers are equipped with circuits and components that have been designed and selected with the utmost care, obtaining an audio with surprising purity, both in input and output.

    Refined control for smooth operation

    The ability to respond quickly and reliably to the many and changing needs is essential for effective support for live sound. The QL series mixers offer large touch-screen displays that, combined with the "touch and turn" potentiometer, provide a significantly quick and efficient control interface.

    Expandable All-in-One support for every application

    In addition to the wide availability of analog inputs and outputs, the QL series mixers are equipped with the same Dante audio network protocol available in CL mixers, which offers extensive connectivity. Also available is an innovative "Port to Port" feature that can direct each input port to each output port so that the QL mixer can function as a remote I / O device for any other QL or CL series mixer.
    • Live performance digital console control centre with up to 88 simultaneous input channels
    • 35 time-aligned and phase-coherent mix buses
    • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
    • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
    • HyperMAC router with 192 bidirectional channels over copper and optical fibre
    • Provides dual redundant snake connection to DL371PRO9 Audio System Engine
    • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
    • 10 VCA (variable control association) and 6 POPulation groups
    • Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
    • Up to 8 multi-channel digital signal processing effects engines
    • 29 MIDAS PRO motorised 100 mm faders
    • 2 daylight viewable 15” full colour TFT display screens
    • Fully interpolated touch sensitive controls
  • Digital Mixing System

    • 64 Channels x 27 Buses
    • 28 motorised faders: 3x 8, 1x 4
    • Equipped with 8 mic/line inputs
    • 16 Analog outputs
    • 2 AES inputs
    • 3 AES outputs
    • Weight: 46 kg
  • The Yamaha CL series digital mixers represent a new level of refinement. They offer an advanced experience for simplicity of mixing, with in addition a purity and a capacity to shape the sound that will give every sound engineer unprecedented creative freedom. The CL series embodies the main standards of live sound in their most advanced and expressive form. The "virtual racks" available on the CL series consoles allows you to combine the signal processors needed for your work in a unique and easily accessible location, much like the traditional analog outboard racks. Efficiency and intuitiveness are essential. Yamaha's acclaimed Centralogic interface is the core of a revamped user interface that offers an unprecedented level of operational efficiency in the CL series, from visual feedback to the shape and tactile feel of faders and controls. The Yamaha Centralogic user interface has already demonstrated its value as the most user-friendly among the available digital operating environments, even for those engineers who were previously only at ease on analogue consoles..

  • Features:
    • Band: E-Band Frequency range: 823 - 865MHz
    • Apex angle: approx. 100° Front-to-back
    • ratio: > 14 dB
    • Gain: typ. 10 dB
    • Dimensions: 258 x 273 x 35 mm
    • Weight: 350g
  • The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

    Drum Mic Set

    Set comprises:

    • 1x Bass drum Boundary microphone TG D71
    • 2x Condenser microphones D57c for Tom Toms (cardioid, Clip-On)
    • 3x Condenser Microphones D58c for Snare/Tom Toms (cardioid, Clip-On)
    • 2x Condenser microphones MC 930 for overhead (cardioid)
    • 1 Condenser microphone MC 950 for Hi-hat (super-cardioid)
    • Solid M Bag Drum Softbag with protective foam insert and space for additional microphones and accessories
    • Microphone clips
  • Audio rental d&b audiotechnik Big Kit composed of: N.20 Q1 d & b audiotechnik N.4 Q7 d & b audiotechnik N.12 QSub d & b audiotechnik N.1 Yamaha M7CL mixer. Design and configuration assistance
  • The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.

  • Rental Audio kit d & b audiotechnik composed by: N.6 d & b Q1 N.2 d & b Q7 No. 6 d & b QSub N.4 d & b D12 N.1 Yamaha LS9 mixer Design and configuration assistance
  • J-SUB is a bi-amplified 2-way bass-reflex subwoofer incorporating three 18 "long-excursion neodymium speakers, two of which are mounted on the front panel and one on the rear panel. which derives from this architecture avoids the unwanted projection of energy behind the system, which thus benefits from a considerable reduction of the reverberated field at the serious frequencies and therefore translates into an incomparable reproduction precision.The J-SUB systems can be used to complement the J8 and J12 systems in various combinations, either on the ground or suspended, either integrated into the column at the top of the J8 / J12 array, or in independent J-SUB columns. built in marine plywood covered with the exclusive PCP (Polyurea Cabinet Protection) treatment to protect against shocks and atmospheric agents.The front and back panels are protected by a rigid metal grid ca, while on each side panel there are four handles. Four 100mm wheels and an EP5 or NL8 connector complete the rear panel.

  • d&b e12

    30.00

    The E12 and E12-D are high performance 2-way multipurpose loudspeakers, employing an integrated coaxial driver. The E12 and E12-D can be used for speech and music applications as stand-alone full range systems or incorporated into larger distributed sound reinforcement situations and, with the addition of an E15X or B4 subwoofer, can also easily reproduce high level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The E12 has an 80° x 50° dispersion pattern (h x v), while the E12-D has a wider 110° x 50° pattern. The horns in both loudspeakers are easily rotatable through 90° providing 50° x 80° or 50° x 110° dispersion patterns. The E12 and E12-D cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating handles and a hidden socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

  • d&b Q-sub

    30.00

    The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. d&b SenseDrive technology is available when powered by the D12 amplifier. The Q-SUB is mechanically compatible with the Q1 and Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. The Q-SUB cabinet is constructed from marine plywood with an impact resistant paint finish, a pair of handles, four heavy duty wheels and an M20 threaded flange in the top panel to accept a loudspeaker stand. The front of the loudspeaker cabinet is protected by a rigid metal grill covered with replaceable acoustically transparent foam and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel. Two runners protect the bottom of the cabinet from scratching; these are located in correspondingly shaped recesses in the top panel to prevent movement when stacked. Fittings for securing an optional wooden lid are also provided.

  • The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.

  • Instrument microphone design When it comes to versatility, no single microphone can do more for you than the d:vote™ CORE 4099 Instrument Microphone. You can use it in the studio today and during your live performance tomorrow. Designed with a supercardioid polar pattern for high rejection and superior gain-before-feedback, the mic retains a highly uniform off-axis frequency response. It also features an enhanced shock mount design, a choice of detachable cables in two diameters, as well as a versatile gooseneck extender. Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ CORE 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

  • This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.

  • Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.

    FEATURES
    • Digital AGC processor with 2 band EQ
    • Balanced XLR I/O (mic/line)
    • Built-in tone generator
    • Remote control software and dialer
  • Optimized structure and efficiency in meetings Up to 31 simultaneous translation channels, plus the one for the basic language Full range of voting functions Flexible interface with devices from other manufacturers Easy system expansion with wired and wireless units The Digital Congress Network (DCN) ) by Bosch offers the benefits of innovative digital technology to the systems used in debates and conferences. It is the first fully digital system of its kind and offers versatility and high quality audio and data transmission while allowing complete control of conferences.

    Availability: 10 cabins 2500 receivers 20 interpreting stations
  • The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.

    Features

    • Sturdy metal housing
    • 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
    • Enhanced frequency bank system with up to 16 compatible frequencies
    • Adaptive diversity for high reception quality
    • Pilot tone squelch for eliminating RF interference when transmitter is turned off
    • Automatic frequency scan feature searches for available frequencies
    • Enhanced AF frequency range
    • Wireless synchronization of receiver parameter from transmitter
    • User-friendly menu operation with more control options
    • Illuminated graphic display
    • Auto-Lock function avoids accidental changing of settings
    • HDX compander for crystal-clear sound
    • Receiver features battery indicatation in 4 steps
    • HiBoost, adjustable limiter, stereo/focus mode, balance
    • Contacts for recharging BA 2015 accupack directly in the receiver
    • Wide range of accessories adapts the system to any requirement
  • The HMS-4X HelixNet Main Station provides power and networked channels of audio to support up to 20 digital beltpacks. The sleek 1RU digital system can be mounted into any standard 19" rack. HelixNet Main Stations accept linking as well as two-wire and four-wire optional interface modules, offering seamless connectivity to LAN and virtually all common two-wire and four-wire audio systems. Delivering superb digital sound quality, the two-channel HBP-2X HelixNet Beltpack enables access to 2 of any 24 system channels over a single cable. The rugged, ergonomically designed HelixNet Beltpack was created to perform on the big stage, offering reliability and durability that will withstand the most demanding production environments.

  • The new TASCAM CD-01U and CD-01U Pro are professional CD players, each designed to fit into one rackspace. Available in two versions - an affordable unbalanced model and a professional model with balanced analog and digital outputs - the CD-01U and CD-01U Pro will save room in broadcast equipment racks and custom installations. Both the CD-01U and CD-01U Pro have an RS-232 control port available for programming with AMX and Crestron systems. They feature MP3 playback, 20-second shock protection and pitch controls for flexible performance. Naturally, they each use reliable TASCAM slot-loading CD transports for years of trouble-free use, making the CD-01U and CD-01U Pro the new standards for compact CD playback.

  • Wireless version of the Sennheiser and 908 B, without adapter for phantom power, for use with any pocket / instrument wireless evolution transmitter. The e 908 B EW has been designed for saxophones. To microphones trumpets, trombones and flugelhorns, we recommend using the E 908 T EW, which has a lower sensitivity.

    Main features
    • Polar Diagram: Cardioid
    • Transducer: Pre-polarized, condenser
    • Equivalent noise: 30 dB (A)
    • Nominal impedance: 100 Ohm
    • Phantom power supply: 12 - 48V / 3mA
    • SPL Max: 147dB
    • MIA 900 P Phantom Power Adapter not included
    • Connectors: 3.5mm mini jack
    • Dimensions: D47 x 193 mm
    • Weight: 140g
  • The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.

    Main Features

    Precise 24-bit/96-kHz Audio and High-performance Head Amps 40-input 18-bus Mix Capacity at 96 kHz Versatile Connectivity and Expandability for a Wide Range of Applications Powerful Channel Functions with Flexible Control and Patching Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys Versatile Pairing and Grouping Functions Enhance Mixing Efficiency I/O Expansion Slot for Easy Expansion in a Variety of Formats Sophisticated DAW or Digital Recorder Integration
  • The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

    Main Features

    • Compact and Lightweight
    • Ample Bus Capacity: 16 MIX, 8 MATRIX, and STEREO
    • Virtual Rack with Top-quality Effects
    • Multiple Fader Functions
    • Intuitive Interface
    • Recall Safe and Recall Focus...Right Down to Head Amp Gain
    • USB Memory Recording and Playback
    • LS9 StageMix for iPad®
    • LS9 Editor
    • Yamaha Console File Converter
    • LS9 + Dante I/O Rack System
    • LS9 + EtherSound Stage Box System
    • LS9 + DSR Speakers
  • Features:

    • 2-Channel Headset/Speaker Main Station with built-in 2-amp power supply, rack mount (1RU) - UL Listed
    • Compact, feature-laden, single rack-space intercom main station supports up to 40 RS-601 beltpacks, 10 speaker stations or 12 headset stations on two channels.

    Other features include:

    • Channel A-B linking
    • Program input with individual channel level controls
    • Remote Mic Kill switch
    • External relay circuit
    • Stage Announce

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