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Experiences like you've never had before. The Sony FX3 (ILMEFX3.CEC) takes you into the world of filmmaking. The camcorder is super compact, but it has everything you could want as a cinematographer. 4K image quality, low-light shooting, real-time automatic eye focus, ""touch tracking,"" and more. Sensor: Sony's FX3 (ILMEFX3.CEC) uses a 10.2-megapixel Exmor R CMOS sensor. Together with the Bionz XR processor, this technology provides the performance you're looking for. This sensor not only allows you to film in 4K at 120fps, but also with minimal ""rolling shutter."" This means you have no blackouts. They also guarantee a great result in difficult lighting conditions. You have an ISO up to 409,800 and a wide dynamic range of more than 15 stops. -
-4K Image Resolution (3,840 x 2,160 pixels): With a resolution of 8 million pixels, 4 times higher than Full HD, 4K offers greater sharpness for display solutions for corporate, education, and digital signage applications. -More contrast, color and sharpness: Our X1™ 4K HDR processor cleans up and refines the image signal, using advanced algorithms to reduce noise and improve detail. Even lower resolution images are converted to a resolution closer to 4K, with realistic colors and textures for more impactful signage. -Enjoy the smallest details: 4K X-Reality PRO upscales images so that they are similar in quality to 4K. Images are sharp and refined in real time, revealing extra details from low-resolution image sources. -Intense colors with TRILUMINOUS Display. TRILUMINOS Display, based on our X1 processor, uses a wider color gamut, faithfully reproducing a world of richer, more realistic hues and shades. -Smoother Motion: Motionflow XR technology inserts extra image frames between originals, ensuring smoother and sharper details in fast-moving sequences. -Quick Configuration with Pro Mode. Customize and save display settings and functions and easily copy them to other displays via USB flash memory. -Create digital signage applications easily: Built-in HTML5 support makes it easy to produce engaging digital signage content. Combine graphics, text, video and live Web content to produce eye-catching signage creations in minutes without additional hardware or specialized training. -Versatile remote control Control: the BRAVIA remotely, including power on/off functions, input signal selection and volume adjustment, over IP network via RJ45 via Web API. -TEOS Integration: BRAVIA integrates seamlessly with TEOS, Sony's suite of workplace management solutions that organizes control of devices and content in corporate meetings, boardrooms, and public spaces. -
The FE 24-70mm F2.8 GM is a revamped standard zoom lens, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for stills and video. It is perfect for high-performance compact α-system bodies and covers a wide range of shooting situations. -
The 12-24mm constant F2.8 zoom lens offers an ultra-wide angle of view. The innovative optical design works together with Sony's advanced XD linear motors for excellent G Master image quality in a lightweight lens, fast and precise autofocus, easy control and high reliability. -
G Series Master Premium telephoto zoom lens Sony nanocrystal anti-reflective coating to eliminate reflections and ghost images 11-blade circular aperture for beautiful blur effects Image stabilisation with built-in optical SteadyShot Dust and moisture resistant construction MINIMUM FOCUSING DISTANCE 0,96 m MAXIMUM MAGNIFICATION RATIO (X) 0,25x FILTER DIAMETER (MM) 77 mm WEIGHT 1,480 g (without tripod mounting bracket) -
New 33.0 MP full-frame Exmor R back-illuminated CMOS image sensor Advanced BIONZ XR image processor with up to 8 times higher processing performance Reliable AF capabilities including Real Time Eye AF for people, animals and birds Video production with 4K 60p4, 4:2:2 10-bit recording capability Advanced movie functions including Active Mode, Breathing Compensation and AF Assist -
The HDCU-3500 camera control unit is designed for use with the Sony HDC-3500 and HDC-3500 4K/HD system cameras. It provides interfaces to external devices and power to the camera in a lightweight, portable half-rack housing (3U wide) that is ideal for OB production environments. 12G-SDI and 4K output is available via the optional HZCU-UHD35 software licence. The CCU also provides an optional path for IP functionality with the HDC Series fibre-optic studio cameras. Tally support for IP (TSL UMD v5.0) is available as standard, while CCU menu settings can be conveniently changed remotely via a network -
Display characteristics -Brightness (cd/m²): 560 -Native contrast ratio: 4000:1 -Dynamic Contrast Ratio: 500.000:1 -Response Time (ms): 6 -Panel type: VA -Dimming category: Frame Dimming -Display: LCD -Frame size (top, side, bottom): 11,9 / 11,9 / 20,8 -Operating Time: 18/7 -Display Specifications -Screen size per WEB (diagonal, cm, full or 1st decimal): 215 cm -Backlight type: LED direct -Display resolution (O x V, pixels): 3840 x 2160 -Screen size (inches, diagonal): 85" (84,6") -Viewing angle (right/left): 178 (89/89) degrees -Viewing angle (high/low): 178 (89/89) degrees -Display resolution: QFHD -Aspect ratio: 16:09 -
Full-frame creativity. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the impossible. Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.
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available 7 camera for Rent Sony HDC-1700 and rent Sony HDC-4300 slowmotion camera, 4K, 25p 50PGeneral
Power requirement: 240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass: 4.5 kg (9 lb 15 oz)Camera Section
Pickup device: 3-chip 2/3-inch type Progressive CCD Effective picture elements: 1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system: F1.4 prism system Built-in filters(ND) 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical): Typical -60 dB -
The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.
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- 3 1/2"-type CMOS Sensors
- 1080p, 720p, 1080i
- Native 23.98p
- Full HD 1920 x 1080
- Wide Angle 14x Fujinon Lens
- 1.23MP Viewfinder
- Records to SxS Cards
- DVCAM SD Mode
- Cache Recording
- HDMI Output
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The PDW-680 XDCAM HD422 camcorder is a mid-range Professional Disc camcorder with many of the same features as the more advanced PDW-700. The PDW-680 has three 2/3-inch type Exmor CMOS sensors for recording 1080/50i or 1080/60i HD images or MPEG IMX and DVCAM SD, as standard. Progressive mode is available only for playback. More IT based operation. The PDW-680 is designed to enable a smooth migration from tape camcorder use to PC-based operation to improve workflow efficiency with MXF/MPEG interoperability and metadata functions.
- Three 2/3-inch type Exmor CMOS sensors with high sensitivity
- Lower power consumption for longer battery life
- Choice of SD or HD operation
- Maximum x4 Digital Extender function for magnification without loss of image sensitivity
- High-quality 4-channel 24-bit audio recording
- Shock and dust-resistant disc drive
- Slow Shutter speeds for increased creativity
- Interval Recording function
- Optical ND filters and electrical CC filters
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The HDW-750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.
- Superb High Definition pictures
- Peace of mind for High Definition post production
- Easy integration with Standard Definition
- Ease-of-use for minimum re-training
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The PMW-200 is supplied with a 14x Fujinon lens for remarkable picture quality and flexible creative control with three independent rings with end stops. The PMW-200 can also record in a range of different formats as well as being compatible with other XDCAM HD 422 and XDCAM EX equipment. High-quality MPEG HD422 50 Mbps recording is fully compliant with the latest EBU recommendations for long form broadcast production and is widely accepted in broadcasting stations and production houses. This capability ensures the PMW-200 is ideal for a wide range of different applications, including newsgathering and documentary production.
- Three 1/2-inch type ExmorCMOS Full HD sensors for a wide range of shooting conditions
- 14x Fujinon professional HD zoom Lens with three independent rings with end stops
- Optical SteadyShot and LCD panel for focus assist functions
- High quality MPEG HD 422 recordings
- WiFi remote control*
- Switchable recordingsfor greater flexibility
- Slow and quick motion from 1 fps to 60 fps
- Two SxS Memory Card slots
- Shutter angle setting similar to a film camera
- HD/SD-SDI and HDMI Interface
- Four hours of use with a BP-U battery
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The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode or a 25Mb/s, HDV 1080i compatible mode. To take advantage of this high performance recording capability, the PMW-EX3 uses the same imaging system as the PMW-EX1, consisting of three ½-inch type CMOS sensors, each with an effective pixel count of 1920x1080. In addition, there's a purpose-built interchangeable Fujinon Professional HD ½-inch 14x lens and a unique dual focus ring mechanism. Included in the package is a ½-inch lens adaptor to allow use of other ½-inch lenses, plus the ability to use other optional lens adaptors for 2/3rd-inch, cinema-style and digital SLR lenses. To maximise recording time, the PMW-EX3 has two memory card slots which means with a pair of 16 GB SxS PRO memory cards, it can record up to 140 minutes of HD footage.
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The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality. The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422. The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***. With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.
* 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0) operation requires V1.2 firmware. ** Operation in MPEG HD at 18Mb/s is replay only. *** SD operation requires CBKZ-MD01 option. -
Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.
The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.
In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired 'look' of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set
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The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera.
- Media and recorded files access and viewing at a distance
- Monitor output or ‘control only’
- May be used in applications or in place of RCP-700 series remote control panels
- Control of automatic adjustment functions
- Control of the ECS/ shutter function
- Control of the Slow Shutter function
- Assignable buttons
- Parallel operation with another control panel
- High brightness buttons
- Guard to prevent unintended operation
- GPI interface
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The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimised the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.
General
Mass: Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card) Power Requirements: DC 12 VCamera Section
Imaging Device (Type): Super35 type Single-chip Exmor CMOS Effective Picture Elements: 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) Built-in Optical Filters: Clear, 1/4ND, 1/16ND, 1/64ND Sensitivity (2000 lx, 89.9% reflectance): Video Gamma: T14 (3840 x 2160/23.98P mode 3200K) ISO Sensitivity: ISO 2000(S-Log3 Gamma D55 Light source) Minimum Illumination: 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4) S/N Ratio: 57 dB (Y) (typical) Shutter Speed: 1/3 sec to 1/9,000 sec Slow & Quick Motion Function: XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P) XAVC-L mode 3840x2160：1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P) White Balance: Preset, Memory A, Memory B(1500K-50000K)/ATW Gain: -3, 0, 3, 6, 9, 12, 18 dB, AGC Gamma Curve: STD,HG,User,S-log3 -
High definition XAVC recordings
The PDW-HD1550 provides high definition XAVC Intra 422 recordings at 1920 x 1080 at various bitrates, including 59.94i, 50i, 29.97p, 23.98p and 25p.Multi-format recording and playback capabilities
The PDW-HD1550 has a highly flexible multi-format recording and playback capability as standard. As well as XAVC, users can select recording and playback formats from HD (MPEG HD422 50 Mbps and MPEG HD420 35 Mbps and 25 Mbps) and SD (MPEG IMX50/30 and DVCAM) in a variety of frame frequenciesSupport for Quad Layer and Triple Layer Professional Discs
The recorder supports the latest Professional Disc media, including Quad Layer PFD-128QLW, Triple Layer PFD-100TLA, Dual Layer PFD-50DLA and Single Layer PFD-23A8 channels of digital audio
Uncompressed PCM recording of 24-bit 48 kHz audio enables 8-channel audio recording at high sound quality.Supports a variety of interfaces
This unit supports HD-SDI video, 8-channel audio input and output, SD-SDI video, 8-channel audio input and output (the SD/HD-SDI input connector doubles as an SD-SDI input connector), SD composite output, AES/EBU digital audio 4-channel input and output, analogue audio 2-channel input and output, remote RS-422A (D-sub 9-pin x1) and video remote (D-sub 9-pin x1), plus HDMI output