- Maximum Aperture: 1:3.6 at 9~72mm (2.0x) 1:4.7 at 100mm (2.0x)
- Type: Wide Angle
- Mount: Canon
- Focal Length: 4.5mm-50mm
rental of cameras, video and cinema equipment for broadcast production
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The 12-24mm constant F2.8 zoom lens offers an ultra-wide angle of view. The innovative optical design works together with Sony's advanced XD linear motors for excellent G Master image quality in a lightweight lens, fast and precise autofocus, easy control and high reliability. -
The OBD 1410 is a bidirectional Fiber Optic to SDI transmitter and receiver which uses a single fiber link supplied in a compact self-contained package. It is a convenient and cost-effective solution to combat the restrictions involved with distributing uncompressed broadcast-quality video signals over long distances.
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Canon KJ20x8.2B KRSD 8.2-164mm HDgc Zoom Lens ENG, 8.2-164mm lens for 2/3" format camcorders, Shuttle Shot Zoom Pre-archiving function, 20x zoom ratio, Fast f/1.9 maximum aperture at 8.2-164mm, 1 second maximum speed, minimised chromatic aberrations, multi-layer optical coatings, silent servo zoom, fast, extraordinary dispersion glass -
The FE 24-70mm F2.8 GM is a revamped standard zoom lens, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for stills and video. It is perfect for high-performance compact α-system bodies and covers a wide range of shooting situations. -
Key Feature:
- Model: MON-2403HDR
- Input: 2x SDI, HDMI
- Output: 2x SDI, HDMI
- Display: 24-inch, 1920x1080, 1000nits with True HDR Rendering
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A handheld telephoto lens with 24x zoom and a focal length of 7.5-180 mm, this lens integrates beautifully with a UHD workflow and offers standard 4K performance with enhanced operability, perfect for over-the-shoulder news gathering. 4K optical performance: The lens boasts standard 4K resolution power. Canon's unique optical design enables extraordinary levels of detail. Compact and lightweight: Designed for documentary and news gathering, the lens gives cameramen the flexibility to cover even the most challenging situations. Enhanced image correction: The lens features BT.2020-based correction data. This enables excellent colour reproduction at the corners of the screen when connected to a 4K camera. -
G Series Master Premium telephoto zoom lens Sony nanocrystal anti-reflective coating to eliminate reflections and ghost images 11-blade circular aperture for beautiful blur effects Image stabilisation with built-in optical SteadyShot Dust and moisture resistant construction MINIMUM FOCUSING DISTANCE 0,96 m MAXIMUM MAGNIFICATION RATIO (X) 0,25x FILTER DIAMETER (MM) 77 mm WEIGHT 1,480 g (without tripod mounting bracket) -
- Switch between 8 HDMI source devices and 8 HDMI displays connected simultaneously
- Supports resolutions up to 4K 60Hz, with additional support for HDR
- Extract audio from HDMI to SPDIF for connection to amplifiers and speaker systems
- EDID Management system for controlling and ensuring the optimum resolution possible
- 2 year warranty
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A versatile and fully-featured broadcast 2/3” 4K field lens with 90x zoom, 9-810mm focal length and image stabilisation that’s fully compatible with 2/3” 4K cameras and broadcast environments where HDTV is currently in use. Benefits: -2/3” 4K field lens with 90x zoom and 9-810mm focal length (up to 1620mm with the 2x built-in extender) -Achieve stunning 4K resolution from 2/3” 4K cameras that extends right from the centre of the image -Retain stunning 4K resolution even with image stabilisation applied -Similar size and weight to HD field lenses mean it seamlessly integrates with existing HDTV technical setups and shooting environments. -Sustained 4K performance with precise focus and high zoom ratio -Cover wide spaces like large sports arenas with a single lens thanks to the wide focal range -Full support for virtual systems thanks to the built-in 16-bit encoder -Fully compatible with existing Canon HD field lens accessories -
Aputure 60x is a battery-powerable daylight-balanced focusing LED that uses custom aspherical optics to achieve a 15-45° spot-flood beam angle with intense output and flexibility.
Aputure LS 60x punches way above its weight class as a 60W Expanded Bi-Color Focusing LED fixture that outclasses the output of a 300W tungsten Fresnel and outpaces comparable LED lights. With its custom, Aputure aspherical optics, the LS 60x (@ 5600K) can output 30,000+ lux in full spot, or 5,200+ lux in flood mode.
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The new ATEM Television Studio Pro 4K provides the same advantages as the HD models plus Ultra HD compatibility and more SDI inputs. With 8 independent 12G-SDI inputs you work with all common HD and Ultra HD formats up to 2160p60. Each input offers frame synchronisation and a low-latency standard converter that automatically transforms the input according to the switcher format. So you can connect eight inputs with eight different formats! The new Fairlight audio mixer includes dynamics, 6-band parametric EQ, channel splitting into two mono channels, and stereo simulator with audio delay on analogue inputs. ATEM Television Studio Pro 4K also boasts ATEM Advanced Chroma Keyer, multiview Ultra HD, and media archive clip support. -
Combining BirdDog's custom NDI silicon chip, 20x optical zoom, 16x digital zoom and a Sony backlit sensor, the black BirdDog Eyes P120 is a full-featured 1080p60 NDI PTZ camera designed for large indoor spaces. With fast autofocus and zoom, the P120 is suitable for capturing all the fast action at venues such as sporting events, but also works well as a boardroom camera. The P120 features the full visual lossless NDI variable bit rate up to 1080p60. -
Blackmagic Audio Monitor provides the finest quality audio monitoring in an incredibly small one rack unit size! Featuring a dual subwoofer design with extra wide range speakers for amazing audio, all backed by a super powerful class A/B amplifier. This precision audio and video monitoring solution includes an advanced 6G-SDI input, as well as balanced XLR analog audio, balanced AES/EBU digital audio and consumer level HiFi audio inputs. The elegant front panel has bright multi colored audio level meters and a built in LCD for monitoring video sources, plus you get an HDMI 4K output for monitoring on larger screens!
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if you're shooting or recording onto solid state disks then Blackmagic MultiDock is the perfect solution for mounting your media disks onto your Thunderbolt or Thunderbolt 2 based computer. You get a super-fast 4 disk docking solution in a compact rack mount design that lets you insert and remove a disk as you need, so you can edit directly from the disks. Totally eliminate copying because with Blackmagic MultiDock you get massive transfer speeds for super responsive editing, design and color correction. Blackmagic MultiDock can even be used as a disk array when adding multiple disks and striping with your computers disk utility software! Blackmagic MultiDock is attractive and installs in seconds because it uses the disk drivers built into your Mac OS X and Windows Thunderbolt computer!
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MultiView 16 is perfect for larger installations because it has 16 independent 6G-SDI inputs so you can connect any combination of SD, HD or Ultra HD sources and monitor them all simultaneously on a single display! Router style controls on the front panel, along with the LCD and spin knob, let you adjust settings, route sources to different views, add overlays and more. Output can be set to a 2x2, 3x3 or 4x4 grid, and you can even SOLO any source full screen!
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HyperDeck Studio is a broadcast HD based solid state deck that includes 3G-SDI and HDMI connections so you can work in all SD and HD formats up to 1080p30. You get familiar VTR style controls so it’s just like using a traditional broadcast deck, along with compressed or uncompressed 10-bit 4:2:2 broadcast quality recording. The low cost makes it easy to install multiple units when you need ISO recorders, or are doing long form logging or mastering for SD and HD.
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Introducing the exciting new Smart Videohub, the world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control. Smart Videohub includes the latest 6G-SDI or 12G-SDI technology depending on the model, so you can simultaneously connect and route any combination of SD, HD and Ultra HD video, all the way up to high frame rate 2160p60, all on the same router at the same time! You also get revolutionary new visual routing that lets you see your router connections as video on the built in LCD as you scroll the knob to select your routing. Now you can route your video simply by looking at the video!
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Spectacular 4K quality accessible to all The HDC-3200 system camera offers exceptional 4K image quality and incredible versatility that makes it suitable for any live production. Sharing many operational features with Sony's acclaimed HDC series cameras, the HDC-3200 features a high-sensitivity 4K 3CMOS sensor with unique shutter technology to deliver brilliant image quality with extremely low noise levels, even in dimly lit studios. -
A new benchmark for creative flexibility The HDC-3500 system camera introduces new levels of image quality, portability and creative flexibility for live production environments. Experience superb 4K/HD/HDR image quality and anticipate tomorrow's production needs while maintaining full compatibility with current workflows and system hardware. Unlimited imaging power Capture premium images with the world's first 2/3-inch 4K CMOS sensor with unique shutter technology, which eliminates 'jello effect' and noise bands. This enables the HDC-3500 to capture sharp 4K high resolution images (2000 TVL), ultra-low noise (-62 dB), exceptional sensitivity (F10 at 1080/59.94P or F11 at 1080/50p) and wide dynamic range, achieving the extended colour space of the ITU-R BT.2020 broadcast standard. It is coupled with a specially developed LSI digital signal processor, which takes full advantage of the extraordinary imaging power of this new sensor. -
The HDW-750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.
- Superb High Definition pictures
- Peace of mind for High Definition post production
- Easy integration with Standard Definition
- Ease-of-use for minimum re-training
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The PDW-680 XDCAM HD422 camcorder is a mid-range Professional Disc camcorder with many of the same features as the more advanced PDW-700. The PDW-680 has three 2/3-inch type Exmor CMOS sensors for recording 1080/50i or 1080/60i HD images or MPEG IMX and DVCAM SD, as standard. Progressive mode is available only for playback. More IT based operation. The PDW-680 is designed to enable a smooth migration from tape camcorder use to PC-based operation to improve workflow efficiency with MXF/MPEG interoperability and metadata functions.
- Three 2/3-inch type Exmor CMOS sensors with high sensitivity
- Lower power consumption for longer battery life
- Choice of SD or HD operation
- Maximum x4 Digital Extender function for magnification without loss of image sensitivity
- High-quality 4-channel 24-bit audio recording
- Shock and dust-resistant disc drive
- Slow Shutter speeds for increased creativity
- Interval Recording function
- Optical ND filters and electrical CC filters
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The PMW-200 is supplied with a 14x Fujinon lens for remarkable picture quality and flexible creative control with three independent rings with end stops. The PMW-200 can also record in a range of different formats as well as being compatible with other XDCAM HD 422 and XDCAM EX equipment. High-quality MPEG HD422 50 Mbps recording is fully compliant with the latest EBU recommendations for long form broadcast production and is widely accepted in broadcasting stations and production houses. This capability ensures the PMW-200 is ideal for a wide range of different applications, including newsgathering and documentary production.
- Three 1/2-inch type ExmorCMOS Full HD sensors for a wide range of shooting conditions
- 14x Fujinon professional HD zoom Lens with three independent rings with end stops
- Optical SteadyShot and LCD panel for focus assist functions
- High quality MPEG HD 422 recordings
- WiFi remote control*
- Switchable recordingsfor greater flexibility
- Slow and quick motion from 1 fps to 60 fps
- Two SxS Memory Card slots
- Shutter angle setting similar to a film camera
- HD/SD-SDI and HDMI Interface
- Four hours of use with a BP-U battery
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- 3 1/2"-type CMOS Sensors
- 1080p, 720p, 1080i
- Native 23.98p
- Full HD 1920 x 1080
- Wide Angle 14x Fujinon Lens
- 1.23MP Viewfinder
- Records to SxS Cards
- DVCAM SD Mode
- Cache Recording
- HDMI Output
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Product Highlights:
- 18x Optical Zoom
- Shuttle-Shot Technology
- Manual Zoom
- Servo Focus
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The Canon 22x HD is a high quality 22x zoom lens for professional 2/3" remote video cameras. This model is highly versatile and can be used in a variety of professional applications, including teleconferencing, distance learning, and specialized broadcasting including sports coverage. The focal-length range is 7.6-168mm with a minimum object distance of 2.8' (0.9 m). Additionally, the lens comes equipped with a manually operated 2x extender which can be coupled with an external control unit.
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Feature:
- 2/3" B-4 Mount
- Focal Length: 11-363mm
- ENG style lens
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Rent a 5D Mark II camera with a wide range of EF lenses. In cinematic shooting the quality achieved by cameras allows to better enhance creativity in the video industry to make a video game and creatives creating professional audiovisual products at competitive prices the camera is also available with: rig with optical follow focus choice between 18mm f2 .8 24-70 f2.8 70-200 f2.8
KEY FEATURES
- 21.1 Megapixel full-frame CMOS sensor
- 3.9fps shooting speed
- 1920x1080 Full HD Movie Capture
- ISO range from 50-25,600 with expansion
- DIGIC 4 processor
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Rent a 6D camera with a wide range of EF lenses. In cinematic shooting, the quality achieved by the cameras makes it possible to best express creativity in the video sector, allowing video makers and creative professionals to create professional audio-visual products at competitive prices. The camera is also supplied with: rig with optical follow focus choice between 18mm f2 .8 24-70 f2.8 70-200 f2.8
Benefits
- 20.2-megapixel full-frame sensor
- Light and resistant body
- ISO sensitivity 100-25.600 (expandable up to ISO 102.400)
- 11-point AF sensitivity up to -3 EV
- Recording of the position by GPS *
- Transfer files via Wi-Fi and remote control
- Full-HD video
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Rental No. 6 Canon C300 Mark II EF Lenses: Canon 16-35 mm f4; Canon 24-70 f 2.8 Canon 70-200 f 2.8 Canon macro No. 4General
Power Supply: 14.4V DC (battery pack), 16.7 V DC (DC-IN) Main Unit Weight: Approx. 3.9 lb (1770 g)Camera Section
Sensor: CMOS sensor (single-panel) equivalent to Super 35 mm Total Pixels: Approx. 9.84 megapixels (4206 x2340) Shutter Setting: Speed, Angle, Clear Scan, Slow, or Off mode selected Either 1/3 or 1/4 steps selected as speed increment lris Setting: 1/2-stop, 1/3-stop or fine setting selected (1) Push auto iris control (2) Auto iris control * * Available only with some EF lenses ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] ND Filter: 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected] Motorized drive -
The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.
Product Category: CINE-SERVO Product Series: CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT Mount Type: PL Zoom Ratio: 7x Angular Field of View: Aspect Ratio 1.9:1 26.2 x 13.8mm 75.2° x 44.2° at 30mm / 12.5° x 6.6° at 105mm Focal Length Range: 17-120mm Iris Blades: 11 Maximum Photometric Aperture T Number: T2.95 at 17-91mm T3.9 at 120mm MOD From Image Sensor: 0.85m / 2.8’ Scene Object Dimensions at MOD: Aspect Ratio 1.9:1 26.2 x 13.8mm 92.1 x 48.5cm at 17mm / 12.7 x 6.7cm at 120mm Dimensions (W x H x L): 6.86 x 4.92 x 10.04 in. (174.2 x 125.0 x 254.9 mm) Weight: 6.39lbs. (2.9kg) Front Diameter: Φ114mm Focus Angle: Focus: 0.8/0.5 Zoom: 0.5 Iris: 0.4 -
Canon FPD-400 (FPD400D) Digital focus servo demand. Canon's FPD-400D is a digital focus servo demand for use with Canon lens controller kits, such as the SS-41-20D, SS-42-20D, SS-41-IASD and SS-42-IASD. It provides precision focus control and is useful in a variety of professional broadcast applications.
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Benefits
Powerful optics: superb images thanks to a new generation design Focal range: from 4.3 mm to 60 mm (120 mm with multiplier) Cross-over technology options: switching between 16: 9 and 4: 3 Optimized Digital Drive technology Ergonomic design compact and robust The reduced focal length (4.3 mm) offers a horizontal angle of view of 96.3 degrees for the 16: 9 HD picture format. Thanks to an extended focal range (between 4.3 and 60 mm, up to 120 mm with multiplier), this lens offers unrivaled operational capabilities in a compact format of only 1.99 kg. The maximum relative opening is equal to F1.8. Furthermore, the flicker of the focus was significantly reduced compared to the previous model, HJ11ex4.7B. -
Canon KJ20x8.2B IRSD is a 2/3-inch portable HD telephoto lens with a wide 8.2mm wide-angle lens and an integrated 2x multiplier that expands the focal length to 16.4 -328mm, 10mm and the min distance of the subject (MOD) is 0.9m. MTF or modulation transfer function
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1-inch CMOS sensor Unprecedented image quality 4K 60P/50P 4:2:2 10-bit and FHD 120P High bit depth 15x optical zoom with wide angle L series lens Dual Pixel CMOS AF Intelligent Head & Eye Detection AF technology Canon Log 3 and HDR Dynamic Range Professional I/O connectivity Wi-Fi, Ethernet, 12G-SDI and USB-C -
Canon ZSD-300D (ZSD300D) Servo Zoom Demand (remote) for Digital Drive ENG/EFP Lenses. Canon ZSD-300D Digital Zoom Servo Demand - for J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses. The ZSD-300D zoom demand will operate the shuttle shot and frame preset features of the lens. All digital demands connect to the lens via a new one-touch 20-pin connector.