The DSLR Recoil Rig from Zacuto includes a Mini DSLR Baseplate with 6.5" rods, a QR Shoulder Pad, - the Recoil Handgrip Kit - a mechanical handgrip follow focus set up. The Mini DSLR Baseplate attaches to your camera with a single 1/4" 20 screw - has one 1/4" 20 - one 3/8" 16 screw underneath for tripod attachment. The Mini DSLR Baseplate has two lightweight spaced threaded rod ports at the back of the unit, a 15mm female rod port (tightened with an Allen key) which can be found at the left side, - a 15mm rod port which can be found on the underside of the unit. It has a built in quick release for the camera which is released with a red quick release ratcheting lever. This kit comes with 6.5" rods to attach to the front of the baseplate.
rental of cameras, video and cinema equipment for broadcast production
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The PMV 1841 is a compact quad split multiviewer ideal for applications needing basic quad split multiview capability into an HDMI monitor. Four SDI inputs are supported with a single HDMI output. The module has three basic modes of operation:- Quad Split - All four inputs are arranged into a fixed quad display. Each input can have the monitoring tools (or on screen overlays) individually configured.
- Full Screen - One of the four inputs is displayed full screen with the user configured monitoring tools. In this mode 2 channels embedded audio from the selected SDI input is embedded into the HDMI output.
- 4K Monitoring - The module can be used to monitor 4K (12G) signals. The four SDI inputs are "stitched" together to make a full frame for monitoring. The 4K image is down converted to HD for display (4K monitor not required). Note: There are no on screen monitoring tools available in 4K mode.
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The Agile 2.0 R is following client demands for smaller, lighter encoders built for harsh environments. The system is small enough to fit between camera body and battery pack, or can be carried in a small backpack. Its aluminum design makes it extremely sturdy and will survive drops of more than 2 meters without problems. All this while still offering up to 8 4G modems, HD-SDI/ CVBS/HDMI input, a LAN connection, satellite/KA-sat/BGAN support and 32GB of removable storage for recording video locally, ready for editing. The Agile 2.0 R can be integrated in existing Playout environments or hired with a Playout Decoder.
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The wireless range of both the hand unit and the grips is 1,000 feet, reaching up to 1 ¼ miles! This makes it ideal for drones or car mounted shots. The handles can be attached to the included rosette mounts for portable operation. The motors are designed to clamp onto 19 mm or 15 mm rods (with the included rod bushings). This clamp design allows the motors to be easily connected and disconnected without having to remove any other accessories from the configuration. Each motor is equipped with a 0.8 mod, 35-tooth, 32-pitch gear, which corresponds to the standard film lens size. The torque of the Nucleus-M motor at 14.8 V is 2.5 N - m -
Logitech Brio is our best and most advanced business webcam. Packed with innovative technologies, Brio raises the bar for ultra 4K HD video collaboration excellence. RightLight 3 and high dynamic range (HDR) technology automatically adjust to help you look professional in any lighting environment, including low light, direct sunlight or high contrast lighting conditions. Brio is a remarkable piece of technology that streams crystal-clear video with superb resolution, frame rate, color and detail, including autofocus and 5x HD zoom. Brio delivers 4K Ultra HD video at 30 fps, HD 1080p at either 30 or 60 fps, and HD 720p at 30, 60 or an ultra-smooth 90 fps for outstanding clarity, smoothness, and detail. Choose from three field of view (FOV) presets to perfectly frame your video. To frame an ideal head and shoulders view, select 65° diagonal. To capture more of the room, choose 78° or 90° degrees diagonal. Whichever dFOV setting you select, get a closer look with 5x HD zoom in spectacular 4K resolution -
PRODUCT HIGHLIGHTS DSLR Rail Support Shoulder Support Suitable for any Body Type Allows Connection of Accessories Includes 350mm Long Rails 15mm Offset High Bracket Handgrip Kit Load-bearing Capacity - up to 55.1 lb Topside Handgrip Weight Attachment Plate / 1kg Weight Manufacturer: Vocas Systems Shoulder pad: Adjustable, Removable Shoulder pad size: Standard Bars position: Front , Rear Bars system: 15 mm Camera mounting points: 2 Material: Aluminum, Leather Weight: 3,298(gr.) -
Blackmagic Design's Videohub Smart Control Pro is a network switching router with 48 programmable buttons for routing sources and destinations on a network. Housed in a 1 RU frame, the Smart Videohub is suitable for use in both large broadcast systems and portable racks for routing live productions over Ethernet.
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Broadcast video mixer a noleggio. For-A Hvs-490 è un mixer video 4K con 2ME che permette di realizzare eventi e regie televisive senza limiti di creatività nella messa in onda di camere e contenuti complessi.HVS-490 switcher inherits key technology of HVS-2000 and HVS-390HS while opening the door to even more affordable 4K production. Exclusive MELite™ technology extends the switcher’s 2 M/Es to offer 6 M/E performance.*1 Expand your switching capabilities even more by assigning FLEXaKEY™ or feature rich 2.5D DVE, for compositing with up to 12 keyers. Take advantage of this truly broad range of switching in live production.
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Raise the production standard of any live event with the amazing built in features of ATEM live production switchers! You get upstream luma, linear, pattern and chroma keying for special effects, as well as downstream keying for logos and lower thirds. You also get 2 built in media players with media storage in the switcher for professional broadcast graphics! The ATEM 1 M/E and 2 M/E Production Studio 4K models as well as the ATEM 4 M/E Broadcast Studio 4K include a world class DVE for picture in picture effects and exciting stinger transitions
Creative Transitions
Choose from a wide range of built in transitions!Upstream Keyers
Amazing multi-layer live actionDownstream Keyers
Add bugs, logos and lower thirdsMulti View
Get multi camera monitoring using a single low-cost TVsMultiple Television Standards
Switch television standards for any type of live production.Internal Media Players
Load on-air graphics to eliminate complex external servers! -
rental of velvet Evo2 rgbwcw softlight for studio and cine shooting -
DSNG stands for Digital Satellite News Gathering. DSNG system is used as mobile earth station. To perform live broadcasting from a remote place where any physical link like optical fiber, transmission wire, radio link are not available, then the satellite link is the only way to send the raw footage to the main TV station. The DSNG system is approximately similar to the earth station system together with a mini program control system.
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The world's smallest pocket-sized SDI and HDMI video capture solution for Thunderbolt 3 laptops and desktops. Ultra Studio Recorder 3G captures compressed and uncompressed 10-bit video compatible with hundreds of video software packages, including DaVinci Resolve, Avid Media Composer and Adobe Premiere Pro CC.
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In Broadcast and Studio configuration the new CARTONI Master 30 head covers the needs of sophisticated video shooters from 3 kg (7 lbs) to 30 kg (66 lbs). With a low center of gravity configuration such as with Teleprompter, Master 30 holds 40 kg (88 lbs). An exceptional new fluid module in both pan and tilt modes ensures smooth movements, with perfect starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for perfect long focal shoots. Counterbalance performs perfect balance at any angle from 0 to +/- 90 degrees. All operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics. The head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings. -
Ideal for equipping ENG camcorders or EFP cameras with focal lengths and viewfinders, the CARTONI DELTA has been made with the extensive use of lightweight magnesium alloys. The continuous balancing system has been tested to balance up to 22 kg ensuring excellent performance for each angle of inclination. The DELTA head also features a continuous fluid damping system on both the horizontal and vertical, which the European standard set-up with quick release machine attachment plate and balancing arc from -60 ° to + 70 °, can be increased to + / - 90 ° with the sliding slide support supplied as an accessory. The necessary digital displays, powered by a 9v battery, are the values of balancing and vertical fluid damping, while the bubble is illuminated by a quick set-up of the system even in conditions of poor visibility.
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Designed to provide an extremely stable support for standard EFP configurations, the C20S is ready to operate with a wide range of cameras weighing from 7 to 32 Kg (15 to 71 lbs). C20S features three award winning fluid damping modules assuring outstanding drag levels and extraordinary smoothness in both pan and tilt modes. Movements can be selected with 7 precisely repeatable steps of drag, while free wheeling is available by simply setting the drag selector ring into position "0". Counterbalance is activated by an easy grip selector in 7 progressive steps and "0". The C20S comes with a 100 mm bowl base, illuminated spirit level and one telescopic pan bar. A 150 mm bowl base is also available as an option.
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The FOCUS 8 Fluid Head is the ideal support for the latest ultra-lightweight cameras weighing from 0 to 8Kg (17,7 lbs). Extremely compact, the 8 features a continuously variable fluid damping system on both pan and tilt movements and a unprecedented patented variable counterbalance which brings its range of use to cover all existing cameras. The FOCUS 8 Fluid Head comes equipped with a sliding camera plate compatible with Sachtler ACE and Manfrotto standard plates, spirit level and orientable pan bar. Its tilt angle is +/- 90° with perfect response throughout the entire tilt range. FOCUS 8 interfaces with all 75mm bowl base tripods and supports. The extreme ruggedness and versatility together with the superior quality/price ratio makes the FOCUS 8 the best possible support for its range.
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Input Frequency: 18.3 to 20.2 GHz Output Frequency: 28.1 to 30.0 GHz Polarization: Standard: Circular, Cross-polarized, with remote switching option electronical Switch Ambient Temperature: -40° to +55° C -
All Teradek codecs can stream to any online video platform, including Facebook Live, YouTube Live, Periscope, Twitch, and more. Go live on multiple platforms at the same time to increase viewership and engagement with our Core platform. Cube packs world-class video quality into a rugged, portable chassis for quick IP video deployments at any location. Each encoder and decoder includes HDMI and 3G-SDI I/O, Ethernet / WiFI connectivity, and full duplex IFB. Cube, codecs are cross compatible and offer streaming latency as low as 100ms on local networks or over the Internet.* For complex, real-time IP video routing, our Core platforms allows you to transmit feeds from Teradek encoders to any other decoder around the world.
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Teradek Beam is a H.264 Full HD back-end video encoder (bit rate up to 30 Mbps), which also allows operating on the 5 GHz band without a license. The Teradek Beam transmits up to over 700 meters with only 2 frames of latency. The Teradek Beam video encoder (receiver receiver) includes a 3G-SDI input and a battery plate (Anton Bauer or V-mount) that integrate with all the most popular professional cameras. The Teradek Beam includes an OLED screen for fast configuration, LAN port for transmission over wired networks, and support for high power transmission with 5.25GHz 5.15 band. They are able to manage the characteristics of professional encoders / tdecoders in pairs with the power of high-performance transmitters / receivers with low latency to manage incoming video streams from a troup eng.
Main features of the Bade Teradek video encoder (receiver - transmitter)- H.264 Full HD encoder with rear camera
- Transmit video via internet to the Beam decoder or directly to the PC with high bitrate
- Transmit video up to over 700 meters with 2 frames of latency
- Video Inputs: HD-SDI, SD-SDI, 3G-SDI
- Multicast capable of up to 4 receivers
- RTSP and MPEG-TS protocols
- Available in V-Mount or Anton Bauer Mount
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Product Highlights- Compatible with 3rd generation Bolt 500, Bolt 500 XT, Sidekick II, and 703 Bolt
- SDI loop out on TX
- External antennas on Bolt 500 TX
- Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)
- Extremely affordable and offers the same wireless performance as the XT
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Steadycam Easy Steady portata 10 kg -
Transportable and compact, the Master Stand is an innovative must-have. Made from reliable and lightweight aluminium, it won’t weigh you down and is sturdy enough to support up to 9kg. Featuring an innovative quick stack system, the stand can be bought together or separately. The Master Stand comes with a range of pole sizes including 18, 20, 23, and 30 cms. Connect them according to your needs for a made-to-measure piece of equipment; an innovative space-saving feature. Practical as well as clever, its compact design easily fits into your bag so you’ll always be ready for those demanding outdoor shoots. Slot everything neatly into a more compact case to keep things neat at the studio. The Master Stand comes in 4 sections with 3 risers, giving you complete precision. It features air cushioning so you can work quickly without worrying about catching your fingers or your gear. The wide footprint opens up to 106cms to keep your shots steady even on rougher grounds. Universally flexible, the spigot has an M10 x 1.5 thread, as well as a removable M6 x 1 thread. Its impressive height range of 124cm to 366cms allows you to capture new perspectives. -
The SPG 1707 is a compact, versatile analog sync pulse generator with genlock providing HD / SD video sync and audio reference signals. The module provides three SD sync outputs and three HD sync outputs and a separate audio sync output that can be switched between 48 KHz Word Clock or Digital Audio Reference (DARS). Flexible genlock capability allows the module to genlock to any SD or HD reference input, with full cross lock capability, even across unmatched standards. The HD tri-level sync outputs can be set to any of the available HD standards, and the bi-level SD outputs set for NTSC, PAL or PAL M/N. The SD and HD sync outputs and audio sync signals are all frequency locked to the reference regardless of the selected sync standard for the outputs. The SD sync outputs can be Color bars, Black Burst or Sync only with selectable 7.5 IRE pedestal for NTSC standards with adjustable burst phase in 8 increments. The sync generator is robust and temperature stabilized, suitable as a reference source with 2ppm accuracy. All user controls are located on the top of the module clearly labelled and easily accessible. This facilitates simple changes to module function and configuration without referring to a manual. The compact portable design makes it suitable for a wide range of applications in broadcast and mobile production environments. -
The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera.
- Media and recorded files access and viewing at a distance
- Monitor output or ‘control only’
- May be used in applications or in place of RCP-700 series remote control panels
- Control of automatic adjustment functions
- Control of the ECS/ shutter function
- Control of the Slow Shutter function
- Assignable buttons
- Parallel operation with another control panel
- High brightness buttons
- Guard to prevent unintended operation
- GPI interface
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The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimised the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.
General
Mass: Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card) Power Requirements: DC 12 VCamera Section
Imaging Device (Type): Super35 type Single-chip Exmor CMOS Effective Picture Elements: 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) Built-in Optical Filters: Clear, 1/4ND, 1/16ND, 1/64ND Sensitivity (2000 lx, 89.9% reflectance): Video Gamma: T14 (3840 x 2160/23.98P mode 3200K) ISO Sensitivity: ISO 2000(S-Log3 Gamma D55 Light source) Minimum Illumination: 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4) S/N Ratio: 57 dB (Y) (typical) Shutter Speed: 1/3 sec to 1/9,000 sec Slow & Quick Motion Function: XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P) XAVC-L mode 3840x2160：1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P) White Balance: Preset, Memory A, Memory B(1500K-50000K)/ATW Gain: -3, 0, 3, 6, 9, 12, 18 dB, AGC Gamma Curve: STD,HG,User,S-log3 -
The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode or a 25Mb/s, HDV 1080i compatible mode. To take advantage of this high performance recording capability, the PMW-EX3 uses the same imaging system as the PMW-EX1, consisting of three ½-inch type CMOS sensors, each with an effective pixel count of 1920x1080. In addition, there's a purpose-built interchangeable Fujinon Professional HD ½-inch 14x lens and a unique dual focus ring mechanism. Included in the package is a ½-inch lens adaptor to allow use of other ½-inch lenses, plus the ability to use other optional lens adaptors for 2/3rd-inch, cinema-style and digital SLR lenses. To maximise recording time, the PMW-EX3 has two memory card slots which means with a pair of 16 GB SxS PRO memory cards, it can record up to 140 minutes of HD footage.
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High definition XAVC recordings
The PDW-HD1550 provides high definition XAVC Intra 422 recordings at 1920 x 1080 at various bitrates, including 59.94i, 50i, 29.97p, 23.98p and 25p.Multi-format recording and playback capabilities
The PDW-HD1550 has a highly flexible multi-format recording and playback capability as standard. As well as XAVC, users can select recording and playback formats from HD (MPEG HD422 50 Mbps and MPEG HD420 35 Mbps and 25 Mbps) and SD (MPEG IMX50/30 and DVCAM) in a variety of frame frequenciesSupport for Quad Layer and Triple Layer Professional Discs
The recorder supports the latest Professional Disc media, including Quad Layer PFD-128QLW, Triple Layer PFD-100TLA, Dual Layer PFD-50DLA and Single Layer PFD-23A8 channels of digital audio
Uncompressed PCM recording of 24-bit 48 kHz audio enables 8-channel audio recording at high sound quality.Supports a variety of interfaces
This unit supports HD-SDI video, 8-channel audio input and output, SD-SDI video, 8-channel audio input and output (the SD/HD-SDI input connector doubles as an SD-SDI input connector), SD composite output, AES/EBU digital audio 4-channel input and output, analogue audio 2-channel input and output, remote RS-422A (D-sub 9-pin x1) and video remote (D-sub 9-pin x1), plus HDMI output -
The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.
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The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality. The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422. The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***. With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.
* 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0) operation requires V1.2 firmware. ** Operation in MPEG HD at 18Mb/s is replay only. *** SD operation requires CBKZ-MD01 option. -
Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.
The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.
In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired 'look' of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set
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The HDCU-3500 Camera Control Unit is designed for operation with the Sony HDC-3500 and HDC-3500 4K/HD system cameras. It provides interfaces to external equipment and power supply to the camera in a compact, portable half rack width 3U form factor that’s ideal for OB production environments. A 12G-SDI and 4K output is available via an optional software license HZCU-UHD35. The CCU also provides a pathway for IP operation with HDC Series optical fibre studio cameras. IP Tally support (TSL UMD v5.0) is featured as standard, while CCU menu settings can be conveniently adjusted remotely via a network. HDCU-3500 support not only HDC-3500, HDC-3100 but existing HDC-2500 series natively. Moreover, with hardware options, HDCU-3500 is capable of connecting to HDC-5500, the flagship 4K camera. -
The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality - and anticipate tomorrow's production needs while maintaining full compatibility with today's workflows and system hardware. -
Full-frame creativity. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the impossible. Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.
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Experiences like you've never had before. The Sony FX3 (ILMEFX3.CEC) takes you into the world of filmmaking. The camcorder is super compact, but it has everything you could want as a cinematographer. 4K image quality, low-light shooting, real-time automatic eye focus, ""touch tracking,"" and more. Sensor: Sony's FX3 (ILMEFX3.CEC) uses a 10.2-megapixel Exmor R CMOS sensor. Together with the Bionz XR processor, this technology provides the performance you're looking for. This sensor not only allows you to film in 4K at 120fps, but also with minimal ""rolling shutter."" This means you have no blackouts. They also guarantee a great result in difficult lighting conditions. You have an ISO up to 409,800 and a wide dynamic range of more than 15 stops. -
New 33.0 MP full-frame Exmor R back-illuminated CMOS image sensor Advanced BIONZ XR image processor with up to 8 times higher processing performance Reliable AF capabilities including Real Time Eye AF for people, animals and birds Video production with 4K 60p4, 4:2:2 10-bit recording capability Advanced movie functions including Active Mode, Breathing Compensation and AF Assist -
Featuring two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!
Connections
SDI Video Input: Automatically switches between SD, HD and 3G-SDI. Reclocked loop through output. Multi Rate Support: Auto detection of 2K, HD or standard definition inputs. Updates and Configuration: Via USB 2.0 high speed (480 Mb/s) Ethernet: 10/100 BaseT with loop through. Tally: 9-pin D connector Power Supply: 12V universal power supply included with international socket adapters for all countries.