Rent Audio Equipment

  • Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.

    Features

    • Rugged professional microphone
    • Five position bass roll-off switch
    • Effective feedback rejection
    • Clear sound reproduction
    • Easy handling due to pronounced directivity
  • The MKE 600 is the ideal video camera/camcorder microphone able to handle even demanding filmic challenges. Due to its high directivity, the MKE 600 picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear. The switchable “Low Cut” filter additionally minimizes wind noise. Because some video cameras/camcorders do not provide phantom power, the MKE 600 can also be battery powered. A battery on/off switch prevents the battery from discharging prematurely; “Low Batt” is displayed. • Pronounced directivity • Maximal rejection of side noise • Switchable "Low Cut" filter minimizes wind noise • Phantom or battery powering • Battery switch with "Low Batt" indicator • Rugged all-metal housing • Very good suppression of structure-borne noise • Supplied with foam windshield and shock mount
  • Features

    • High gain before feedback
    • Very good speech intelligibility
    • Outstanding bass reproduction
    • Frequency response 40...20.000 Hz
    • Sensitivity as per 121 TR 9-5 42 mV/Pa +- 3dB
    • Maximum sound pressure level (passiv) 118 dB (k=1%)
    • Pick-up pattern cardioid
    • Dimensions d=12mm, l=26mm
  • The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.

    The phantom power adaptor is available in two different versions:
    • MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless)
    • MZA 900 P-4 with lockable 3-pin special socket

    The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.

    The MZA 900 P can also be used as a cable tester for XLR microphone cables.

    Features

    • Robust metall chassis
    • Switchable gain (0/-12dB)
    • Switchable roll-off filter (125 Hz (-3 dB), 12 dB/oct)
    • Two-colour control LED (phantom power, audio peak)
    • Input 3,5mm stereo jack socket, lockable
    • Output XLR-3M
  • Lightweight, robust bodypack transmitter. AF frequency response optimized for bass guitar. Up to 6 x 64 user-programmable channels. Easy receiver-transmitter synchronization at the push of a button. All-metal housing.

    Features

    • Sturdy all-metal housing
    • Up to 75 MHz switching bandwidth
    • 20 fixed frequency banks with up to 64 compatible presets
    • 6 banks each with up to 64 tunable channels
    • Frequency setting in 25 kHz steps
    • Pilot tone squelch for interference-free operation
    • External charging contacts for recharging battery BA 2015 in the transmitter
    • Backlit display on transmitter (keystroke activation)
    • Auto-lock feature to prevent buttons from being pressed accidently
    • Audio and RF MUTE feature for muting the transmitter
    • Wide range of accessories for virtually any use
    • Enhanced audio frequency response in the bass range for optimum transmission from bass guitars
    • Input sensitivity above 60 dB can be set in 3 dB steps
    • Transmitters can be configured from the receiver menu
    • Can be synchronized with the receiver using infrared interface
    • Wide range of accessories for virtually any use
  • Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.

    Features

    • Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)
    • Designed for 12 hours of continuous operation
    • Made with ultra-light robust metal housing weighing only 112 grams
    • Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup
    • Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series
    • Resistant to moisture and sweat
    • Two detachable clips (0°/90°) for secure fit in any position
    • Exchangeable antenna and battery
    • Can be used with a variety of lavalier microphones and headsets
  • High-quality handheld transmitter. Compatible with all ew capsules. Up to 6 x 64 user-programmable channels. Switchable output power. User-friendly menu operation with backlit graphic display. Rugged metal housing.

    Features

    • Rugged metal housing
    • Up to 75 MHz switching bandwidth
    • 20 fixed frequency bands with up to 64 compatible presets
    • 6 banks each with up to 64 tunable channels
    • Frequency setting in 25 kHz steps
    • Pilot tone squelch for interference-free operation
    • External charging contacts for recharging battery BA 2015 in the transmitter
    • Backlit display on transmitter (keystroke activation)
    • Auto-lock feature to prevent buttons from accidently being pressed
    • Audio and RF MUTE feature for muting the transmitter
    • Transmitters can be configured from the receiver menu
    • Possible to synchronize with the receiver using infrared interface
    • Wide range of accessories for virtually any use
  • The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.

    Features

    • Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
    • Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
    • Highly effective intermodulation protection
    • AES 256 encryption and Digital 9000 encryption
    • Compatible with EK 6042 and EM 9046 in Long Range mode
    • Li-ion battery packs with 5.5 hours run time
    • Magnesium housing
  • Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.

    Features

    • 19’’ 2-Channel receiver, 19 inch 1RU
    • Large 244 MHz switching bandwidth
    • Legendary Long Range mode (LR) with proprietary audio codec (SeDAC) from the masterpiece Digital 9000
    • True bit diversity utilizes both receiver paths, combines their information content to provide the best possible signal
    • Equidistant frequency grid for maximum channel density and simplest setup
    • 32 superior quality RF pre-selection filters for optimal suppression of interference signals at antenna input
    • Error correction and audio error masking
    • AES-256 encryption
    • Automatic frequency setup
    • Digital and transformer balanced analog outputs XLR, 6.3 mm jack, AES-3, EM 6000 Dante with Brooklyn II Card and Amphenol RJ-45
    • Integrated antenna splitter for cascading of up to 8 systems
    • one high-quality OLED display per channel
    • Link Quality Indicator (LQI)
    • Wireless Systems Manager (WSM) compatible
    • Compatible with standard Sennheiser UHF antennas
    • Compatible with Digital 9000 transmitters in Long Range mode
  • The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.

    Features

    • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
    • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
    • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
    • Pneumatic shock-mount system cuts down handling noise
    • Extremely durable under the heaviest use
    • Frequency response: 40 to 15,000 Hz
    • Replacement cartridge: R57
  • The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

    Features

    • Frequency response shaped specifically for kick drums and bass instruments
    • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
    • Studio quality performance, even at extremely high sound pressure levels
    • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
    • Hardened steel mesh grille that resists wear and abuse
    • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
    • Neodymium magnet for high signal–to–noise ratio output
    • Low sensitivity to varying load impedance
    • Legendary Shure quality and reliability
  • The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

    Features

    • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
    • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
    • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
    • Neodymium magnet for high signal–to–noise ratio output
    • Minimally affected by varying load impedance
    • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
    • Legendary Shure quality and reliability

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