audio

  • Blackmagic Audio Monitor provides the finest quality audio monitoring in an incredibly small one rack unit size! Featuring a dual subwoofer design with extra wide range speakers for amazing audio, all backed by a super powerful class A/B amplifier. This precision audio and video monitoring solution includes an advanced 6G-SDI input, as well as balanced XLR analog audio, balanced AES/EBU digital audio and consumer level HiFi audio inputs. The elegant front panel has bright multi colored audio level meters and a built in LCD for monitoring video sources, plus you get an HDMI 4K output for monitoring on larger screens!

  • Wireless version of the Sennheiser and 908 B, without adapter for phantom power, for use with any pocket / instrument wireless evolution transmitter. The e 908 B EW has been designed for saxophones. To microphones trumpets, trombones and flugelhorns, we recommend using the E 908 T EW, which has a lower sensitivity.

    Main features
    • Polar Diagram: Cardioid
    • Transducer: Pre-polarized, condenser
    • Equivalent noise: 30 dB (A)
    • Nominal impedance: 100 Ohm
    • Phantom power supply: 12 - 48V / 3mA
    • SPL Max: 147dB
    • MIA 900 P Phantom Power Adapter not included
    • Connectors: 3.5mm mini jack
    • Dimensions: D47 x 193 mm
    • Weight: 140g
  • The HMS-4X HelixNet Main Station provides power and networked channels of audio to support up to 20 digital beltpacks. The sleek 1RU digital system can be mounted into any standard 19" rack. HelixNet Main Stations accept linking as well as two-wire and four-wire optional interface modules, offering seamless connectivity to LAN and virtually all common two-wire and four-wire audio systems. Delivering superb digital sound quality, the two-channel HBP-2X HelixNet Beltpack enables access to 2 of any 24 system channels over a single cable. The rugged, ergonomically designed HelixNet Beltpack was created to perform on the big stage, offering reliability and durability that will withstand the most demanding production environments.

  • The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.

    Features

    • Sturdy metal housing
    • 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
    • Enhanced frequency bank system with up to 16 compatible frequencies
    • Adaptive diversity for high reception quality
    • Pilot tone squelch for eliminating RF interference when transmitter is turned off
    • Automatic frequency scan feature searches for available frequencies
    • Enhanced AF frequency range
    • Wireless synchronization of receiver parameter from transmitter
    • User-friendly menu operation with more control options
    • Illuminated graphic display
    • Auto-Lock function avoids accidental changing of settings
    • HDX compander for crystal-clear sound
    • Receiver features battery indicatation in 4 steps
    • HiBoost, adjustable limiter, stereo/focus mode, balance
    • Contacts for recharging BA 2015 accupack directly in the receiver
    • Wide range of accessories adapts the system to any requirement
  • Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.

    FEATURES
    • Digital AGC processor with 2 band EQ
    • Balanced XLR I/O (mic/line)
    • Built-in tone generator
    • Remote control software and dialer
  • The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.

    Drum Mic Set

    Set comprises:

    • 1x Bass drum Boundary microphone TG D71
    • 2x Condenser microphones D57c for Tom Toms (cardioid, Clip-On)
    • 3x Condenser Microphones D58c for Snare/Tom Toms (cardioid, Clip-On)
    • 2x Condenser microphones MC 930 for overhead (cardioid)
    • 1 Condenser microphone MC 950 for Hi-hat (super-cardioid)
    • Solid M Bag Drum Softbag with protective foam insert and space for additional microphones and accessories
    • Microphone clips
  • Features:
    • Band: E-Band Frequency range: 823 - 865MHz
    • Apex angle: approx. 100° Front-to-back
    • ratio: > 14 dB
    • Gain: typ. 10 dB
    • Dimensions: 258 x 273 x 35 mm
    • Weight: 350g
  • Digital Mixing System

    • 64 Channels x 27 Buses
    • 28 motorised faders: 3x 8, 1x 4
    • Equipped with 8 mic/line inputs
    • 16 Analog outputs
    • 2 AES inputs
    • 3 AES outputs
    • Weight: 46 kg
    • Live performance digital console control centre with up to 88 simultaneous input channels
    • 35 time-aligned and phase-coherent mix buses
    • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
    • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
    • HyperMAC router with 192 bidirectional channels over copper and optical fibre
    • Provides dual redundant snake connection to DL371PRO9 Audio System Engine
    • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
    • 10 VCA (variable control association) and 6 POPulation groups
    • Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
    • Up to 8 multi-channel digital signal processing effects engines
    • 29 MIDAS PRO motorised 100 mm faders
    • 2 daylight viewable 15” full colour TFT display screens
    • Fully interpolated touch sensitive controls

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