- Live performance digital console control centre with up to 88 simultaneous input channels
- 35 time-aligned and phase-coherent mix buses
- HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
- Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
- HyperMAC router with 192 bidirectional channels over copper and optical fibre
- Provides dual redundant snake connection to DL371PRO9 Audio System Engine
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- 10 VCA (variable control association) and 6 POPulation groups
- Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
- Up to 8 multi-channel digital signal processing effects engines
- 29 MIDAS PRO motorised 100 mm faders
- 2 daylight viewable 15” full colour TFT display screens
- Fully interpolated touch sensitive controls
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Digital Mixing System
- 64 Channels x 27 Buses
- 28 motorised faders: 3x 8, 1x 4
- Equipped with 8 mic/line inputs
- 16 Analog outputs
- 2 AES inputs
- 3 AES outputs
- Weight: 46 kg
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Features:- Band: E-Band Frequency range: 823 - 865MHz
- Apex angle: approx. 100° Front-to-back
- ratio: > 14 dB
- Gain: typ. 10 dB
- Dimensions: 258 x 273 x 35 mm
- Weight: 350g
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The Opus Drumsets offer high-performance drum microphones from the Opus range at favourable prices. Four sets are available as individually customised sets. The sets include a rugged transport case with foam inlay which can be equipped with one Opus 99 (Bass Drum), one ST 99 (stand for Opus 99), three Opus 53 or MC 930 (Overhead, HiHat, Cymbals) and up to four Opus 88 (Snare Drum, Toms) and four Opus 87 resp. Opus 67 microphones (Toms) at maximum. Microphones clamps are included.
Drum Mic Set
Set comprises:
- 1x Bass drum Boundary microphone TG D71
- 2x Condenser microphones D57c for Tom Toms (cardioid, Clip-On)
- 3x Condenser Microphones D58c for Snare/Tom Toms (cardioid, Clip-On)
- 2x Condenser microphones MC 930 for overhead (cardioid)
- 1 Condenser microphone MC 950 for Hi-hat (super-cardioid)
- Solid M Bag Drum Softbag with protective foam insert and space for additional microphones and accessories
- Microphone clips
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Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.
FEATURES- Digital AGC processor with 2 band EQ
- Balanced XLR I/O (mic/line)
- Built-in tone generator
- Remote control software and dialer
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The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 16 compatible frequencies
- Adaptive diversity for high reception quality
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Automatic frequency scan feature searches for available frequencies
- Enhanced AF frequency range
- Wireless synchronization of receiver parameter from transmitter
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Receiver features battery indicatation in 4 steps
- HiBoost, adjustable limiter, stereo/focus mode, balance
- Contacts for recharging BA 2015 accupack directly in the receiver
- Wide range of accessories adapts the system to any requirement
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The HMS-4X HelixNet Main Station provides power and networked channels of audio to support up to 20 digital beltpacks. The sleek 1RU digital system can be mounted into any standard 19" rack. HelixNet Main Stations accept linking as well as two-wire and four-wire optional interface modules, offering seamless connectivity to LAN and virtually all common two-wire and four-wire audio systems. Delivering superb digital sound quality, the two-channel HBP-2X HelixNet Beltpack enables access to 2 of any 24 system channels over a single cable. The rugged, ergonomically designed HelixNet Beltpack was created to perform on the big stage, offering reliability and durability that will withstand the most demanding production environments.
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Wireless version of the Sennheiser and 908 B, without adapter for phantom power, for use with any pocket / instrument wireless evolution transmitter. The e 908 B EW has been designed for saxophones. To microphones trumpets, trombones and flugelhorns, we recommend using the E 908 T EW, which has a lower sensitivity.
Main features- Polar Diagram: Cardioid
- Transducer: Pre-polarized, condenser
- Equivalent noise: 30 dB (A)
- Nominal impedance: 100 Ohm
- Phantom power supply: 12 - 48V / 3mA
- SPL Max: 147dB
- MIA 900 P Phantom Power Adapter not included
- Connectors: 3.5mm mini jack
- Dimensions: D47 x 193 mm
- Weight: 140g
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Blackmagic Audio Monitor provides the finest quality audio monitoring in an incredibly small one rack unit size! Featuring a dual subwoofer design with extra wide range speakers for amazing audio, all backed by a super powerful class A/B amplifier. This precision audio and video monitoring solution includes an advanced 6G-SDI input, as well as balanced XLR analog audio, balanced AES/EBU digital audio and consumer level HiFi audio inputs. The elegant front panel has bright multi colored audio level meters and a built in LCD for monitoring video sources, plus you get an HDMI 4K output for monitoring on larger screens!
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The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.
Main Features
Precise 24-bit/96-kHz Audio and High-performance Head Amps 40-input 18-bus Mix Capacity at 96 kHz Versatile Connectivity and Expandability for a Wide Range of Applications Powerful Channel Functions with Flexible Control and Patching Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys Versatile Pairing and Grouping Functions Enhance Mixing Efficiency I/O Expansion Slot for Easy Expansion in a Variety of Formats Sophisticated DAW or Digital Recorder Integration -
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Main Features
- Compact and Lightweight
- Ample Bus Capacity: 16 MIX, 8 MATRIX, and STEREO
- Virtual Rack with Top-quality Effects
- Multiple Fader Functions
- Intuitive Interface
- Recall Safe and Recall Focus...Right Down to Head Amp Gain
- USB Memory Recording and Playback
- LS9 StageMix for iPad®
- LS9 Editor
- Yamaha Console File Converter
- LS9 + Dante I/O Rack System
- LS9 + EtherSound Stage Box System
- LS9 + DSR Speakers
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The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.