Rent Video, Cinema and television equipment

  • Featuring two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!

     

    Connections

    SDI Video Input: Automatically switches between SD, HD and 3G-SDI. Reclocked loop through output. Multi Rate Support: Auto detection of 2K, HD or standard definition inputs. Updates and Configuration: Via USB 2.0 high speed (480 Mb/s) Ethernet: 10/100 BaseT with loop through. Tally: 9-pin D connector Power Supply: 12V universal power supply included with international socket adapters for all countries.
  • New 33.0 MP full-frame Exmor R back-illuminated CMOS image sensor Advanced BIONZ XR image processor with up to 8 times higher processing performance Reliable AF capabilities including Real Time Eye AF for people, animals and birds Video production with 4K 60p4, 4:2:2 10-bit recording capability Advanced movie functions including Active Mode, Breathing Compensation and AF Assist
  • Experiences like you've never had before. The Sony FX3 (ILMEFX3.CEC) takes you into the world of filmmaking. The camcorder is super compact, but it has everything you could want as a cinematographer. 4K image quality, low-light shooting, real-time automatic eye focus, ""touch tracking,"" and more. Sensor: Sony's FX3 (ILMEFX3.CEC) uses a 10.2-megapixel Exmor R CMOS sensor. Together with the Bionz XR processor, this technology provides the performance you're looking for. This sensor not only allows you to film in 4K at 120fps, but also with minimal ""rolling shutter."" This means you have no blackouts. They also guarantee a great result in difficult lighting conditions. You have an ISO up to 409,800 and a wide dynamic range of more than 15 stops.
  • Full-frame creativity. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the impossible. Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.

  • The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality - and anticipate tomorrow's production needs while maintaining full compatibility with today's workflows and system hardware.
  • The HDCU-3500 Camera Control Unit is designed for operation with the Sony HDC-3500 and HDC-3500 4K/HD system cameras. It provides interfaces to external equipment and power supply to the camera in a compact, portable half rack width 3U form factor that’s ideal for OB production environments. A 12G-SDI and 4K output is available via an optional software license HZCU-UHD35. The CCU also provides a pathway for IP operation with HDC Series optical fibre studio cameras. IP Tally support (TSL UMD v5.0) is featured as standard, while CCU menu settings can be conveniently adjusted remotely via a network. HDCU-3500 support not only HDC-3500, HDC-3100 but existing HDC-2500 series natively. Moreover, with hardware options, HDCU-3500 is capable of connecting to HDC-5500, the flagship 4K camera.
  • Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.

    The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.

    In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired 'look' of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set

  • The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality. The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422. The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***. With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.

    * 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0) operation requires V1.2 firmware. ** Operation in MPEG HD at 18Mb/s is replay only. *** SD operation requires CBKZ-MD01 option.
  • The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.

  • High definition XAVC recordings

    The PDW-HD1550 provides high definition XAVC Intra 422 recordings at 1920 x 1080 at various bitrates, including 59.94i, 50i, 29.97p, 23.98p and 25p.

    Multi-format recording and playback capabilities

    The PDW-HD1550 has a highly flexible multi-format recording and playback capability as standard. As well as XAVC, users can select recording and playback formats from HD (MPEG HD422 50 Mbps and MPEG HD420 35 Mbps and 25 Mbps) and SD (MPEG IMX50/30 and DVCAM) in a variety of frame frequencies

    Support for Quad Layer and Triple Layer Professional Discs

    The recorder supports the latest Professional Disc media, including Quad Layer PFD-128QLW, Triple Layer PFD-100TLA, Dual Layer PFD-50DLA and Single Layer PFD-23A

    8 channels of digital audio

    Uncompressed PCM recording of 24-bit 48 kHz audio enables 8-channel audio recording at high sound quality.

    Supports a variety of interfaces

    This unit supports HD-SDI video, 8-channel audio input and output, SD-SDI video, 8-channel audio input and output (the SD/HD-SDI input connector doubles as an SD-SDI input connector), SD composite output, AES/EBU digital audio 4-channel input and output, analogue audio 2-channel input and output, remote RS-422A (D-sub 9-pin x1) and video remote (D-sub 9-pin x1), plus HDMI output
  • The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode or a 25Mb/s, HDV 1080i compatible mode. To take advantage of this high performance recording capability, the PMW-EX3 uses the same imaging system as the PMW-EX1, consisting of three ½-inch type CMOS sensors, each with an effective pixel count of 1920x1080. In addition, there's a purpose-built interchangeable Fujinon Professional HD ½-inch 14x lens and a unique dual focus ring mechanism. Included in the package is a ½-inch lens adaptor to allow use of other ½-inch lenses, plus the ability to use other optional lens adaptors for 2/3rd-inch, cinema-style and digital SLR lenses. To maximise recording time, the PMW-EX3 has two memory card slots which means with a pair of 16 GB SxS PRO memory cards, it can record up to 140 minutes of HD footage.

  • The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimised the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.

    General

    Mass: Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card) Power Requirements:  DC 12 V

    Camera Section

    Imaging Device (Type):  Super35 type Single-chip Exmor CMOS Effective Picture Elements: 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) Built-in Optical Filters:  Clear, 1/4ND, 1/16ND, 1/64ND Sensitivity (2000 lx, 89.9% reflectance):  Video Gamma: T14 (3840 x 2160/23.98P mode 3200K) ISO Sensitivity:  ISO 2000(S-Log3 Gamma D55 Light source) Minimum Illumination:  0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4) S/N Ratio:  57 dB (Y) (typical) Shutter Speed:  1/3 sec to 1/9,000 sec Slow & Quick Motion Function: XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P) XAVC-L mode 3840x2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P) White Balance:  Preset, Memory A, Memory B(1500K-50000K)/ATW Gain:  -3, 0, 3, 6, 9, 12, 18 dB, AGC Gamma Curve:  STD,HG,User,S-log3  

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