Rent Video, Cinema and television equipment

rental of cameras, video and cinema equipment for broadcast production

  • The DSLR Recoil Rig from Zacuto includes a Mini DSLR Baseplate with 6.5" rods, a QR Shoulder Pad, - the Recoil Handgrip Kit - a mechanical handgrip follow focus set up. The Mini DSLR Baseplate attaches to your camera with a single 1/4" 20 screw - has one 1/4" 20 - one 3/8" 16 screw underneath for tripod attachment. The Mini DSLR Baseplate has two lightweight spaced threaded rod ports at the back of the unit, a 15mm female rod port (tightened with an Allen key) which can be found at the left side, - a 15mm rod port which can be found on the underside of the unit. It has a built in quick release for the camera which is released with a red quick release ratcheting lever. This kit comes with 6.5" rods to attach to the front of the baseplate.

  • The PMV 1841 is a compact quad split multiviewer ideal for applications needing basic quad split multiview capability into an HDMI monitor. Four SDI inputs are supported with a single HDMI output. The module has three basic modes of operation:
    • Quad Split - All four inputs are arranged into a fixed quad display. Each input can have the monitoring tools (or on screen overlays) individually configured.
    • Full Screen - One of the four inputs is displayed full screen with the user configured monitoring tools. In this mode 2 channels embedded audio from the selected SDI input is embedded into the HDMI output.
    • 4K Monitoring - The module can be used to monitor 4K (12G) signals. The four SDI inputs are "stitched" together to make a full frame for monitoring. The 4K image is down converted to HD for display (4K monitor not required). Note: There are no on screen monitoring tools available in 4K mode.
    The module is simple to setup and configure using the integrated local control and on screen menu system. All settings are automatically stored in flash RAM. USB is port is provided for firmware updates and also PC/MAC control using the yelloGUI application
  • The Agile 2.0 R is following client demands for smaller, lighter encoders built for harsh environments. The system is small enough to fit between camera body and battery pack, or can be carried in a small backpack. Its aluminum design makes it extremely sturdy and will survive drops of more than 2 meters without problems. All this while still offering up to 8 4G modems, HD-SDI/ CVBS/HDMI input, a LAN connection, satellite/KA-sat/BGAN support and 32GB of removable storage for recording video locally, ready for editing. The Agile 2.0 R can be integrated in existing Playout environments or hired with a Playout Decoder.

  • The wireless range of both the hand unit and the grips is 1,000 feet, reaching up to 1 ¼ miles! This makes it ideal for drones or car mounted shots. The handles can be attached to the included rosette mounts for portable operation. The motors are designed to clamp onto 19 mm or 15 mm rods (with the included rod bushings). This clamp design allows the motors to be easily connected and disconnected without having to remove any other accessories from the configuration. Each motor is equipped with a 0.8 mod, 35-tooth, 32-pitch gear, which corresponds to the standard film lens size. The torque of the Nucleus-M motor at 14.8 V is 2.5 N - m
  • Logitech Brio is our best and most advanced business webcam. Packed with innovative technologies, Brio raises the bar for ultra 4K HD video collaboration excellence. RightLight 3 and high dynamic range (HDR) technology automatically adjust to help you look professional in any lighting environment, including low light, direct sunlight or high contrast lighting conditions. Brio is a remarkable piece of technology that streams crystal-clear video with superb resolution, frame rate, color and detail, including autofocus and 5x HD zoom. Brio delivers 4K Ultra HD video at 30 fps, HD 1080p at either 30 or 60 fps, and HD 720p at 30, 60 or an ultra-smooth 90 fps for outstanding clarity, smoothness, and detail. Choose from three field of view (FOV) presets to perfectly frame your video. To frame an ideal head and shoulders view, select 65° diagonal. To capture more of the room, choose 78° or 90° degrees diagonal. Whichever dFOV setting you select, get a closer look with 5x HD zoom in spectacular 4K resolution
  • PRODUCT HIGHLIGHTS DSLR Rail Support Shoulder Support Suitable for any Body Type Allows Connection of Accessories Includes 350mm Long Rails 15mm Offset High Bracket Handgrip Kit Load-bearing Capacity - up to 55.1 lb Topside Handgrip Weight Attachment Plate / 1kg Weight   Manufacturer:  Vocas Systems Shoulder pad:   Adjustable, Removable Shoulder pad size:  Standard Bars position:  Front , Rear Bars system:  15 mm Camera mounting points:   2 Material:   Aluminum, Leather Weight:   3,298(gr.)        
  • Blackmagic Design's Videohub Smart Control Pro is a network switching router with 48 programmable buttons for routing sources and destinations on a network. Housed in a 1 RU frame, the Smart Videohub is suitable for use in both large broadcast systems and portable racks for routing live productions over Ethernet.

  • Broadcast video mixer a noleggio. For-A Hvs-490 è un mixer video 4K con 2ME che permette di realizzare eventi e regie televisive senza limiti di creatività nella messa in onda di camere e contenuti complessi.  

    HVS-490 switcher inherits key technology of HVS-2000 and HVS-390HS while opening the door to even more affordable 4K production. Exclusive MELite™ technology extends the switcher’s 2 M/Es to offer 6 M/E performance.*1 Expand your switching capabilities even more by assigning FLEXaKEY™ or feature rich 2.5D DVE, for compositing with up to 12 keyers. Take advantage of this truly broad range of switching in live production.

  • Raise the production standard of any live event with the amazing built in features of ATEM live production switchers! You get upstream luma, linear, pattern and chroma keying for special effects, as well as downstream keying for logos and lower thirds. You also get 2 built in media players with media storage in the switcher for professional broadcast graphics! The ATEM 1 M/E and 2 M/E Production Studio 4K models as well as the ATEM 4 M/E Broadcast Studio 4K include a world class DVE for picture in picture effects and exciting stinger transitions

     

    Creative Transitions

    Choose from a wide range of built in transitions!

    Upstream Keyers

    Amazing multi-layer live action

     Downstream Keyers

    Add bugs, logos and lower thirds

    Multi View

    Get multi camera monitoring using a single low-cost TVs

    Multiple Television Standards

    Switch television standards for any type of live production.

    Internal Media Players

    Load on-air graphics to eliminate complex external servers!    
  • rental of velvet Evo2 rgbwcw softlight for studio and cine shooting  
  • DSNG stands for Digital Satellite News Gathering. DSNG system is used as mobile earth station. To perform live broadcasting from a remote place where any physical link like optical fiber, transmission wire,  radio link are not available, then the satellite link is the only way to send the raw footage to the main TV station. The DSNG system is approximately similar to the earth station system together with a mini program control system.

  • The world's smallest pocket-sized SDI and HDMI video capture solution for Thunderbolt 3 laptops and desktops. Ultra Studio Recorder 3G captures compressed and uncompressed 10-bit video compatible with hundreds of video software packages, including DaVinci Resolve, Avid Media Composer and Adobe Premiere Pro CC.

  • In Broadcast and Studio configuration the new CARTONI Master 30 head covers the needs of sophisticated video shooters from 3 kg (7 lbs) to 30 kg (66 lbs). With a low center of gravity configuration such as with Teleprompter, Master 30 holds 40 kg (88 lbs). An exceptional new fluid module in both pan and tilt modes ensures smooth movements, with perfect starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for perfect long focal shoots. Counterbalance performs perfect balance at any angle from 0 to +/- 90 degrees. All operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics. The head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings.
  • Ideal for equipping ENG camcorders or EFP cameras with focal lengths and viewfinders, the CARTONI DELTA has been made with the extensive use of lightweight magnesium alloys. The continuous balancing system has been tested to balance up to 22 kg ensuring excellent performance for each angle of inclination. The DELTA head also features a continuous fluid damping system on both the horizontal and vertical, which the European standard set-up with quick release machine attachment plate and balancing arc from -60 ° to + 70 °, can be increased to + / - 90 ° with the sliding slide support supplied as an accessory. The necessary digital displays, powered by a 9v battery, are the values of balancing and vertical fluid damping, while the bubble is illuminated by a quick set-up of the system even in conditions of poor visibility.

  • Designed to provide an extremely stable support for standard EFP configurations, the C20S is ready to operate with a wide range of cameras weighing from 7 to 32 Kg (15 to 71 lbs). C20S features three award winning fluid damping modules assuring outstanding drag levels and extraordinary smoothness in both pan and tilt modes. Movements can be selected with 7 precisely repeatable steps of drag, while free wheeling is available by simply setting the drag selector ring into position "0". Counterbalance is activated by an easy grip selector in 7 progressive steps and "0". The C20S comes with a 100 mm bowl base, illuminated spirit level and one telescopic pan bar. A 150 mm bowl base is also available as an option.

  • The FOCUS 8 Fluid Head is the ideal support for the latest ultra-lightweight cameras weighing from 0 to 8Kg (17,7 lbs). Extremely compact, the 8 features a continuously variable fluid damping system on both pan and tilt movements and a unprecedented patented variable counterbalance which brings its range of use to cover all existing cameras. The FOCUS 8 Fluid Head comes equipped with a sliding camera plate compatible with Sachtler ACE and Manfrotto standard plates, spirit level and orientable pan bar. Its tilt angle is +/- 90° with perfect response throughout the entire tilt range. FOCUS 8 interfaces with all 75mm bowl base tripods and supports. The extreme ruggedness and versatility together with the superior quality/price ratio makes the FOCUS 8 the best possible support for its range.

  • Input Frequency: 18.3 to 20.2 GHz Output Frequency: 28.1 to 30.0 GHz Polarization: Standard: Circular, Cross-polarized, with remote switching option electronical Switch Ambient Temperature: -40° to +55° C
  • All Teradek codecs can stream to any online video platform, including Facebook Live, YouTube Live, Periscope, Twitch, and more. Go live on multiple platforms at the same time to increase viewership and engagement with our Core platform. Cube packs world-class video quality into a rugged, portable chassis for quick IP video deployments at any location. Each encoder and decoder includes HDMI and 3G-SDI I/O, Ethernet / WiFI connectivity, and full duplex IFB. Cube, codecs are cross compatible and offer streaming latency as low as 100ms on local networks or over the Internet.* For complex, real-time IP video routing, our Core platforms allows you to transmit feeds from Teradek encoders to any other decoder around the world.

  • Teradek Beam is a H.264 Full HD back-end video encoder (bit rate up to 30 Mbps), which also allows operating on the 5 GHz band without a license. The Teradek Beam transmits up to over 700 meters with only 2 frames of latency. The Teradek Beam video encoder (receiver receiver) includes a 3G-SDI input and a battery plate (Anton Bauer or V-mount) that integrate with all the most popular professional cameras. The Teradek Beam includes an OLED screen for fast configuration, LAN port for transmission over wired networks, and support for high power transmission with 5.25GHz 5.15 band. They are able to manage the characteristics of professional encoders / tdecoders in pairs with the power of high-performance transmitters / receivers with low latency to manage incoming video streams from a troup eng.

      Main features of the Bade Teradek video encoder (receiver - transmitter)
    • H.264 Full HD encoder with rear camera
    • Transmit video via internet to the Beam decoder or directly to the PC with high bitrate
    • Transmit video up to over 700 meters with 2 frames of latency
    • Video Inputs: HD-SDI, SD-SDI, 3G-SDI
    • Multicast capable of up to 4 receivers
    • RTSP and MPEG-TS protocols
    • Available in V-Mount or Anton Bauer Mount
    .
  • Product Highlights

    • Compatible with 3rd generation Bolt 500, Bolt 500 XT, Sidekick II, and 703 Bolt
    • SDI loop out on TX
    • External antennas on Bolt 500 TX
    • Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)
    • Extremely affordable and offers the same wireless performance as the XT
  • Steadycam Easy Steady portata 10 kg
  • Transportable and compact, the Master Stand is an innovative must-have. Made from reliable and lightweight aluminium, it won’t weigh you down and is sturdy enough to support up to 9kg. Featuring an innovative quick stack system, the stand can be bought together or separately. The Master Stand comes with a range of pole sizes including 18, 20, 23, and 30 cms. Connect them according to your needs for a made-to-measure piece of equipment; an innovative space-saving feature. Practical as well as clever, its compact design easily fits into your bag so you’ll always be ready for those demanding outdoor shoots. Slot everything neatly into a more compact case to keep things neat at the studio. The Master Stand comes in 4 sections with 3 risers, giving you complete precision. It features air cushioning so you can work quickly without worrying about catching your fingers or your gear. The wide footprint opens up to 106cms to keep your shots steady even on rougher grounds. Universally flexible, the spigot has an M10 x 1.5 thread, as well as a removable M6 x 1 thread. Its impressive height range of 124cm to 366cms allows you to capture new perspectives.
  • The SPG 1707 is a compact, versatile analog sync pulse generator with genlock providing HD / SD video sync and audio reference signals. The module provides three SD sync outputs and three HD sync outputs and a separate audio sync output that can be switched between 48 KHz Word Clock or Digital Audio Reference (DARS). Flexible genlock capability allows the module to genlock to any SD or HD reference input, with full cross lock capability, even across unmatched standards. The HD tri-level sync outputs can be set to any of the available HD standards, and the bi-level SD outputs set for NTSC, PAL or PAL M/N. The SD and HD sync outputs and audio sync signals are all frequency locked to the reference regardless of the selected sync standard for the outputs. The SD sync outputs can be Color bars, Black Burst or Sync only with selectable 7.5 IRE pedestal for NTSC standards with adjustable burst phase in 8 increments. The sync generator is robust and temperature stabilized, suitable as a reference source with 2ppm accuracy. All user controls are located on the top of the module clearly labelled and easily accessible. This facilitates simple changes to module function and configuration without referring to a manual. The compact portable design makes it suitable for a wide range of applications in broadcast and mobile production environments.
  • The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera.

     
    • Media and recorded files access and viewing at a distance
    • Monitor output or ‘control only’
    • May be used in applications or in place of RCP-700 series remote control panels
    • Control of automatic adjustment functions
    • Control of the ECS/ shutter function
    • Control of the Slow Shutter function
    • Assignable buttons
    • Parallel operation with another control panel
    • High brightness buttons
    • Guard to prevent unintended operation
    • GPI interface

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