Rent Audio Equipment

  • Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.

    FEATURES

    • Single gooseneck section near microphone base for easy orientation of the microphone.
    • Tubular preamp body sized to fit many standard accessories.
    • Slide on windscreen
  • The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

  • The T10 is a passive 2-way loudspeaker housing two 6.5" drivers positioned in a dipolar arrangement and a 1.4" HF compression driver and a passive crossover network. The T10 can be used both as a line array and as a high directivity point source loudspeaker. The HF driver is fitted to a unique waveguide horn producing vertical line source directivity with a 90° horizontal pattern that is maintained down to approximately 600 Hz. An acoustic lens placed in front of the horn widens horizontal dispersion to 105°, rotation of the horn by 90° relative to this produces an accurate point source dispersion, transforming a vertically oriented T10 into a stand-alone full range loudspeaker with 90° horizontal and 35° vertical directivity pattern. The T10 cabinet is constructed from polyurethane integral hard foam, incorporates integrated line array rigging hardware and has an impact resistant finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.

  • The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft) to be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D80 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen of the D80 amplifier is tilted up for ease of operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases the application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D80 amplifier enables the electrical compensation of loudspeaker cable properties, without the need for an extra conductor. This results in an increased accuracy of audio reproduction over a bandwidth of up to 20 kHz, preserving the tonal balance when cable lengths of up to 70 m (230 ft) are used. The D80 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V/120 V/200 V/230 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector, while individual outputs are optionally NL4 or EP5 connectors. RJ 45 and etherCON connectors enable access to the d&b Remote network via CAN-Bus and OCA/AES70 via Ethernet respectively.

  • The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used. The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V - 240 V, 50 - 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d&b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d&b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.

  • Audio rental d&b audiotechnik Big Kit composed of: N.20 Q1 d & b audiotechnik N.4 Q7 d & b audiotechnik N.12 QSub d & b audiotechnik N.1 Yamaha M7CL mixer. Design and configuration assistance
  • Features:

    • 19" Rackmount 5U
    • 32 Inputs and 16 outputs
    • 4x AES / EBU Out1-8
    • Dante network
    • Internal sampling frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
    • External sampling frequency: 44.1 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 48 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 88.2 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 96 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0%
    • Weight: 12.4 kg
  • The QL series mixers offer mixing, processing and routing functions for small and medium-sized live performances, corporate events, installations and much more.

    Pure and natural sound with a powerful internal processing for a wide and creative control

    The Yamaha sound starts with a faithful reproduction of the sound source. The QL series mixers are equipped with circuits and components that have been designed and selected with the utmost care, obtaining an audio with surprising purity, both in input and output.

    Refined control for smooth operation

    The ability to respond quickly and reliably to the many and changing needs is essential for effective support for live sound. The QL series mixers offer large touch-screen displays that, combined with the "touch and turn" potentiometer, provide a significantly quick and efficient control interface.

    Expandable All-in-One support for every application

    In addition to the wide availability of analog inputs and outputs, the QL series mixers are equipped with the same Dante audio network protocol available in CL mixers, which offers extensive connectivity. Also available is an innovative "Port to Port" feature that can direct each input port to each output port so that the QL mixer can function as a remote I / O device for any other QL or CL series mixer.
  • The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.

  • The Yamaha CL series digital mixers represent a new level of refinement. They offer an advanced experience for simplicity of mixing, with in addition a purity and a capacity to shape the sound that will give every sound engineer unprecedented creative freedom. The CL series embodies the main standards of live sound in their most advanced and expressive form. The "virtual racks" available on the CL series consoles allows you to combine the signal processors needed for your work in a unique and easily accessible location, much like the traditional analog outboard racks. Efficiency and intuitiveness are essential. Yamaha's acclaimed Centralogic interface is the core of a revamped user interface that offers an unprecedented level of operational efficiency in the CL series, from visual feedback to the shape and tactile feel of faders and controls. The Yamaha Centralogic user interface has already demonstrated its value as the most user-friendly among the available digital operating environments, even for those engineers who were previously only at ease on analogue consoles..

  • The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.

    Features

    • Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
    • Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
    • Highly effective intermodulation protection
    • AES 256 encryption and Digital 9000 encryption
    • Compatible with EK 6042 and EM 9046 in Long Range mode
    • Li-ion battery packs with 5.5 hours run time
    • Magnesium housing
  • Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.

    Features

    • Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)
    • Designed for 12 hours of continuous operation
    • Made with ultra-light robust metal housing weighing only 112 grams
    • Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup
    • Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series
    • Resistant to moisture and sweat
    • Two detachable clips (0°/90°) for secure fit in any position
    • Exchangeable antenna and battery
    • Can be used with a variety of lavalier microphones and headsets

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