-
Palmer PLI 04, passive 2-channel DI-Box, 2x jack plug in, 2x RCA in, 1x 3,5 mm stereo-plug in, thomann 2x XLR balanced out, especially for Hifi and computer -
is a compact adapter that plugs into a laptop computer speaker jack, changes the output to a balanced mono mic-level signal and mates with standard XLR audio cable for connections to a house audio system. A ground lift switch assures a hum-free interface. On-board volume control.
-
High-Performance Passive DI-Box
- Professional and multi-purpose direct injection box for stage and studio applications
- Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
- Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
- Allows direct connection to speaker outputs with up to 3,000 Watts
- Ground Lift switch eliminates typical ground loop problems
- Filter switch reduces annoying hiss and buzz
- Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
- ¼" TRS and gold-plated XLR connectors
- Ultra-rugged, road-suitable metal case
- High-quality components and exceptionally rugged construction ensure long life and durability
-
The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.
-
From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.
Features:
- Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
- Lock Mode disables all controls easily for live and installation use
- Incredible Dynamic Range of 152 dB
- Three different bass cut filters and three pre-attenuation levels
- Peak Hold LED detects even shortest overload peaks
- Includes carrying case, pop filter, windscreen, and spider-type shock mount
- Frequency range: 20 to 20 000 Hz
- Sensitivity: 20 mV/Pa (-34 dBV) +/- 0.5 dB
- Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
- Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
- Signal/noise ratio: 88 dB
- Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
- Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
- Impedance: <=200 ohms
- Recommended load impedance: >= 2,200 ohms
- Powering: approximately 4 mA
- Connector: 3-pin XLR to IEC
- Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
- Net weight: 300g (10.6oz.)
- Requires +48V phantom power
-
Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.
Features
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
-
Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globeFEATURES
- Versatile small membrane microphone primarily for instrumental recordings
- Slight treble lift for fresh and vivid sound
- Precise cardioid directionality with excellent rejection of rearward sound
- Uncolored reproduction of neighboring sound sources
- Tight production tolerances – perfect for stereo recordings
-
The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.
-
Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp.
Features
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
-
Professional Speaker Stand Set- Material: Aluminium
- At maximum height can hold up to 30 kg centric load
- Height: 1.25 m - approx. 2.00 m
- Pole diameter: 35mm
- Weight (per piece): 2.16 kg
- Total weight including carry bag (without packaging): 4.73 kg
- Colour: Black
-
The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d&b loudspeakers and a linear mode; exceptions are 2-Way Active, V-Series and B2-SUB. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D6 incorporates Class D amplifiers utilizing a switch mode power supply with active Power Factor Correction (PFC), suitable for mains voltages 100 V/120 V/200 V/ 230 V, 50 - 60 Hz and maintains a stable and increased output when used with weak or unstable mains supplies. It is supplied with two NL4 loudspeaker output connectors. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.
-
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D12 utilizes an autosensing switch mode power supply for mains voltages 120 V/230 V, 50 - 60 Hz (optional 100/200V). The D12 amplifier incorporates d&b SenseDrive for accurate control of LF drivers in d&b loudspeakers driven in 2-Way Active mode or in actively driven d&b subwoofers. When the D12 is fitted with EP5 connectors and appropriate 5 wire cabling, d&b SenseDrive can be used, resulting in an extremely precise bass performance even at high levels. NL4 and NL8 connector options are also available. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.