The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats.
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Feature:
- 64-bit mixing processor for a more natural, warm, and detailed sound
- Improved EQ with curve adjustment, fine-tuned fader curves for precision and control, and redesigned clip controls
- 6 Sound Color FX with parameter control, 14 Beat FX with larger X-Pad and OLED screen, and independent Send/Return
- Two USB ports with top-loaded input switcher, rekordbox dj DVS support, and 4 Phono Inputs
- Use Pro DJ Link via LAN or USB to connect up to 4 players to share one source or to control rekordbox dj and other DJ software
- MAGVEL crossfader, 2 headphone plugs, and gold-plated RCAs
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Features:
- 8 MIDAS-designed mic preamplifiers for incredible sound
- Reference-class Cirrus Logic 24-bit converters for excellent A/D and D/A conversion
- Digital I/O on ADAT optical for maximum compatibility
- 60dB of available gain — works with any mic
- Phantom power on all channels
- Can be used as a master clock, or sync'd to ADAT or Word Clock
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The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.
The phantom power adaptor is available in two different versions:- MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless)
- MZA 900 P-4 with lockable 3-pin special socket
The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.
The MZA 900 P can also be used as a cable tester for XLR microphone cables.
Features
- Robust metall chassis
- Switchable gain (0/-12dB)
- Switchable roll-off filter (125 Hz (-3 dB), 12 dB/oct)
- Two-colour control LED (phantom power, audio peak)
- Input 3,5mm stereo jack socket, lockable
- Output XLR-3M
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The versatile magnet mount/gooseneck system provides stable and repeatable positioning.The mics can easily be positioned at different angles to provide a variety of sound nuances. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
The mount can also be used with various instruments with magnetic surfaces.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.
FEATURES
- Single gooseneck section near microphone base for easy orientation of the microphone.
- Tubular preamp body sized to fit many standard accessories.
- Slide on windscreen
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The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs.
- Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum
- Interchangeable cartridges provide the right polar pattern for every application
- Balanced, transformerless output for increased immunity to noise over long cable runs
- Shock mount that provides over 20 dB isolation from surface vibration noise
- Locking flange mount for permanently securing microphone to lecterns, pulpits, or conference tables
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Features
- Metal construction: Rugged and reliable
- Shock-mounted capsule: Low sensitivity to impact and handling noise
- Cardioid pickup pattern: Insulation from other on-stage signals
- Hum compensating coil: Reduces electrical interference
- Neodymium ferrous magnet with boron: Keeps microphone stable regardless of climate
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The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
Features
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting or accessories for ease of use and storage
- Furnished with zipper pouch
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Features:
- Sensitivity: -40dB ± 2dB / 100ohm ±30%
- Output Levels: –
- Frequency response: 40Hz -20KHz (-3dB)
- Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)
- Gooseneck length: 445 mm
- Controls: ON/OFF SWITCH
- Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR
- Dimensions (W x H x D): 115 x 140 x 30mm
- Weight: 0.7 kg (1.543 lb)
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The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Features
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliability
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The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
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The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
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The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Features
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
- Replacement cartridge: R57
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The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.
Features:
- Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Lengendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
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Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
- Replacement cartridge: R59
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Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.Main features
- Polar Diagram: Cardioid
- Frequency response: 20Hz - 20kHz
- Sensitivity: 9 mV / Pa (-41 dBV)
- SPL max: 135/145/155 dB
- S / N ratio (A-weighted): 76dB
- Pad: 10 dB, 20 dB
- High pass filter: 12 dB / Octave at 75Hz and 100Hz
- Power supply: Phantom 9V - 52V
- Dimensions: D19 x 160mm
- Weight: 125g
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The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.
Main features
- Frequency band: 20Hz-17kHz
- Sensitivity: 1.8 mV / Pa
- Electrical impedance: 210 Ohm
- Recommended load impedance: 2000Ohm
- Polar diagram: Cardioid
- Audio output: XLR M, 3-pole balanced
- Dimensions: 115 x H126 x D70mm
- Weight: 0.300kg
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FEATURE:
- 4 mic/line inputs, 2 with Class A FET high impedance inputs
- Neutrik mic XLR
- Neutrik 1/4 inch jacks
- 3 band EQ with MusiQ
- 2 auxes
- Sound image pan
- Illuminated PFL indicator
- Stereo returns & playback
- All inputs with level control
- 12 bar meters
- Responsive 3-band, swept mid EQ with MusiQ
- 2 stereo sources with MP3 player compatibility
- Separate 2-track record outputs
- Stereo playback input for 2-track replay
- XLR main stereo outputs with inserts
- Comprehensive monitoring
- Configurable USB stereo audio in/out
- Stereo monitor outs
- 48V microphone phantom power
- DI level switching for sub mixing
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The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.
Specifications
- Frequency range: 450 – 960 MHz
- Pick-up pattern: directional
- Antenna gain: 4 dBi
- Connector: BNC
- Opening angle: +- 50 degrees
- Impedance: 50 Ohm
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The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.Features
- Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
- Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
- Highly effective intermodulation protection
- AES 256 encryption and Digital 9000 encryption
- Compatible with EK 6042 and EM 9046 in Long Range mode
- Li-ion battery packs with 5.5 hours run time
- Magnesium housing