J-SUB is a bi-amplified 2-way bass-reflex subwoofer incorporating three 18 "long-excursion neodymium speakers, two of which are mounted on the front panel and one on the rear panel. which derives from this architecture avoids the unwanted projection of energy behind the system, which thus benefits from a considerable reduction of the reverberated field at the serious frequencies and therefore translates into an incomparable reproduction precision.The J-SUB systems can be used to complement the J8 and J12 systems in various combinations, either on the ground or suspended, either integrated into the column at the top of the J8 / J12 array, or in independent J-SUB columns. built in marine plywood covered with the exclusive PCP (Polyurea Cabinet Protection) treatment to protect against shocks and atmospheric agents.The front and back panels are protected by a rigid metal grid ca, while on each side panel there are four handles. Four 100mm wheels and an EP5 or NL8 connector complete the rear panel.
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Rental Audio kit d & b audiotechnik composed by: N.6 d & b Q1 N.2 d & b Q7 No. 6 d & b QSub N.4 d & b D12 N.1 Yamaha LS9 mixer Design and configuration assistance -
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.
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The T10 is a passive 2-way loudspeaker housing two 6.5" drivers positioned in a dipolar arrangement and a 1.4" HF compression driver and a passive crossover network. The T10 can be used both as a line array and as a high directivity point source loudspeaker. The HF driver is fitted to a unique waveguide horn producing vertical line source directivity with a 90° horizontal pattern that is maintained down to approximately 600 Hz. An acoustic lens placed in front of the horn widens horizontal dispersion to 105°, rotation of the horn by 90° relative to this produces an accurate point source dispersion, transforming a vertically oriented T10 into a stand-alone full range loudspeaker with 90° horizontal and 35° vertical directivity pattern. The T10 cabinet is constructed from polyurethane integral hard foam, incorporates integrated line array rigging hardware and has an impact resistant finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.
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Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.Main features
- Polar Diagram: Cardioid
- Frequency response: 20Hz - 20kHz
- Sensitivity: 9 mV / Pa (-41 dBV)
- SPL max: 135/145/155 dB
- S / N ratio (A-weighted): 76dB
- Pad: 10 dB, 20 dB
- High pass filter: 12 dB / Octave at 75Hz and 100Hz
- Power supply: Phantom 9V - 52V
- Dimensions: D19 x 160mm
- Weight: 125g
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The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d&b loudspeakers and a linear mode; exceptions are 2-Way Active, V-Series and B2-SUB. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D6 incorporates Class D amplifiers utilizing a switch mode power supply with active Power Factor Correction (PFC), suitable for mains voltages 100 V/120 V/200 V/ 230 V, 50 - 60 Hz and maintains a stable and increased output when used with weak or unstable mains supplies. It is supplied with two NL4 loudspeaker output connectors. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.
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Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display. -
Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
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DPA’s selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation. These mics guarantee a natural and precise sound reproduction of the entire kit. The specific mic placements prevent artefacts, bleed and other shadowing effects. The DDK4000 Drum Microphone Kit contains the following mics and accessories: Microphones 1 x 2012 Cardioid Microphone 2 x 2015 Wide Cardioid Microphone (Stereo Pair) 1 x 4055 Kick Drum Microphone 3 x 4099 Core Instrument Microphone, Extreme SPL Accessories 3 x MicroDot Cable (CM2218B00) 3 x Drum Microphone Clip (DC4099) 3 x Adapter for MicroDot to 3-pin XLR (DAD6001) -
Clip for attaching a 4099 instrument microphone to thin-bodied and unusually shaped instruments. The design of the microphone clip includes a Velcro attachment strap to fit instruments of various sizes and diameters such as oboe, clarinet, bassoon, recorder and flute. The attachment strap tightens to fit the circumference of the instrument, like a wristwatch on your arm
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The G4 In-Ear Monitoring Sets make your gig an extraordinary experience – not just for your audience, but also for you! Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications. Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage Half-rack stereo transmitter in a full-metal housing with OLED display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Compatible with Sennheiser WSM control software for flexible frequency allocation Up to 16 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 50 mW) depending on country regulations -
Made from carbon fibre, the RØDE Boompole Pro weighs only 535gm (18oz) and, from a compact 810mm (2‘ 8”), extends to a full 3m (10’). Designed for use with professional shotgun microphones such as the RØDE NTG3 as well as the Blimp windshield system, the Boompole Pro joins RØDE’s popular boom pole range which now consists of five models ranging in size, weight, and construction material. Each of the five pole sections is comprised completely from carbon fibre making it incredible lightweight while maintaining high levels of strength. The sections are easily extendable with one hand thanks to an intuitive twist-lock mechanic. RØDE offers boom pole cable clips as an optional accessory, however the company’s new RØDELink wireless XLR adaptor allows users to record audio from a shotgun microphone on the end of the Boompole Pro without the hassle and possible handling noise of cables