Rent Audio Equipment

  • DANTE / MADI Converter

    • Design: 19 "/ 1U
    • 64 Channels
    • Included: Sample rate conversion, optical and coax MADI

    Ulteriori informazioni

    Amount Of Channels 64
    AD Conversion No
    DA Conversion No
    Max. Resolution 24 bit
    Max. sampling rate 192 kHz
    S/PDIF Connecor No
    AES/EBU Connector No
    ADAT No
    Word clock Yes
    Number of analog inputs 0
    Number of Analog Outputs 0
    Headphone connection No
  • Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.

    Features

    • 19’’ 2-Channel receiver, 19 inch 1RU
    • Large 244 MHz switching bandwidth
    • Legendary Long Range mode (LR) with proprietary audio codec (SeDAC) from the masterpiece Digital 9000
    • True bit diversity utilizes both receiver paths, combines their information content to provide the best possible signal
    • Equidistant frequency grid for maximum channel density and simplest setup
    • 32 superior quality RF pre-selection filters for optimal suppression of interference signals at antenna input
    • Error correction and audio error masking
    • AES-256 encryption
    • Automatic frequency setup
    • Digital and transformer balanced analog outputs XLR, 6.3 mm jack, AES-3, EM 6000 Dante with Brooklyn II Card and Amphenol RJ-45
    • Integrated antenna splitter for cascading of up to 8 systems
    • one high-quality OLED display per channel
    • Link Quality Indicator (LQI)
    • Wireless Systems Manager (WSM) compatible
    • Compatible with standard Sennheiser UHF antennas
    • Compatible with Digital 9000 transmitters in Long Range mode
  • Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.

    Features

    • Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)
    • Designed for 12 hours of continuous operation
    • Made with ultra-light robust metal housing weighing only 112 grams
    • Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup
    • Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series
    • Resistant to moisture and sweat
    • Two detachable clips (0°/90°) for secure fit in any position
    • Exchangeable antenna and battery
    • Can be used with a variety of lavalier microphones and headsets
  • The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.

    Features

    • Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)
    • Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series
    • Highly effective intermodulation protection
    • AES 256 encryption and Digital 9000 encryption
    • Compatible with EK 6042 and EM 9046 in Long Range mode
    • Li-ion battery packs with 5.5 hours run time
    • Magnesium housing
  • The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.

    Specifications

    • Frequency range:  450 – 960 MHz
    • Pick-up pattern:  directional
    • Antenna gain:  4 dBi
    • Connector:  BNC
    • Opening angle:  +- 50 degrees
    • Impedance:  50 Ohm
  • FEATURE:

    • 4 mic/line inputs, 2 with Class A FET high impedance inputs
    • Neutrik mic XLR
    • Neutrik 1/4 inch jacks
    • 3 band EQ with MusiQ
    • 2 auxes
    • Sound image pan
    • Illuminated PFL indicator
    • Stereo returns & playback
    • All inputs with level control
    • 12 bar meters
    • Responsive 3-band, swept mid EQ with MusiQ
    • 2 stereo sources with MP3 player compatibility
    • Separate 2-track record outputs
    • Stereo playback input for 2-track replay
    • XLR main stereo outputs with inserts
    • Comprehensive monitoring
    • Configurable USB stereo audio in/out
    • Stereo monitor outs
    • 48V microphone phantom power
    • DI level switching for sub mixing
  • The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.

    Main features

    • Frequency band: 20Hz-17kHz
    • Sensitivity: 1.8 mV / Pa
    • Electrical impedance: 210 Ohm
    • Recommended load impedance: 2000Ohm
    • Polar diagram: Cardioid
    • Audio output: XLR M, 3-pole balanced
    • Dimensions: 115 x H126 x D70mm
    • Weight: 0.300kg
  • AKG-C451B

    20.00
    Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.

    Main features

    • Polar Diagram: Cardioid
    • Frequency response: 20Hz - 20kHz
    • Sensitivity: 9 mV / Pa (-41 dBV)
    • SPL max: 135/145/155 dB
    • S / N ratio (A-weighted): 76dB
    • Pad: 10 dB, 20 dB
    • High pass filter: 12 dB / Octave at 75Hz and 100Hz
    • Power supply: Phantom 9V - 52V
    • Dimensions: D19 x 160mm
    • Weight: 125g
  • Features

    • Frequency response tailored for vocals, with brightened midrange and bass rolloff
    • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
    • Pneumatic shock-mount system cuts down handling noise
    • Effective, built-in spherical wind and pop filter
    • Supplied with break-resistant stand adapter which rotates 180 degrees
    • Legendary Shure quality, ruggedness and reliability
    • Cardioid (unidirectional) dynamic
    • Frequency response: 50 to 15,000 Hz
    • Replacement cartridge: R59
  • The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.

     

    Features:

    • Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff
    • Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
    • Pneumatic shock-mount system cuts down handling noise
    • Effective, built-in spherical wind and pop filter
    • Supplied with break-resistant stand adapter which rotates 180 degrees
    • Lengendary Shure quality, ruggedness and reliability
    • Cardioid (unidirectional) dynamic
    • Frequency response: 50 to 15,000 Hz
  • The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.

    Features

    • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
    • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
    • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
    • Pneumatic shock-mount system cuts down handling noise
    • Extremely durable under the heaviest use
    • Frequency response: 40 to 15,000 Hz
    • Replacement cartridge: R57
  • The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.

    Features

    • Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
    • Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
    • Neodymium magnet for high signal–to–noise output
    • Hardened steel mesh grille that resists wear and abuse
    • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
    • Minimally effected by varying load impedance
    • Legendary Shure quality and reliability

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