The compact Y8 line array loudspeaker is designed for use in vertical columns. The 2-way passive design features two 8” drivers in a dipole arrangement and a centrally mounted 1.4” compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 80° horizontal directivity controlled down to 500 Hz. The mechanical and acoustical design enables vertical arrays of up to twenty four loudspeakers with vertical splay angles from 0° to 14° with a 1° resolution. It can be used in columns of purely Y8 loudspeakers or combined with Y12 and/or Y-SUB cabinets. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle while two additional recessed grips are provided at the rear. Three point rigging hardware is integrated into the loudspeaker enclosure.
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Active Compact Loudspeaker- 2x 6,5" Bass + 1" tweeter (full neodymium)
- 120 Watt RMS (Class D amplifier with 24 Bit DSP)
- Max. SPL: 118 dB
- 70 - 20,000 Hz
- Dispersional pattern: 80° x 60°
- XLR/ jack in
- Stereo RCA in
- Soft clip limiter
- Tansport handle AK 50 on option (110949)
- Stand adaptor SN 120/ 130 available on option
- Dimension: 210 x 350 x 270 mm
- Weight: 5 Kg
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High-Performance Passive DI-Box
- Professional and multi-purpose direct injection box for stage and studio applications
- Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
- Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
- Allows direct connection to speaker outputs with up to 3,000 Watts
- Ground Lift switch eliminates typical ground loop problems
- Filter switch reduces annoying hiss and buzz
- Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
- ¼" TRS and gold-plated XLR connectors
- Ultra-rugged, road-suitable metal case
- High-quality components and exceptionally rugged construction ensure long life and durability
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is a compact adapter that plugs into a laptop computer speaker jack, changes the output to a balanced mono mic-level signal and mates with standard XLR audio cable for connections to a house audio system. A ground lift switch assures a hum-free interface. On-board volume control.
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The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.
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Palmer PLI 04, passive 2-channel DI-Box, 2x jack plug in, 2x RCA in, 1x 3,5 mm stereo-plug in, thomann 2x XLR balanced out, especially for Hifi and computer -
Feature:
- 64-bit mixing processor for a more natural, warm, and detailed sound
- Improved EQ with curve adjustment, fine-tuned fader curves for precision and control, and redesigned clip controls
- 6 Sound Color FX with parameter control, 14 Beat FX with larger X-Pad and OLED screen, and independent Send/Return
- Two USB ports with top-loaded input switcher, rekordbox dj DVS support, and 4 Phono Inputs
- Use Pro DJ Link via LAN or USB to connect up to 4 players to share one source or to control rekordbox dj and other DJ software
- MAGVEL crossfader, 2 headphone plugs, and gold-plated RCAs
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The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.
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Instrument microphone design When it comes to versatility, no single microphone can do more for you than the d:vote™ CORE 4099 Instrument Microphone. You can use it in the studio today and during your live performance tomorrow. Designed with a supercardioid polar pattern for high rejection and superior gain-before-feedback, the mic retains a highly uniform off-axis frequency response. It also features an enhanced shock mount design, a choice of detachable cables in two diameters, as well as a versatile gooseneck extender. Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ CORE 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.
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Feature:
- INCLUDES BONUS Universal Pop Filter Microphone Wind Screen with Mic Stand Clip, Monoprice 4752 Premier Series XLR 10' Male to XLR Female 16AWG Gold Plated Cable AND Monoprice Microphone Tripod Stand with Boom
- ALSO INCLUDES Pro Tools First Focusrite Creative Pack, Ableton Live Lite Software, Softube's Time & Tone Bundle, Red Plug-In Suite, 2GB Loopmasters Samples, Novation's Bass Station Virtual Synthesiser
- FOUR ANALOG INPUTS: two natural-sounding Scarlett mic preamps with plenty of even gain; two newly-designed instrument inputs, designed to handle seriously hot guitar pick-ups. CLASS-LEADING conversion and sample rates up to 192kHz / 24 bit. SUPER-LOW latency for using your plug-ins in real time without the need for DSP (measured at 2.74ms, working at 96kHz with a 32 samples buffer).
- 1/4-INCH BALANCED jack outputs to connect professional studio monitors; one headphones output with gain control. INCLUDES PRO TOOLS | First Focusrite Creative Pack and Ableton Live Lite, Focusrite Control, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 2GB of Loopmasters samples, and monthly Focusrite Plug-In Collective offers.
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The Expedition is a portable 2 channel, digital Broadcasters’ Phone with 7kHz HD Voice audio. It is used for live news and sport reporting or talkback situations. HD Voice is available on compatible 4G LTE and 3G UMTS networks. Narrowband calls are also available on 2G GSM, 3G UMTS, and 4G LTE networks. A 2G GSM, 3G UMTS, and 4G LTE mobile phone with features specifically for broadcast. The HD Voice system allows 7kHz mobile calls on compatible mobile networks using 3G UMTS or 4G LTE networks. There are independent, duplicated controls for both inputs. The illuminated on-air button can be configured as latching, momentary or intelligent. There is a small gain control for setting input level. There are two x 6.35mm headphone sockets with a level adjust. Battery power is available from 6 x AA batteries. There is also an external DC input from 10 - 15V. The Expedition can be set to answer incoming calls automatically. An output compressor prevents any peak in the audio being sent onto the HD Voice network. HD Voice is very sensitive to peaks and the output compressor improves the quality of the audio received at the remote end. -
The SE215 is a headset that uses a Dynamic MicroDriver that provides a detailed sound with rich bass. A detachable cable moldable and allows an easy and safe positioning and an adaptation comfortable. The inserts for sound insulation, supplied in various sizes, they provide up to 37 dB of isolation from external noise and allow a perfect adaptation. The SE215 is available in transparent and translucent black versions.
Features:
- Headset to sound insulation
- detailed sound with enhanced bass
- Dynamic Single MicroDriver
- Lightweight, low profile with optimized profile to remain comfortably in the ears
- Robust Kevlar® reinforced cable, detachable, allows an easy replacement
- moldable cable, with passage over the ears
- MMCX Gold-plated connector with locking mechanism which allows a rotation of 360 degrees and to find the position most comfortable use.
- Available in transparent and translucent black versions
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The HMS-4X HelixNet Main Station provides power and networked channels of audio to support up to 20 digital beltpacks. The sleek 1RU digital system can be mounted into any standard 19" rack. HelixNet Main Stations accept linking as well as two-wire and four-wire optional interface modules, offering seamless connectivity to LAN and virtually all common two-wire and four-wire audio systems. Delivering superb digital sound quality, the two-channel HBP-2X HelixNet Beltpack enables access to 2 of any 24 system channels over a single cable. The rugged, ergonomically designed HelixNet Beltpack was created to perform on the big stage, offering reliability and durability that will withstand the most demanding production environments.
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Features:
- Set includes a stationary stereo UHF transmitter, a stereo UHF pocket receiver and mini earphones in a practical transport case
- Operation in the low-interference UHF band (863-865 MHz) with 16 frequencies selectable
- Parallel operation of 3 systems is possible without any interference
- Multifrequency transmitter with UHF pilot tone technology (PLL)
- Transmits signals to any number of receivers with the same carrier frequency
- Parallel operation of 3 sets is possible without any interference
- Further pocket receivers STR-500 can be ordered separately
- Operation range with line of sight approx. 50 meters
- License-free and approved in the EU
- Rubber antenna with BNC connection
- LCD for mono/stereo mode, stereo signal input and transmission frequency
- 2 adjustable inputs via balanced combo mounting jacks XLR/6.3 mm
- Adjustable headphones output
- Stereo or mono mode
- Rugged black metal housing with red aluminum front panel
- Operation via supplied power unit
- Rack installation (1 U) via mounting set
- Rack mounting set with antenna cable, BNC plug and BNC socket for one transmitter included in the delivery
- Adjustable earphones output
- Balance (left, right) adjustable
- LCD for battery capacity, receiving frequency, and RF signal
- High frequency boost selectable
- Lock function for prevents undesired changes to settings
- Belt clip
- Power supply via included 2 x 1.5 V mignon batteries (type AA)
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Intended for monitoring stereo audio signals in professional applications such as stage or broadcasting, this range consists of a static transmitter and mobile diversity receiver, both built in metal enclosures. The system has a frequency-bank system with up to 16 compatible pre-set frequencies. The bandwidth is 42MHz, offering 1680 tunable UHF frequencies. An HDX compander is used to increase dynamic range, pilot-tone squelch avoids RF interference when the transmitter is turned off. Easy set-up uses the receiver to perform an automatic frequency scan to search for available frequencies. Settings may be transferred between the receiver and transmitter in either direction using infra-red communication. The transmitter may be connected to an Ethernet network for configuration of multi-channel systems using software. Transmitter and receiver are available separately or together as a complete system. Different models are available, in several UHF ranges; each offers 26 frequency banks with up to 16 channels. Each of the channels in the first 20 frequency banks are pre-set at the factory to fixed frequencies. The channels within each bank can be used without intermodulation. The remaining banks allow the user to select and store frequencies.
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The G4 In-Ear Monitoring Sets make your gig an extraordinary experience – not just for your audience, but also for you! Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications. Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage Half-rack stereo transmitter in a full-metal housing with OLED display for full control Easy and flexible wireless synchronization between transmitter and receiver via infrared Compatible with Sennheiser WSM control software for flexible frequency allocation Up to 16 compatible channels Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range Transmission Range: up to 100 meters / 300 feet High RF output power (up to 50 mW) depending on country regulations -
DPA’s selection of mics for the drum kit is designed specifically to put the sound engineer in control of the sound. By starting with the clear, true sound of the entire kit, the engineer has the best starting point to shape the sound wanted for the situation. These mics guarantee a natural and precise sound reproduction of the entire kit. The specific mic placements prevent artefacts, bleed and other shadowing effects. The DDK4000 Drum Microphone Kit contains the following mics and accessories: Microphones 1 x 2012 Cardioid Microphone 2 x 2015 Wide Cardioid Microphone (Stereo Pair) 1 x 4055 Kick Drum Microphone 3 x 4099 Core Instrument Microphone, Extreme SPL Accessories 3 x MicroDot Cable (CM2218B00) 3 x Drum Microphone Clip (DC4099) 3 x Adapter for MicroDot to 3-pin XLR (DAD6001) -
The USB MIDISPORT 1x1 offers a simple, inexpensive solution for when you’re just starting out or only need basic 16-channel MIDI in/out connectivity for your computer. Bus-power makes it easy to take anywhere.Features
- 1-in/1-out MIDI interface
- 16 discrete MIDI input channels
- 16 discrete MIDI output channels
- Bus-powered—requires no external power supply
- Extremely compact and lightweight for mobile or desktop use
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MAX is a 2-way full range loudspeaker with remarkable vocal presence, clarity and high feedback stability. Due to its coaxial design it is an extremely compact low height cabinet with two set-up angles. MAX can be used either as a stage monitor, as a downfill in flown applications or together with the C7-SUB as a flexible PA system. The MAX cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish and M10 threaded inserts. A socket to accept loudspeaker stands, ratchet strap guide plates and an optional version with MAN CF4 stud plates complete the multiple application options for MAX.
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The 2-way passive MAX2 loudspeaker houses a 15” LF driver and a coaxially mounted 1.4” HF compression driver and achieves 75° conical constant directivity dispersion. The driver arrangement uses a single magnet assembly, allowing for a compact cabinet design with a low profile for strict visual demands. The MAX2 provides a broad variety of deployment possibilities, whether used individually as a stage monitor; as a stand-alone full range system or, when combined with d&b subwoofers, as a drumfill. The loudspeaker cabinet is constructed in marine plywood with an impact resistant paint finish. Four M10 threaded inserts allow connection to a flying bracket. The cabinet incorporates a pair of recessed grips for handling, while the front is protected by a rigid metal grill backed with an acoustically transparent foam. A pole mount is incorporated into one of the side panels. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.
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Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.
FEATURES
- Single gooseneck section near microphone base for easy orientation of the microphone.
- Tubular preamp body sized to fit many standard accessories.
- Slide on windscreen
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The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs.
- Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum
- Interchangeable cartridges provide the right polar pattern for every application
- Balanced, transformerless output for increased immunity to noise over long cable runs
- Shock mount that provides over 20 dB isolation from surface vibration noise
- Locking flange mount for permanently securing microphone to lecterns, pulpits, or conference tables
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Wireless version of the Sennheiser and 908 B, without adapter for phantom power, for use with any pocket / instrument wireless evolution transmitter. The e 908 B EW has been designed for saxophones. To microphones trumpets, trombones and flugelhorns, we recommend using the E 908 T EW, which has a lower sensitivity.
Main features- Polar Diagram: Cardioid
- Transducer: Pre-polarized, condenser
- Equivalent noise: 30 dB (A)
- Nominal impedance: 100 Ohm
- Phantom power supply: 12 - 48V / 3mA
- SPL Max: 147dB
- MIA 900 P Phantom Power Adapter not included
- Connectors: 3.5mm mini jack
- Dimensions: D47 x 193 mm
- Weight: 140g
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Digital Mixing System
- 64 Channels x 27 Buses
- 28 motorised faders: 3x 8, 1x 4
- Equipped with 8 mic/line inputs
- 16 Analog outputs
- 2 AES inputs
- 3 AES outputs
- Weight: 46 kg
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- Live performance digital console control centre with up to 88 simultaneous input channels
- 35 time-aligned and phase-coherent mix buses
- HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
- Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
- HyperMAC router with 192 bidirectional channels over copper and optical fibre
- Provides dual redundant snake connection to DL371PRO9 Audio System Engine
- Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
- 10 VCA (variable control association) and 6 POPulation groups
- Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
- Up to 8 multi-channel digital signal processing effects engines
- 29 MIDAS PRO motorised 100 mm faders
- 2 daylight viewable 15” full colour TFT display screens
- Fully interpolated touch sensitive controls
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Midland presents the walkie‐talkie more complete and more powerful range as ever: XT LINE. 7 new models, each featured by new colors! XT LINE comes from over 40 years of experience in the radio communication world, designed to conquer the world market and meet all its needs! Seduced by the innovative packaging and high performance technology. XT line introduces Micro USB charger in the walkie talkie world, the fast charge (in XT60 and XT70), 500 MW speaker (in XT70). On the beach, at a festival or just a keen adventurer enjoying a day out, XT LINE is a great way to keep in touch. Extremely reliable, XT LINE is the ideal solution for those who want to talk in all situations, professional and during leisure time. Our high performance walkie‐talkies are great for extreme sports enthusiasts who need reliable two‐way communications for their adventures. With a range of up to 12kms, these consumer radios are the ultimate accessory for anyone serious about adventure, style and simple communication. XT LINE is ready to use and easy to surf thanks to the keys located on the radio front.
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The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.
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The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.
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Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globeFEATURES
- Versatile small membrane microphone primarily for instrumental recordings
- Slight treble lift for fresh and vivid sound
- Precise cardioid directionality with excellent rejection of rearward sound
- Uncolored reproduction of neighboring sound sources
- Tight production tolerances – perfect for stereo recordings
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Features:
- Sensitivity: -40dB ± 2dB / 100ohm ±30%
- Output Levels: –
- Frequency response: 40Hz -20KHz (-3dB)
- Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)
- Gooseneck length: 445 mm
- Controls: ON/OFF SWITCH
- Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR
- Dimensions (W x H x D): 115 x 140 x 30mm
- Weight: 0.7 kg (1.543 lb)
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Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.
FEATURES- Digital AGC processor with 2 band EQ
- Balanced XLR I/O (mic/line)
- Built-in tone generator
- Remote control software and dialer
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Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display. -
Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
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Features:
- 19" Rackmount 5U
- 32 Inputs and 16 outputs
- 4x AES / EBU Out1-8
- Dante network
- Internal sampling frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
- External sampling frequency: 44.1 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 48 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 88.2 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 96 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0%
- Weight: 12.4 kg
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DANTE / MADI Converter
- Design: 19 "/ 1U
- 64 Channels
- Included: Sample rate conversion, optical and coax MADI
Ulteriori informazioni
Amount Of Channels 64 AD Conversion No DA Conversion No Max. Resolution 24 bit Max. sampling rate 192 kHz S/PDIF Connecor No AES/EBU Connector No ADAT No Word clock Yes Number of analog inputs 0 Number of Analog Outputs 0 Headphone connection No