The T10 is a passive 2-way loudspeaker housing two 6.5" drivers positioned in a dipolar arrangement and a 1.4" HF compression driver and a passive crossover network. The T10 can be used both as a line array and as a high directivity point source loudspeaker. The HF driver is fitted to a unique waveguide horn producing vertical line source directivity with a 90° horizontal pattern that is maintained down to approximately 600 Hz. An acoustic lens placed in front of the horn widens horizontal dispersion to 105°, rotation of the horn by 90° relative to this produces an accurate point source dispersion, transforming a vertically oriented T10 into a stand-alone full range loudspeaker with 90° horizontal and 35° vertical directivity pattern. The T10 cabinet is constructed from polyurethane integral hard foam, incorporates integrated line array rigging hardware and has an impact resistant finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.
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The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.
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Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.
FEATURES
- Single gooseneck section near microphone base for easy orientation of the microphone.
- Tubular preamp body sized to fit many standard accessories.
- Slide on windscreen
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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J-SUB is a bi-amplified 2-way bass-reflex subwoofer incorporating three 18 "long-excursion neodymium speakers, two of which are mounted on the front panel and one on the rear panel. which derives from this architecture avoids the unwanted projection of energy behind the system, which thus benefits from a considerable reduction of the reverberated field at the serious frequencies and therefore translates into an incomparable reproduction precision.The J-SUB systems can be used to complement the J8 and J12 systems in various combinations, either on the ground or suspended, either integrated into the column at the top of the J8 / J12 array, or in independent J-SUB columns. built in marine plywood covered with the exclusive PCP (Polyurea Cabinet Protection) treatment to protect against shocks and atmospheric agents.The front and back panels are protected by a rigid metal grid ca, while on each side panel there are four handles. Four 100mm wheels and an EP5 or NL8 connector complete the rear panel.
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Rental Audio kit d & b audiotechnik composed by: N.6 d & b Q1 N.2 d & b Q7 No. 6 d & b QSub N.4 d & b D12 N.1 Yamaha LS9 mixer Design and configuration assistance -
The compact Y8 line array loudspeaker is designed for use in vertical columns. The 2-way passive design features two 8” drivers in a dipole arrangement and a centrally mounted 1.4” compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 80° horizontal directivity controlled down to 500 Hz. The mechanical and acoustical design enables vertical arrays of up to twenty four loudspeakers with vertical splay angles from 0° to 14° with a 1° resolution. It can be used in columns of purely Y8 loudspeakers or combined with Y12 and/or Y-SUB cabinets. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle while two additional recessed grips are provided at the rear. Three point rigging hardware is integrated into the loudspeaker enclosure.
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The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. d&b SenseDrive technology is available when powered by the D12 amplifier. The Q-SUB is mechanically compatible with the Q1 and Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. The Q-SUB cabinet is constructed from marine plywood with an impact resistant paint finish, a pair of handles, four heavy duty wheels and an M20 threaded flange in the top panel to accept a loudspeaker stand. The front of the loudspeaker cabinet is protected by a rigid metal grill covered with replaceable acoustically transparent foam and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel. Two runners protect the bottom of the cabinet from scratching; these are located in correspondingly shaped recesses in the top panel to prevent movement when stacked. Fittings for securing an optional wooden lid are also provided.
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The E12 and E12-D are high performance 2-way multipurpose loudspeakers, employing an integrated coaxial driver. The E12 and E12-D can be used for speech and music applications as stand-alone full range systems or incorporated into larger distributed sound reinforcement situations and, with the addition of an E15X or B4 subwoofer, can also easily reproduce high level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The E12 has an 80° x 50° dispersion pattern (h x v), while the E12-D has a wider 110° x 50° pattern. The horns in both loudspeakers are easily rotatable through 90° providing 50° x 80° or 50° x 110° dispersion patterns. The E12 and E12-D cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating handles and a hidden socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.
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The versatile magnet mount/gooseneck system provides stable and repeatable positioning.The mics can easily be positioned at different angles to provide a variety of sound nuances. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
The mount can also be used with various instruments with magnetic surfaces.
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This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.
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Instrument microphone design When it comes to versatility, no single microphone can do more for you than the d:vote™ CORE 4099 Instrument Microphone. You can use it in the studio today and during your live performance tomorrow. Designed with a supercardioid polar pattern for high rejection and superior gain-before-feedback, the mic retains a highly uniform off-axis frequency response. It also features an enhanced shock mount design, a choice of detachable cables in two diameters, as well as a versatile gooseneck extender. Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ CORE 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.
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The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.
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The Sennheiser A2003 direction antenna with its 50 degree opening angle is the perfect partner for the Sennheiser AC3 antenna combiner in multi-channel Sennheiser EW300 IEM in ear monitoring systems.
Specifications
- Frequency range: 450 – 960 MHz
- Pick-up pattern: directional
- Antenna gain: 4 dBi
- Connector: BNC
- Opening angle: +- 50 degrees
- Impedance: 50 Ohm
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FEATURE:
- 4 mic/line inputs, 2 with Class A FET high impedance inputs
- Neutrik mic XLR
- Neutrik 1/4 inch jacks
- 3 band EQ with MusiQ
- 2 auxes
- Sound image pan
- Illuminated PFL indicator
- Stereo returns & playback
- All inputs with level control
- 12 bar meters
- Responsive 3-band, swept mid EQ with MusiQ
- 2 stereo sources with MP3 player compatibility
- Separate 2-track record outputs
- Stereo playback input for 2-track replay
- XLR main stereo outputs with inserts
- Comprehensive monitoring
- Configurable USB stereo audio in/out
- Stereo monitor outs
- 48V microphone phantom power
- DI level switching for sub mixing
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The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.
Main features
- Frequency band: 20Hz-17kHz
- Sensitivity: 1.8 mV / Pa
- Electrical impedance: 210 Ohm
- Recommended load impedance: 2000Ohm
- Polar diagram: Cardioid
- Audio output: XLR M, 3-pole balanced
- Dimensions: 115 x H126 x D70mm
- Weight: 0.300kg
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Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.Main features
- Polar Diagram: Cardioid
- Frequency response: 20Hz - 20kHz
- Sensitivity: 9 mV / Pa (-41 dBV)
- SPL max: 135/145/155 dB
- S / N ratio (A-weighted): 76dB
- Pad: 10 dB, 20 dB
- High pass filter: 12 dB / Octave at 75Hz and 100Hz
- Power supply: Phantom 9V - 52V
- Dimensions: D19 x 160mm
- Weight: 125g
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Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Legendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
- Replacement cartridge: R59
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The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.
Features:
- Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant stand adapter which rotates 180 degrees
- Lengendary Shure quality, ruggedness and reliability
- Cardioid (unidirectional) dynamic
- Frequency response: 50 to 15,000 Hz
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The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.
Features
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
- Replacement cartridge: R57
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The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
Features
- Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
- Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
- Neodymium magnet for high signal–to–noise output
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Minimally effected by varying load impedance
- Legendary Shure quality and reliability
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The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
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The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Features
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal–to–noise ratio output
- Minimally affected by varying load impedance
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Legendary Shure quality and reliability