Rent Video, Cinema and television equipment

    • 3 1/2"-type CMOS Sensors
    • 1080p, 720p, 1080i
    • Native 23.98p
    • Full HD 1920 x 1080
    • Wide Angle 14x Fujinon Lens
    • 1.23MP Viewfinder
    • Records to SxS Cards
    • DVCAM SD Mode
    • Cache Recording
    • HDMI Output
  • Key Feature:

    • Model: MON-2403HDR
    • Input: 2x SDI, HDMI
    • Output: 2x SDI, HDMI
    • Display: 24-inch, 1920x1080, 1000nits with True HDR Rendering
  • Features:

    • 7" LCD, 1024 x 600 Pixels resolution
    • 2K / 3G / HD/SD-SDI input and output loop
    • Front / Rear Tally
    • HDMI input
    • Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
    • AFD, timecode, H/V delay
    • Zebra stripes, Peaking focus assist
    • R/G/B/Mono, False colour
    • 2 channel embedded audio level indicator
    • Selection of 2 audio channels for audio output
    • USB Service Firmware update port
    • SSL JVC50 / 75 battery connection plate
  • JVC Studio Monitor 20" LCD Full HD, Pannel IPS (In Plane switching) no glossy, input HD/SD-SDI, DVI, 2x Composite video loop through, audio. Newly-developed TN Panel with LED backlights provide improved contrast and black level and are perfect for use as control and studio monitors. The DT-E Series monitors also come complete with free calibration software to aid in achieving optimum picture quality.

  • The Datavideo TLM-700HD is a 7 Inch broadcast monitor with a range of both High definition and standard definition connections including HD & SD-SDI, HD & SD YUV, HDMI & Composite Video Inputs. The range of connections and rugged metal design make it a perfect choice for users who work outdoors in the field or in a studio, with HD or SD. The TLM-700HD can be powered from a standard V-Mount type battery, enabling you to power the monitor using an existing camera battery from a range of manufacturers. The TLM-700HD can also be powered via the supplied mains power adapter. The monitor provides a range of advanced features including, audio indicator when working with SDI and HDMI, safe area indicators (80%, 90% OFF), VITC time code display, auto detection of NTSC/PAL, aspect ratio: 16:9 / 4:3 / 15:9 switchable and dual colour tally indication.

  • The LED 46" NEC X462S offers customers a super-slim depth of 1.7” and a brighter screen than its predecessor. This industrial-strength, full HD LCD display delivers high-quality imagery with advanced connectivity, including DisplayPort, HDMI and an Open Pluggable Specification (OPS) slot. These digital options increase flexibility for users in a variety of digital signage applications, especially video walls where up to 100 displays can be used in a 10x10 configuration. The optional color calibration solution enables color uniformity and fidelity across individual and multiple screens, creating a perfectly matched image in tiled digital signage environments. The X462S is ideal for hospitality, retail and government applications where minimal depth is required.

  • The Ikan D24 is a native Ultra HD 4K production monitor that features exceptional image quality at an affordable price. The D24 has a 23.8" IPS LCD panel that boasts great viewing angles as well as beautiful and accurate colors. It supports both HDMI and SDI inputs as well as an SDI output. With quad HDMI inputs, you can choose to display one 4K signal or 4 HD signals at the same time. This production monitor is suitable for both field and studio use.
    Features
    • Resolution of 3840 x 2160
    • 4 HDMI Inputs with Quad Split Display
    • 3G-SDI Inputs with Looping Output
    • Picture in Picture
    • Peaking, Aspect Ratio, Zoom, & Check Field
    • Over Scan & Image Freeze
    • On-Screen Three Color Tally Display
    • Includes V-Mount Battery Plate
    • Heavy Duty Metal Construction
    • Includes Table Stand
    Video Inputs
    • 3G-SDI
    • HDMI
    • DVI
  • Key Features:

    • Professional 1080p 30 fps, 960p 48 fps, and 720p 60 fps and WVGA 240 fps video capture
    • 11MP photo capture with 10 frames per second burst
    • Wi-Fi built-in, and compatible with Wi-Fi remote (sold separatly) and GoPro App (free)
    • 197-Feet / 60m Waterproof Housing
    • Basic mounts and hardware included for attaching to helmets, gear, and more
  • The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.

  • if you're shooting or recording onto solid state disks then Blackmagic MultiDock is the perfect solution for mounting your media disks onto your Thunderbolt or Thunderbolt 2 based computer. You get a super-fast 4 disk docking solution in a compact rack mount design that lets you insert and remove a disk as you need, so you can edit directly from the disks. Totally eliminate copying because with Blackmagic MultiDock you get massive transfer speeds for super responsive editing, design and color correction. Blackmagic MultiDock can even be used as a disk array when adding multiple disks and striping with your computers disk utility software! Blackmagic MultiDock is attractive and installs in seconds because it uses the disk drivers built into your Mac OS X and Windows Thunderbolt computer!

  • Blackmagic Audio Monitor provides the finest quality audio monitoring in an incredibly small one rack unit size! Featuring a dual subwoofer design with extra wide range speakers for amazing audio, all backed by a super powerful class A/B amplifier. This precision audio and video monitoring solution includes an advanced 6G-SDI input, as well as balanced XLR analog audio, balanced AES/EBU digital audio and consumer level HiFi audio inputs. The elegant front panel has bright multi colored audio level meters and a built in LCD for monitoring video sources, plus you get an HDMI 4K output for monitoring on larger screens!

  • HyperDeck Studio is a broadcast HD based solid state deck that includes 3G-SDI and HDMI connections so you can work in all SD and HD formats up to 1080p30. You get familiar VTR style controls so it’s just like using a traditional broadcast deck, along with compressed or uncompressed 10-bit 4:2:2 broadcast quality recording. The low cost makes it easy to install multiple units when you need ISO recorders, or are doing long form logging or mastering for SD and HD.

  • MultiView 16 is perfect for larger installations because it has 16 independent 6G-SDI inputs so you can connect any combination of SD, HD or Ultra HD sources and monitor them all simultaneously on a single display! Router style controls on the front panel, along with the LCD and spin knob, let you adjust settings, route sources to different views, add overlays and more. Output can be set to a 2x2, 3x3 or 4x4 grid, and you can even SOLO any source full screen!

  • Introducing the exciting new Smart Videohub, the world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control. Smart Videohub includes the latest 6G-SDI or 12G-SDI technology depending on the model, so you can simultaneously connect and route any combination of SD, HD and Ultra HD video, all the way up to high frame rate 2160p60, all on the same router at the same time! You also get revolutionary new visual routing that lets you see your router connections as video on the built in LCD as you scroll the knob to select your routing. Now you can route your video simply by looking at the video!

  • In Broadcast and Studio configuration the new CARTONI Master 30 head covers the needs of sophisticated video shooters from 3 kg (7 lbs) to 30 kg (66 lbs). With a low center of gravity configuration such as with Teleprompter, Master 30 holds 40 kg (88 lbs). An exceptional new fluid module in both pan and tilt modes ensures smooth movements, with perfect starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for perfect long focal shoots. Counterbalance performs perfect balance at any angle from 0 to +/- 90 degrees. All operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics. The head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings.
  • Features:

    • EF-Mount Lens/Full-Frame Format
    • Aperture Range: f/2.8 to f/32
    • One Fluorite Element & Five UD Elements
    • Super Spectra Coating
    • Ring-Type Ultrasonic Motor AF System
    • Optical Image Stabilizer
    • Internal Focus, Focus Range Limiter
    • Weather-Sealed Construction
    • Detachable, Rotatable Tripod Collar
    • Rounded 8-Blade Diaphragm
  • Features:

    • EF-Mount Lens/Full-Frame Format
    • Aperture Range: f/2.8 to f/22
    • One Super UD Element, Two UD Elements
    • Three Aspherical Elements
    • Super Spectra and Fluorine Coatings
    • Ring-Type Ultrasonic Motor AF System
    • Weather-Sealed Construction
    • Rounded 9-Blade Diaphragm
  • Features:

    • EF-Mount Lens/Full-Frame Format
    • Aperture Range: f/2.8 to f/22
    • Three Aspherical and Two UD Elements
    • SWC, Air Sphere, and Fluorine Coatings
    • Ring-Type Ultrasonic Motor AF System
    • Weather-Sealed Construction
    • Rounded 9-Blade Diaphragm
  • All Teradek codecs can stream to any online video platform, including Facebook Live, YouTube Live, Periscope, Twitch, and more. Go live on multiple platforms at the same time to increase viewership and engagement with our Core platform. Cube packs world-class video quality into a rugged, portable chassis for quick IP video deployments at any location. Each encoder and decoder includes HDMI and 3G-SDI I/O, Ethernet / WiFI connectivity, and full duplex IFB. Cube, codecs are cross compatible and offer streaming latency as low as 100ms on local networks or over the Internet.* For complex, real-time IP video routing, our Core platforms allows you to transmit feeds from Teradek encoders to any other decoder around the world.

  • Canon ZSD-300D (ZSD300D) Servo Zoom Demand (remote) for Digital Drive ENG/EFP Lenses. Canon ZSD-300D Digital Zoom Servo Demand - for J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses. The ZSD-300D zoom demand will operate the shuttle shot and frame preset features of the lens. All digital demands connect to the lens via a new one-touch 20-pin connector.
  • Canon FPD-400 (FPD400D) Digital focus servo demand. Canon's FPD-400D is a digital focus servo demand for use with Canon lens controller kits, such as the SS-41-20D, SS-42-20D, SS-41-IASD and SS-42-IASD. It provides precision focus control and is useful in a variety of professional broadcast applications.

  • The Canon 22x HD is a high quality 22x zoom lens for professional 2/3" remote video cameras. This model is highly versatile and can be used in a variety of professional applications, including teleconferencing, distance learning, and specialized broadcasting including sports coverage. The focal-length range is 7.6-168mm with a minimum object distance of 2.8' (0.9 m). Additionally, the lens comes equipped with a manually operated 2x extender which can be coupled with an external control unit.

  • Product Highlights:

    • 18x Optical Zoom
    • Shuttle-Shot Technology
    • Manual Zoom
    • Servo Focus
  • Feature:

    • 2/3" B-4 Mount
    • Focal Length: 11-363mm
    • ENG style lens
  • The GoPro Hero6 Black looks just like the Hero5 Black. It's the same small size and still waterproof to 10 meters (33 feet) with the same ports, controls, battery and same size touchscreen on back.

    But, as the saying goes, it's what's inside that counts, and what's inside is a new custom-designed processor, the GP1, that's responsible for a whole lot of improvements. CEO Nick Woodman said in the past GoPro was building its cameras around off-the-shelf processors and those chips were available to competitors as well. The GP1 ends that by allowing GoPro to make a camera with the capabilities it wanted.

    The Hero6 Black can record 4K 2,160-pixel resolution clips at 60 frames per second, which can give fast action a smoother look. And if you're into slow-motion clips, you can record in 2.7K at 120fps and 1,080p at 240fps.

    Video Resolutions:

    800 x 480 | 1280 x 720 |1920 x 1080 | 2560 x 1440 | 3840 x 2160  pixels

  • PRODUCT HIGHLIGHTS DSLR Rail Support Shoulder Support Suitable for any Body Type Allows Connection of Accessories Includes 350mm Long Rails 15mm Offset High Bracket Handgrip Kit Load-bearing Capacity - up to 55.1 lb Topside Handgrip Weight Attachment Plate / 1kg Weight   Manufacturer:  Vocas Systems Shoulder pad:   Adjustable, Removable Shoulder pad size:  Standard Bars position:  Front , Rear Bars system:  15 mm Camera mounting points:   2 Material:   Aluminum, Leather Weight:   3,298(gr.)        
  • The DSLR Recoil Rig from Zacuto includes a Mini DSLR Baseplate with 6.5" rods, a QR Shoulder Pad, - the Recoil Handgrip Kit - a mechanical handgrip follow focus set up. The Mini DSLR Baseplate attaches to your camera with a single 1/4" 20 screw - has one 1/4" 20 - one 3/8" 16 screw underneath for tripod attachment. The Mini DSLR Baseplate has two lightweight spaced threaded rod ports at the back of the unit, a 15mm female rod port (tightened with an Allen key) which can be found at the left side, - a 15mm rod port which can be found on the underside of the unit. It has a built in quick release for the camera which is released with a red quick release ratcheting lever. This kit comes with 6.5" rods to attach to the front of the baseplate.

  • The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

      Product Category:  CINE-SERVO Product Series:  CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT Mount Type:  PL Zoom Ratio:  7x Angular Field of View: Aspect Ratio 1.9:1 26.2 x 13.8mm 75.2° x 44.2° at 30mm / 12.5° x 6.6° at 105mm Focal Length Range: 17-120mm Iris Blades:  11 Maximum Photometric Aperture T Number: T2.95 at 17-91mm T3.9 at 120mm MOD From Image Sensor:  0.85m / 2.8’ Scene Object Dimensions at MOD: Aspect Ratio 1.9:1 26.2 x 13.8mm 92.1 x 48.5cm at 17mm / 12.7 x 6.7cm at 120mm Dimensions (W x H x L):   6.86 x 4.92 x 10.04 in. (174.2 x 125.0 x 254.9 mm) Weight:  6.39lbs. (2.9kg) Front Diameter:  Φ114mm Focus Angle:  Focus: 0.8/0.5 Zoom: 0.5 Iris: 0.4
  • Rental No. 6 Canon C300 Mark II EF Lenses: Canon 16-35 mm f4;  Canon 24-70 f 2.8 Canon 70-200 f 2.8 Canon macro No. 4

    General

    Power Supply:  14.4V DC (battery pack), 16.7 V DC (DC-IN) Main Unit Weight:  Approx. 3.9 lb (1770 g)

    Camera Section

    Sensor:  CMOS sensor (single-panel) equivalent to Super 35 mm Total Pixels:  Approx. 9.84 megapixels (4206 x2340) Shutter Setting: Speed, Angle, Clear Scan, Slow, or Off mode selected Either 1/3 or 1/4 steps selected as speed increment lris Setting: 1/2-stop, 1/3-stop or fine setting selected (1) Push auto iris control (2) Auto iris control * * Available only with some EF lenses ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] ND Filter: 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected] Motorized drive
  • This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).

    Features

    Focus marks are in feet with select markings in luminous paint
    High image performance covering full frame sensors; suitable for 8K capture
    Fast T1.5 maximum aperture aids in shooting with low light levels
    Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
    Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)

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