The Agile 2.0 R is following client demands for smaller, lighter encoders built for harsh environments. The system is small enough to fit between camera body and battery pack, or can be carried in a small backpack. Its aluminum design makes it extremely sturdy and will survive drops of more than 2 meters without problems. All this while still offering up to 8 4G modems, HD-SDI/ CVBS/HDMI input, a LAN connection, satellite/KA-sat/BGAN support and 32GB of removable storage for recording video locally, ready for editing. The Agile 2.0 R can be integrated in existing Playout environments or hired with a Playout Decoder.
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The PDW-680 XDCAM HD422 camcorder is a mid-range Professional Disc camcorder with many of the same features as the more advanced PDW-700. The PDW-680 has three 2/3-inch type Exmor CMOS sensors for recording 1080/50i or 1080/60i HD images or MPEG IMX and DVCAM SD, as standard. Progressive mode is available only for playback. More IT based operation. The PDW-680 is designed to enable a smooth migration from tape camcorder use to PC-based operation to improve workflow efficiency with MXF/MPEG interoperability and metadata functions.
- Three 2/3-inch type Exmor CMOS sensors with high sensitivity
- Lower power consumption for longer battery life
- Choice of SD or HD operation
- Maximum x4 Digital Extender function for magnification without loss of image sensitivity
- High-quality 4-channel 24-bit audio recording
- Shock and dust-resistant disc drive
- Slow Shutter speeds for increased creativity
- Interval Recording function
- Optical ND filters and electrical CC filters
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The HDW-750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.
- Superb High Definition pictures
- Peace of mind for High Definition post production
- Easy integration with Standard Definition
- Ease-of-use for minimum re-training
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- 3 1/2"-type CMOS Sensors
- 1080p, 720p, 1080i
- Native 23.98p
- Full HD 1920 x 1080
- Wide Angle 14x Fujinon Lens
- 1.23MP Viewfinder
- Records to SxS Cards
- DVCAM SD Mode
- Cache Recording
- HDMI Output
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The PMW-200 is supplied with a 14x Fujinon lens for remarkable picture quality and flexible creative control with three independent rings with end stops. The PMW-200 can also record in a range of different formats as well as being compatible with other XDCAM HD 422 and XDCAM EX equipment. High-quality MPEG HD422 50 Mbps recording is fully compliant with the latest EBU recommendations for long form broadcast production and is widely accepted in broadcasting stations and production houses. This capability ensures the PMW-200 is ideal for a wide range of different applications, including newsgathering and documentary production.
- Three 1/2-inch type ExmorCMOS Full HD sensors for a wide range of shooting conditions
- 14x Fujinon professional HD zoom Lens with three independent rings with end stops
- Optical SteadyShot and LCD panel for focus assist functions
- High quality MPEG HD 422 recordings
- WiFi remote control*
- Switchable recordingsfor greater flexibility
- Slow and quick motion from 1 fps to 60 fps
- Two SxS Memory Card slots
- Shutter angle setting similar to a film camera
- HD/SD-SDI and HDMI Interface
- Four hours of use with a BP-U battery
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Key Features:
- Professional 1080p 30 fps, 960p 48 fps, and 720p 60 fps and WVGA 240 fps video capture
- 11MP photo capture with 10 frames per second burst
- Wi-Fi built-in, and compatible with Wi-Fi remote (sold separatly) and GoPro App (free)
- 197-Feet / 60m Waterproof Housing
- Basic mounts and hardware included for attaching to helmets, gear, and more
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The LED 46" NEC X462S offers customers a super-slim depth of 1.7” and a brighter screen than its predecessor. This industrial-strength, full HD LCD display delivers high-quality imagery with advanced connectivity, including DisplayPort, HDMI and an Open Pluggable Specification (OPS) slot. These digital options increase flexibility for users in a variety of digital signage applications, especially video walls where up to 100 displays can be used in a 10x10 configuration. The optional color calibration solution enables color uniformity and fidelity across individual and multiple screens, creating a perfectly matched image in tiled digital signage environments. The X462S is ideal for hospitality, retail and government applications where minimal depth is required.
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All Teradek codecs can stream to any online video platform, including Facebook Live, YouTube Live, Periscope, Twitch, and more. Go live on multiple platforms at the same time to increase viewership and engagement with our Core platform. Cube packs world-class video quality into a rugged, portable chassis for quick IP video deployments at any location. Each encoder and decoder includes HDMI and 3G-SDI I/O, Ethernet / WiFI connectivity, and full duplex IFB. Cube, codecs are cross compatible and offer streaming latency as low as 100ms on local networks or over the Internet.* For complex, real-time IP video routing, our Core platforms allows you to transmit feeds from Teradek encoders to any other decoder around the world.
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JVC Studio Monitor 20" LCD Full HD, Pannel IPS (In Plane switching) no glossy, input HD/SD-SDI, DVI, 2x Composite video loop through, audio. Newly-developed TN Panel with LED backlights provide improved contrast and black level and are perfect for use as control and studio monitors. The DT-E Series monitors also come complete with free calibration software to aid in achieving optimum picture quality.
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The Datavideo TLM-700HD is a 7 Inch broadcast monitor with a range of both High definition and standard definition connections including HD & SD-SDI, HD & SD YUV, HDMI & Composite Video Inputs. The range of connections and rugged metal design make it a perfect choice for users who work outdoors in the field or in a studio, with HD or SD. The TLM-700HD can be powered from a standard V-Mount type battery, enabling you to power the monitor using an existing camera battery from a range of manufacturers. The TLM-700HD can also be powered via the supplied mains power adapter. The monitor provides a range of advanced features including, audio indicator when working with SDI and HDMI, safe area indicators (80%, 90% OFF), VITC time code display, auto detection of NTSC/PAL, aspect ratio: 16:9 / 4:3 / 15:9 switchable and dual colour tally indication.
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Features:
- 7" LCD, 1024 x 600 Pixels resolution
- 2K / 3G / HD/SD-SDI input and output loop
- Front / Rear Tally
- HDMI input
- Marker 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
- AFD, timecode, H/V delay
- Zebra stripes, Peaking focus assist
- R/G/B/Mono, False colour
- 2 channel embedded audio level indicator
- Selection of 2 audio channels for audio output
- USB Service Firmware update port
- SSL JVC50 / 75 battery connection plate
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The PDW-HD1200 single laser head (drive) Professional Disc recorder provides a wide range of AV and IT interfaces including HD-SDI, SD-SDI, i.LINK™ and Ethernet. The high-performance disc recorder has less features than the PDW-HD1500 but maintains the same field-proven operability, making it an ideal companion to the affordable PDW-680 Professional Disc camcorder. Compact, flexible recording device The PDW-HD1200 provides outstanding MPEG HD422 picture quality as well as an uncompromising 8 channel (HD-SDI), 24 bit audio recording capability, all packed in a compact half-rack-size deck. With its unique ability to support three different power sources (AC, DC, or battery power), its large 4.3-inch* LCD, and its built-in speaker, the PDW-HD1200 performs as a versatile and high-quality recorder suitable for both in-house and field operations. Viewable area, measured diagonally. HD and SD recordings and playback for a broad range of applications The PDW-HD1200 can record and playback in MPEG IMX and DVCAM formats in the SD domain as standard. Additionally, it is equipped with an up/down converter, which is highly useful when employing both HD- and SD-format materials in mixed operation. What's more, the RS-422 interface and Gigabit Ethernet enables the PDW-HD1200 to be used as a player deck for linear editing and a feeder deck for non-linear editing. With innovative high performance and sophisticated operability, the PDW-HD1200 is an affordable yet highly reliable recording tool for a broad range of HD production applications.
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if you're shooting or recording onto solid state disks then Blackmagic MultiDock is the perfect solution for mounting your media disks onto your Thunderbolt or Thunderbolt 2 based computer. You get a super-fast 4 disk docking solution in a compact rack mount design that lets you insert and remove a disk as you need, so you can edit directly from the disks. Totally eliminate copying because with Blackmagic MultiDock you get massive transfer speeds for super responsive editing, design and color correction. Blackmagic MultiDock can even be used as a disk array when adding multiple disks and striping with your computers disk utility software! Blackmagic MultiDock is attractive and installs in seconds because it uses the disk drivers built into your Mac OS X and Windows Thunderbolt computer!
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Blackmagic Audio Monitor provides the finest quality audio monitoring in an incredibly small one rack unit size! Featuring a dual subwoofer design with extra wide range speakers for amazing audio, all backed by a super powerful class A/B amplifier. This precision audio and video monitoring solution includes an advanced 6G-SDI input, as well as balanced XLR analog audio, balanced AES/EBU digital audio and consumer level HiFi audio inputs. The elegant front panel has bright multi colored audio level meters and a built in LCD for monitoring video sources, plus you get an HDMI 4K output for monitoring on larger screens!
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HyperDeck Studio is a broadcast HD based solid state deck that includes 3G-SDI and HDMI connections so you can work in all SD and HD formats up to 1080p30. You get familiar VTR style controls so it’s just like using a traditional broadcast deck, along with compressed or uncompressed 10-bit 4:2:2 broadcast quality recording. The low cost makes it easy to install multiple units when you need ISO recorders, or are doing long form logging or mastering for SD and HD.
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MultiView 16 is perfect for larger installations because it has 16 independent 6G-SDI inputs so you can connect any combination of SD, HD or Ultra HD sources and monitor them all simultaneously on a single display! Router style controls on the front panel, along with the LCD and spin knob, let you adjust settings, route sources to different views, add overlays and more. Output can be set to a 2x2, 3x3 or 4x4 grid, and you can even SOLO any source full screen!
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Introducing the exciting new Smart Videohub, the world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control. Smart Videohub includes the latest 6G-SDI or 12G-SDI technology depending on the model, so you can simultaneously connect and route any combination of SD, HD and Ultra HD video, all the way up to high frame rate 2160p60, all on the same router at the same time! You also get revolutionary new visual routing that lets you see your router connections as video on the built in LCD as you scroll the knob to select your routing. Now you can route your video simply by looking at the video!
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In Broadcast and Studio configuration the new CARTONI Master 30 head covers the needs of sophisticated video shooters from 3 kg (7 lbs) to 30 kg (66 lbs). With a low center of gravity configuration such as with Teleprompter, Master 30 holds 40 kg (88 lbs). An exceptional new fluid module in both pan and tilt modes ensures smooth movements, with perfect starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for perfect long focal shoots. Counterbalance performs perfect balance at any angle from 0 to +/- 90 degrees. All operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics. The head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings. -
The Ikan D24 is a native Ultra HD 4K production monitor that features exceptional image quality at an affordable price. The D24 has a 23.8" IPS LCD panel that boasts great viewing angles as well as beautiful and accurate colors. It supports both HDMI and SDI inputs as well as an SDI output. With quad HDMI inputs, you can choose to display one 4K signal or 4 HD signals at the same time. This production monitor is suitable for both field and studio use.Features- Resolution of 3840 x 2160
- 4 HDMI Inputs with Quad Split Display
- 3G-SDI Inputs with Looping Output
- Picture in Picture
- Peaking, Aspect Ratio, Zoom, & Check Field
- Over Scan & Image Freeze
- On-Screen Three Color Tally Display
- Includes V-Mount Battery Plate
- Heavy Duty Metal Construction
- Includes Table Stand
Video Inputs- 3G-SDI
- HDMI
- DVI
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Features:
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One Fluorite Element & Five UD Elements
- Super Spectra Coating
- Ring-Type Ultrasonic Motor AF System
- Optical Image Stabilizer
- Internal Focus, Focus Range Limiter
- Weather-Sealed Construction
- Detachable, Rotatable Tripod Collar
- Rounded 8-Blade Diaphragm
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Features:
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- One Super UD Element, Two UD Elements
- Three Aspherical Elements
- Super Spectra and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
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Features:
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Aspherical and Two UD Elements
- SWC, Air Sphere, and Fluorine Coatings
- Ring-Type Ultrasonic Motor AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
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Canon ZSD-300D (ZSD300D) Servo Zoom Demand (remote) for Digital Drive ENG/EFP Lenses. Canon ZSD-300D Digital Zoom Servo Demand - for J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses. The ZSD-300D zoom demand will operate the shuttle shot and frame preset features of the lens. All digital demands connect to the lens via a new one-touch 20-pin connector. -
Canon FPD-400 (FPD400D) Digital focus servo demand. Canon's FPD-400D is a digital focus servo demand for use with Canon lens controller kits, such as the SS-41-20D, SS-42-20D, SS-41-IASD and SS-42-IASD. It provides precision focus control and is useful in a variety of professional broadcast applications.
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The Canon 22x HD is a high quality 22x zoom lens for professional 2/3" remote video cameras. This model is highly versatile and can be used in a variety of professional applications, including teleconferencing, distance learning, and specialized broadcasting including sports coverage. The focal-length range is 7.6-168mm with a minimum object distance of 2.8' (0.9 m). Additionally, the lens comes equipped with a manually operated 2x extender which can be coupled with an external control unit.
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Product Highlights:
- 18x Optical Zoom
- Shuttle-Shot Technology
- Manual Zoom
- Servo Focus
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Feature:
- 2/3" B-4 Mount
- Focal Length: 11-363mm
- ENG style lens
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The GoPro Hero6 Black looks just like the Hero5 Black. It's the same small size and still waterproof to 10 meters (33 feet) with the same ports, controls, battery and same size touchscreen on back.
But, as the saying goes, it's what's inside that counts, and what's inside is a new custom-designed processor, the GP1, that's responsible for a whole lot of improvements. CEO Nick Woodman said in the past GoPro was building its cameras around off-the-shelf processors and those chips were available to competitors as well. The GP1 ends that by allowing GoPro to make a camera with the capabilities it wanted.
The Hero6 Black can record 4K 2,160-pixel resolution clips at 60 frames per second, which can give fast action a smoother look. And if you're into slow-motion clips, you can record in 2.7K at 120fps and 1,080p at 240fps.
Video Resolutions:
800 x 480 | 1280 x 720 |1920 x 1080 | 2560 x 1440 | 3840 x 2160 pixels
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available 7 camera for Rent Sony HDC-1700 and rent Sony HDC-4300 slowmotion camera, 4K, 25p 50PGeneral
Power requirement: 240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass: 4.5 kg (9 lb 15 oz)Camera Section
Pickup device: 3-chip 2/3-inch type Progressive CCD Effective picture elements: 1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system: F1.4 prism system Built-in filters(ND) 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical): Typical -60 dB -
This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).Features
- Focus marks are in feet with select markings in luminous paint
- High image performance covering full frame sensors; suitable for 8K capture
- Fast T1.5 maximum aperture aids in shooting with low light levels
- Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
- Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)
