Rent Audio Equipment

  • Digital Mixing System

    • 64 Channels x 27 Buses
    • 28 motorised faders: 3x 8, 1x 4
    • Equipped with 8 mic/line inputs
    • 16 Analog outputs
    • 2 AES inputs
    • 3 AES outputs
    • Weight: 46 kg
    • Live performance digital console control centre with up to 88 simultaneous input channels
    • 35 time-aligned and phase-coherent mix buses
    • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
    • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
    • HyperMAC router with 192 bidirectional channels over copper and optical fibre
    • Provides dual redundant snake connection to DL371PRO9 Audio System Engine
    • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
    • 10 VCA (variable control association) and 6 POPulation groups
    • Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers
    • Up to 8 multi-channel digital signal processing effects engines
    • 29 MIDAS PRO motorised 100 mm faders
    • 2 daylight viewable 15” full colour TFT display screens
    • Fully interpolated touch sensitive controls
  • Midland presents the walkie‐talkie more complete and more powerful range as ever: XT LINE. 7 new models, each featured by new colors! XT LINE comes from over 40 years of experience in the radio communication world, designed to conquer the world market and meet all its needs! Seduced by the innovative packaging and high performance technology. XT line introduces Micro USB charger in the walkie talkie world, the fast charge (in XT60 and XT70), 500 MW speaker (in XT70). On the beach, at a festival or just a keen adventurer enjoying a day out, XT LINE is a great way to keep in touch. Extremely reliable, XT LINE is the ideal solution for those who want to talk in all situations, professional and during leisure time. Our high performance walkie‐talkies are great for extreme sports enthusiasts who need reliable two‐way communications for their adventures. With a range of up to 12kms, these consumer radios are the ultimate accessory for anyone serious about adventure, style and simple communication. XT LINE is ready to use and easy to surf thanks to the keys located on the radio front.

  • The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.

  • The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.

  • Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globe

    FEATURES

    • Versatile small membrane microphone primarily for instrumental recordings
    • Slight treble lift for fresh and vivid sound
    • Precise cardioid directionality with excellent rejection of rearward sound
    • Uncolored reproduction of neighboring sound sources
    • Tight production tolerances – perfect for stereo recordings
  • Features:

    • Sensitivity: -40dB ± 2dB / 100ohm ±30%
    • Output Levels: –
    • Frequency response: 40Hz -20KHz (-3dB)
    • Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)
    • Gooseneck length: 445 mm
    • Controls: ON/OFF SWITCH
    • Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR
    • Dimensions (W x H x D): 115 x 140 x 30mm
    • Weight: 0.7 kg (1.543 lb)
  • Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.

    FEATURES
    • Digital AGC processor with 2 band EQ
    • Balanced XLR I/O (mic/line)
    • Built-in tone generator
    • Remote control software and dialer
  • Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
  • Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
  • Features:

    • 19" Rackmount 5U
    • 32 Inputs and 16 outputs
    • 4x AES / EBU Out1-8
    • Dante network
    • Internal sampling frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
    • External sampling frequency: 44.1 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 48 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 88.2 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 96 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0%
    • Weight: 12.4 kg
  • DANTE / MADI Converter

    • Design: 19 "/ 1U
    • 64 Channels
    • Included: Sample rate conversion, optical and coax MADI

    Ulteriori informazioni

    Amount Of Channels 64
    AD Conversion No
    DA Conversion No
    Max. Resolution 24 bit
    Max. sampling rate 192 kHz
    S/PDIF Connecor No
    AES/EBU Connector No
    ADAT No
    Word clock Yes
    Number of analog inputs 0
    Number of Analog Outputs 0
    Headphone connection No

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