Rent Audio Equipment

  • Features

    • Great strengths – small microphone
    • Very small dimensions (3.3 mm capsule diameter)
    • High maximum sound pressure level (142 dB)
    • Very high speech intelligibility; clear, pleasant treble
    • Full, natural sound with low ambient noise
    • Thin (1 mm diameter) and robust cable; flexible with minimum handling noise
    • Very sweat-resistant due to protective membrane
    • Flexible tubes for attaching the microphone with clips or adhesive tape
  • Cardioid clip-on microphone. Excellent speech intelligibility. High feedback-rejection. Outstanding bass reproduction.

    Features

    • High gain before feedback
    • Very good speech intelligibility
    • Outstanding bass reproduction
  • With exceptional trigger sensitivity, ultra-quick installation, and compatibility with the latest drum hardware, the streamlined RT-30 series sets a new standard for anyone wanting to explore hybrid drumming. Ideal for use on snare drums, the RT-30HR supports independent head and rim triggering for playing two different sounds from the same drum. The RT-30HR also incorporates a newly developed self-guided mount that automatically sets the sensor in the optimum position against the drumhead, with no fussy mechanical adjustment needed after mounting.

    Feature:

    • Advanced dual-trigger device with independent head and rim triggering for playing electronic sources from acoustic drums
    • Compatible with Roland’s TM-2 Trigger Module, TD-series V-Drums sound modules, and SPD-series percussion pads
    • Installs on nearly any metal drum hoop, including the latest inward-curved hoop styles
    • Newly developed self-guided mount makes installation quick and easy
    • 10 mm lower in profile than previous designs for increased playing comfort
    • Durable fiberglass-reinforced ABS body and secure mounting mechanism for dependable operation
    • Side-mounted trigger output jack for improved cable management
    • TRS connection cable included
  • DANTE / MADI Converter

    • Design: 19 "/ 1U
    • 64 Channels
    • Included: Sample rate conversion, optical and coax MADI

    Ulteriori informazioni

    Amount Of Channels 64
    AD Conversion No
    DA Conversion No
    Max. Resolution 24 bit
    Max. sampling rate 192 kHz
    S/PDIF Connecor No
    AES/EBU Connector No
    ADAT No
    Word clock Yes
    Number of analog inputs 0
    Number of Analog Outputs 0
    Headphone connection No
  • Features:

    • 19" Rackmount 5U
    • 32 Inputs and 16 outputs
    • 4x AES / EBU Out1-8
    • Dante network
    • Internal sampling frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
    • External sampling frequency: 44.1 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 48 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 88.2 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0% (± 200ppm) / 96 kHz: + 4,1667%, + 0.1%, -0.1%, -4.0%
    • Weight: 12.4 kg
  • Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
  • Sennheiser EM 6000 is a two-channel digital receiver and operates over a bandwidth of 244 MHz (470-714 MHz) that is covered by the three transmitter versions (470-558 MHz, 550-638 MHz, and 630-718 MHz). For multichannel systems, up to eight receivers can be cascaded without the need for an additional antenna splitter since it is built into the receiver itself; the multichannel system then operates with a single pair of antennas. System latency is 3 milliseconds. Superior reception, reliable audio Reliability has always been a hallmark of Sennheiser wireless systems, and Digital 6000 fulfills this promise by employing true bit diversity, transmission error correction, and additional intelligent error concealment. True bit diversity ensures significantly better reception quality than is available with other systems. While diversity or true diversity use the RF signal from a single antenna or the audio signal from a single receive path, respectively, true bit diversity uses both receive circuits and combines their information to create the optimum receive signal in this way. Digital 6000 receivers are equipped with a Link Quality Indicator that ensures that problems are seen before signal losses arise. If, as is the case in difficult RF environments, the signal was momentarily degraded to such an extent that transmission error correction could not perform any repair, the Digital 6000's intelligent error concealment is activated. By employing intelligent learning algorithms to replace the deteriorated signal, the Digital 6000 still transmits perfectly where other digital systems might fail. For data security, an especially important feature for conferencing and business use, Digital 6000 enables AES 256 encryption. The EM 6000 receiver features an easy-to-view white OLED display that provides a quick overview of the RF signal, link quality, audio signal, battery status, frequency and encryption. Several screens provide easy access to additional information without the user having to search through complicated sub-menus. Messages of critical operating and error conditions are shown directly on the display.
  • Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.

    FEATURES
    • Digital AGC processor with 2 band EQ
    • Balanced XLR I/O (mic/line)
    • Built-in tone generator
    • Remote control software and dialer
  • Features:

    • Sensitivity: -40dB ± 2dB / 100ohm ±30%
    • Output Levels: –
    • Frequency response: 40Hz -20KHz (-3dB)
    • Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)
    • Gooseneck length: 445 mm
    • Controls: ON/OFF SWITCH
    • Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR
    • Dimensions (W x H x D): 115 x 140 x 30mm
    • Weight: 0.7 kg (1.543 lb)
  • Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globe

    FEATURES

    • Versatile small membrane microphone primarily for instrumental recordings
    • Slight treble lift for fresh and vivid sound
    • Precise cardioid directionality with excellent rejection of rearward sound
    • Uncolored reproduction of neighboring sound sources
    • Tight production tolerances – perfect for stereo recordings
  • The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.

  • The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.

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