- Material: Aluminium
- At maximum height can hold up to 30 kg centric load
- Height: 1.25 m - approx. 2.00 m
- Pole diameter: 35mm
- Weight (per piece): 2.16 kg
- Total weight including carry bag (without packaging): 4.73 kg
- Colour: Black
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Professional Speaker Stand Set -
Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp.
Features
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
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The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.
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Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globeFEATURES
- Versatile small membrane microphone primarily for instrumental recordings
- Slight treble lift for fresh and vivid sound
- Precise cardioid directionality with excellent rejection of rearward sound
- Uncolored reproduction of neighboring sound sources
- Tight production tolerances – perfect for stereo recordings
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Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.
Features
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
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The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.
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High-Performance Passive DI-Box
- Professional and multi-purpose direct injection box for stage and studio applications
- Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
- Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
- Allows direct connection to speaker outputs with up to 3,000 Watts
- Ground Lift switch eliminates typical ground loop problems
- Filter switch reduces annoying hiss and buzz
- Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
- ¼" TRS and gold-plated XLR connectors
- Ultra-rugged, road-suitable metal case
- High-quality components and exceptionally rugged construction ensure long life and durability
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is a compact adapter that plugs into a laptop computer speaker jack, changes the output to a balanced mono mic-level signal and mates with standard XLR audio cable for connections to a house audio system. A ground lift switch assures a hum-free interface. On-board volume control.
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Palmer PLI 04, passive 2-channel DI-Box, 2x jack plug in, 2x RCA in, 1x 3,5 mm stereo-plug in, thomann 2x XLR balanced out, especially for Hifi and computer -
The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels
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The USB MIDISPORT 1x1 offers a simple, inexpensive solution for when you’re just starting out or only need basic 16-channel MIDI in/out connectivity for your computer. Bus-power makes it easy to take anywhere.Features
- 1-in/1-out MIDI interface
- 16 discrete MIDI input channels
- 16 discrete MIDI output channels
- Bus-powered—requires no external power supply
- Extremely compact and lightweight for mobile or desktop use
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With exceptional trigger sensitivity, ultra-quick installation, and compatibility with the latest drum hardware, the streamlined RT-30 series sets a new standard for anyone wanting to explore hybrid drumming. Ideal for use on snare drums, the RT-30HR supports independent head and rim triggering for playing two different sounds from the same drum. The RT-30HR also incorporates a newly developed self-guided mount that automatically sets the sensor in the optimum position against the drumhead, with no fussy mechanical adjustment needed after mounting.
Feature:
- Advanced dual-trigger device with independent head and rim triggering for playing electronic sources from acoustic drums
- Compatible with Roland’s TM-2 Trigger Module, TD-series V-Drums sound modules, and SPD-series percussion pads
- Installs on nearly any metal drum hoop, including the latest inward-curved hoop styles
- Newly developed self-guided mount makes installation quick and easy
- 10 mm lower in profile than previous designs for increased playing comfort
- Durable fiberglass-reinforced ABS body and secure mounting mechanism for dependable operation
- Side-mounted trigger output jack for improved cable management
- TRS connection cable included