The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).
The Shure MicroFlex MX418 is a fully adjustable cardioid gooseneck microphone designed for podium and desktop use in speech, presentations, conferences and more. The MicroFlex gooseneck microphone series offers the flexibility of removable capsules offering cardioid (included) supercardioid and omnidirectional polar patterns. In addition, the MicroFlex series features high sensitivity and balanced, transformerless output for maximum immunity to electromagnetic hum and RF interference, even over long cable runs.
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.
The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d&b loudspeakers and a linear mode; exceptions are 2-Way Active, V-Series and B2-SUB. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D6 incorporates Class D amplifiers utilizing a switch mode power supply with active Power Factor Correction (PFC), suitable for mains voltages 100 V/120 V/200 V/ 230 V, 50 - 60 Hz and maintains a stable and increased output when used with weak or unstable mains supplies. It is supplied with two NL4 loudspeaker output connectors. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.
The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D12 utilizes an autosensing switch mode power supply for mains voltages 120 V/230 V, 50 - 60 Hz (optional 100/200V). The D12 amplifier incorporates d&b SenseDrive for accurate control of LF drivers in d&b loudspeakers driven in 2-Way Active mode or in actively driven d&b subwoofers. When the D12 is fitted with EP5 connectors and appropriate 5 wire cabling, d&b SenseDrive can be used, resulting in an extremely precise bass performance even at high levels. NL4 and NL8 connector options are also available. RJ 45 connectors enable access to the Remote network via CAN-Bus. d&b System check verifies that the system performs within a predefined condition, whilst d&b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.
The E6 is a relatively small high performance multipurpose loudspeaker, employing an integrated coaxial driver. The horn with its 100° x 55° dispersion pattern can easily be rotated through 90° providing a 55° x 100° pattern without the use of tools. This enables deployment of the loudspeaker either vertically or horizontally. Its distinctive cabinet design and extensive range of accessories allow easy deployment in almost any situation, including stage monitoring. It provides a very compact reinforcement solution that inspires through its sound quality and is also perfectly compatible with the larger E8 and E12 loudspeakers. With the addition of an E12X subwoofer or any other E-Series subwoofer it can also reproduce high level music program. The E6 cabinet has an impact resistant paint finish incorporating a handle. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with a metal plate in the specified colour covering the handle recess.
The Q7 is a 75° x 40° passive 2-way loudspeaker housing two 10" LF drivers and a 1.3" HF compression driver with a rotatable constant directivity horn and a passive crossover network. The two 10" neodymium LF drivers are positioned in a dipolar arrangement providing exceptional vertical dispersion control with the nominal angle being maintained down to 400 Hz. The Q7 with the horn rotated is used to mount the loudspeaker horizontally where space is limited, or the maximum horizontal pattern control is needed and when added to the bottom of Q1 arrays. The Q7 can be used as a stand-alone full range system, in combination with other Q-Series cabinets ground stacked or mounted on a high stand with a swivel bracket. They can also be combined in flown array systems. The Q7 cabinet is constructed from marine plywood and has an impact resistant paint finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, covered with a replaceable acoustically transparent foam. The cabinet incorporates a pair of handles and mounted on the rear panel are two EP5 or NL4 connectors wired in parallel.
The Q1 is a passive 2-way loudspeaker housing two 10" LF drivers positioned in a dipolar arrangement and a 1.3" HF compression driver fitted to a toroidal waveshaping device. The 75° constant directivity horizontal dispersion pattern is maintained down to 400 Hz, while the vertical HF dispersion of 15° allows the Q1 to be used to construct vertical columns that produce a curved coherent wavefront. The mechanical and acoustical design of the cabinet enables vertical splay angles to be set between 0° and 14°. Q1 cabinets can therefore be used in vertical configurations starting from two cabinets with a 15° to 30° dispersion, up to 20 cabinets with a fully user and venue defined vertical profile. The Q1 cabinet is constructed from marine plywood, incorporates a pair of handles and has an impact resistant paint finish. The front of the loudspeaker is protected by a rigid metal grill covered with replaceable acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.
The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats.
The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.
The phantom power adaptor is available in two different versions:The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.
The MZA 900 P can also be used as a cable tester for XLR microphone cables.
The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels
BEHRINGER B-CONTROL FADER BCF2000: Total-Recall USB/MIDI Controller with 8 Motorized Faders. Total-recall, cascadable desktop MIDI controller with analog feel and intuitive user interface. 8 ultra-precise, 100-mm, motorized faders for ultimate control of virtual mixers, organ-drawbars (inverse mode) or virtual synths and samplers. 4 virtual groups with 8 dual-mode, high-resolution encoders that feature LED rings and an additional push function. 16 + 4 illuminated buttons freely assignable to all types of MIDI functions from note on/off, control change and program change to MMC and system exclusive data. All panel elements freely assignable - manually or via user-friendly learn mode. Additional multi-function foot switch and foot controller connectors can be used to address all types of MIDI data. 32 user presets each with 4 encoder groups. Configurable MIDI and USB modes for ultra-flexible system integration. 1 MIDI In plus 2 MIDI Outs, usable as an additional USB to MIDI interface. Multi-function, 4-digit LED display with real-time parameter indication plus write-in fields for your own labeling. MIDI input with merge function for cascading several control units. Easy connection to any computer/expander, etc. using standard MIDI In/Out connectors. Generic USB MIDI support with Windows XP and Mac OS X operating systems. Additional drivers and editor/librarian software available for free download at behringer.com. High-quality components and exceptionally rugged construction ensure long life. Conceived and designed by BEHRINGER Germany. Redefine how you make music. Be in control with the BCF2000! Stop by your local BEHRINGER dealer and push those faders around.
With exceptional trigger sensitivity, ultra-quick installation, and compatibility with the latest drum hardware, the streamlined RT-30 series sets a new standard for anyone wanting to explore hybrid drumming. Ideal for use on snare drums, the RT-30HR supports independent head and rim triggering for playing two different sounds from the same drum. The RT-30HR also incorporates a newly developed self-guided mount that automatically sets the sensor in the optimum position against the drumhead, with no fussy mechanical adjustment needed after mounting.
is a compact adapter that plugs into a laptop computer speaker jack, changes the output to a balanced mono mic-level signal and mates with standard XLR audio cable for connections to a house audio system. A ground lift switch assures a hum-free interface. On-board volume control.
