Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.
The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.
Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp.
Super-cardioid microphone/transmitter with impressive sound. Clear, prominent voice reproduction. Highest feedback rejection. User-friendly menu operation with backlit graphic display. Auto-Lock function.
Robust cardioid handheld microphone/transmitter. Fit for every vocal style. Lively, powerful sound. User-friendly menu operation with backlit graphic display. Sturdy metal housing.
High-quality, robust bodypack transmitter with switchable HF output power. Greater choice of usable channels when switched to 10 mW output. User-friendly menu operation with backlit graphic display. Metal housing.
With exceptional trigger sensitivity, ultra-quick installation, and compatibility with the latest drum hardware, the streamlined RT-30 series sets a new standard for anyone wanting to explore hybrid drumming. Ideal for use on snare drums, the RT-30HR supports independent head and rim triggering for playing two different sounds from the same drum. The RT-30HR also incorporates a newly developed self-guided mount that automatically sets the sensor in the optimum position against the drumhead, with no fussy mechanical adjustment needed after mounting.
| Amount Of Channels | 64 |
|---|---|
| AD Conversion | No |
| DA Conversion | No |
| Max. Resolution | 24 bit |
| Max. sampling rate | 192 kHz |
| S/PDIF Connecor | No |
| AES/EBU Connector | No |
| ADAT | No |
| Word clock | Yes |
| Number of analog inputs | 0 |
| Number of Analog Outputs | 0 |
| Headphone connection | No |
Digital studio telephone hybrid, 1 PSTN/POTS line. Audio processor DSP-Based, XLR analog inputs and outputs, GPIN and GPOUT for Telco modules. Graphic LCD display for TX and RX level monitoring. Up to 2 GSM modules for wireless operations (opt). USB and Serial port. 1u rack 19”space. Universal PSU.
FEATURES
The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.
The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: * DV Field Production. * Electronic News Gathering. * Location Recording (Dialogue and Music). * Digital Recording. * Broadcast Remotes. * Desktop Mixing for Video Post Production. MX422 FIELD MIXER METER RESPONSE: The meters are set at the factory for a 0 indication of a 0 dbv output level. Non responding meters is caused by only one thing, not enough level from the output amp. To correct this please verify the following. Start with the channel and master at center positions. Make sure the monitor switch is out. 1. Turn up the trim control to the point where the meters read the level you desire. 2. If this causes too much output from the output jacks, push in the attenuator button near the output jacks. 3. Fine tune the level you want with the channel and master controls. Finally, if the Pro standard of 0 dB is too hot for you, there are trim pots for each meter inside the unit that can be adjusted down to a 0 indication of about -10dBv.
