- 2x 6,5" Bass + 1" tweeter (full neodymium)
- 120 Watt RMS (Class D amplifier with 24 Bit DSP)
- Max. SPL: 118 dB
- 70 - 20,000 Hz
- Dispersional pattern: 80° x 60°
- XLR/ jack in
- Stereo RCA in
- Soft clip limiter
- Tansport handle AK 50 on option (110949)
- Stand adaptor SN 120/ 130 available on option
- Dimension: 210 x 350 x 270 mm
- Weight: 5 Kg
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Active Compact Loudspeaker -
MAX is a 2-way full range loudspeaker with remarkable vocal presence, clarity and high feedback stability. Due to its coaxial design it is an extremely compact low height cabinet with two set-up angles. MAX can be used either as a stage monitor, as a downfill in flown applications or together with the C7-SUB as a flexible PA system. The MAX cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish and M10 threaded inserts. A socket to accept loudspeaker stands, ratchet strap guide plates and an optional version with MAN CF4 stud plates complete the multiple application options for MAX.
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The 2-way passive MAX2 loudspeaker houses a 15” LF driver and a coaxially mounted 1.4” HF compression driver and achieves 75° conical constant directivity dispersion. The driver arrangement uses a single magnet assembly, allowing for a compact cabinet design with a low profile for strict visual demands. The MAX2 provides a broad variety of deployment possibilities, whether used individually as a stage monitor; as a stand-alone full range system or, when combined with d&b subwoofers, as a drumfill. The loudspeaker cabinet is constructed in marine plywood with an impact resistant paint finish. Four M10 threaded inserts allow connection to a flying bracket. The cabinet incorporates a pair of recessed grips for handling, while the front is protected by a rigid metal grill backed with an acoustically transparent foam. A pole mount is incorporated into one of the side panels. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.
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Professional Speaker Stand Set- Material: Aluminium
- At maximum height can hold up to 30 kg centric load
- Height: 1.25 m - approx. 2.00 m
- Pole diameter: 35mm
- Weight (per piece): 2.16 kg
- Total weight including carry bag (without packaging): 4.73 kg
- Colour: Black
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The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.
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Features
- High gain before feedback
- Very good speech intelligibility
- Outstanding bass reproduction
- Frequency response 40...20.000 Hz
- Sensitivity as per 121 TR 9-5 42 mV/Pa +- 3dB
- Maximum sound pressure level (passiv) 118 dB (k=1%)
- Pick-up pattern cardioid
- Dimensions d=12mm, l=26mm
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Intended for monitoring stereo audio signals in professional applications such as stage or broadcasting, this range consists of a static transmitter and mobile diversity receiver, both built in metal enclosures. The system has a frequency-bank system with up to 16 compatible pre-set frequencies. The bandwidth is 42MHz, offering 1680 tunable UHF frequencies. An HDX compander is used to increase dynamic range, pilot-tone squelch avoids RF interference when the transmitter is turned off. Easy set-up uses the receiver to perform an automatic frequency scan to search for available frequencies. Settings may be transferred between the receiver and transmitter in either direction using infra-red communication. The transmitter may be connected to an Ethernet network for configuration of multi-channel systems using software. Transmitter and receiver are available separately or together as a complete system. Different models are available, in several UHF ranges; each offers 26 frequency banks with up to 16 channels. Each of the channels in the first 20 frequency banks are pre-set at the factory to fixed frequencies. The channels within each bank can be used without intermodulation. The remaining banks allow the user to select and store frequencies.
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Robust cardioid handheld microphone/transmitter. Fit for every vocal style. Lively, powerful sound. User-friendly menu operation with backlit graphic display. Sturdy metal housing.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 12 compatible frequencies
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Enhanced AF frequency range
- Increased range for audio sensitivity
- Wireless synchronization via infrared interface from receiver
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Battery indicatation in 4 steps, also shown on receiver display
- Exchangeable microphone modules from evolution series
- Contacts for recharging BA 2015 accupack directly in the transmitter
- Wide range of accessories adapts the system to any requirement
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Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp.
Features
- Rugged reinforced glass-fibre body
- Low sensitivity to impact and handling noise
- Very high sound pressure handling capability
- Low distortion microphone
- Hum compensating coil
- Easy to position due to compact design
- Integral stand mount
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The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.
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Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globeFEATURES
- Versatile small membrane microphone primarily for instrumental recordings
- Slight treble lift for fresh and vivid sound
- Precise cardioid directionality with excellent rejection of rearward sound
- Uncolored reproduction of neighboring sound sources
- Tight production tolerances – perfect for stereo recordings
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Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.
Features
- Rugged professional microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
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From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.
Features:
- Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
- Lock Mode disables all controls easily for live and installation use
- Incredible Dynamic Range of 152 dB
- Three different bass cut filters and three pre-attenuation levels
- Peak Hold LED detects even shortest overload peaks
- Includes carrying case, pop filter, windscreen, and spider-type shock mount
- Frequency range: 20 to 20 000 Hz
- Sensitivity: 20 mV/Pa (-34 dBV) +/- 0.5 dB
- Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
- Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
- Signal/noise ratio: 88 dB
- Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
- Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
- Impedance: <=200 ohms
- Recommended load impedance: >= 2,200 ohms
- Powering: approximately 4 mA
- Connector: 3-pin XLR to IEC
- Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
- Net weight: 300g (10.6oz.)
- Requires +48V phantom power
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The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.
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High-Performance Passive DI-Box
- Professional and multi-purpose direct injection box for stage and studio applications
- Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
- Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
- Allows direct connection to speaker outputs with up to 3,000 Watts
- Ground Lift switch eliminates typical ground loop problems
- Filter switch reduces annoying hiss and buzz
- Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
- ¼" TRS and gold-plated XLR connectors
- Ultra-rugged, road-suitable metal case
- High-quality components and exceptionally rugged construction ensure long life and durability
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Palmer PLI 04, passive 2-channel DI-Box, 2x jack plug in, 2x RCA in, 1x 3,5 mm stereo-plug in, thomann 2x XLR balanced out, especially for Hifi and computer -
is a compact adapter that plugs into a laptop computer speaker jack, changes the output to a balanced mono mic-level signal and mates with standard XLR audio cable for connections to a house audio system. A ground lift switch assures a hum-free interface. On-board volume control.
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With exceptional trigger sensitivity, ultra-quick installation, and compatibility with the latest drum hardware, the streamlined RT-30 series sets a new standard for anyone wanting to explore hybrid drumming. Ideal for use on snare drums, the RT-30HR supports independent head and rim triggering for playing two different sounds from the same drum. The RT-30HR also incorporates a newly developed self-guided mount that automatically sets the sensor in the optimum position against the drumhead, with no fussy mechanical adjustment needed after mounting.
Feature:
- Advanced dual-trigger device with independent head and rim triggering for playing electronic sources from acoustic drums
- Compatible with Roland’s TM-2 Trigger Module, TD-series V-Drums sound modules, and SPD-series percussion pads
- Installs on nearly any metal drum hoop, including the latest inward-curved hoop styles
- Newly developed self-guided mount makes installation quick and easy
- 10 mm lower in profile than previous designs for increased playing comfort
- Durable fiberglass-reinforced ABS body and secure mounting mechanism for dependable operation
- Side-mounted trigger output jack for improved cable management
- TRS connection cable included
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BEHRINGER B-CONTROL FADER BCF2000: Total-Recall USB/MIDI Controller with 8 Motorized Faders. Total-recall, cascadable desktop MIDI controller with analog feel and intuitive user interface. 8 ultra-precise, 100-mm, motorized faders for ultimate control of virtual mixers, organ-drawbars (inverse mode) or virtual synths and samplers. 4 virtual groups with 8 dual-mode, high-resolution encoders that feature LED rings and an additional push function. 16 + 4 illuminated buttons freely assignable to all types of MIDI functions from note on/off, control change and program change to MMC and system exclusive data. All panel elements freely assignable - manually or via user-friendly learn mode. Additional multi-function foot switch and foot controller connectors can be used to address all types of MIDI data. 32 user presets each with 4 encoder groups. Configurable MIDI and USB modes for ultra-flexible system integration. 1 MIDI In plus 2 MIDI Outs, usable as an additional USB to MIDI interface. Multi-function, 4-digit LED display with real-time parameter indication plus write-in fields for your own labeling. MIDI input with merge function for cascading several control units. Easy connection to any computer/expander, etc. using standard MIDI In/Out connectors. Generic USB MIDI support with Windows XP and Mac OS X operating systems. Additional drivers and editor/librarian software available for free download at behringer.com. High-quality components and exceptionally rugged construction ensure long life. Conceived and designed by BEHRINGER Germany. Redefine how you make music. Be in control with the BCF2000! Stop by your local BEHRINGER dealer and push those faders around.
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The USB MIDISPORT 1x1 offers a simple, inexpensive solution for when you’re just starting out or only need basic 16-channel MIDI in/out connectivity for your computer. Bus-power makes it easy to take anywhere.Features
- 1-in/1-out MIDI interface
- 16 discrete MIDI input channels
- 16 discrete MIDI output channels
- Bus-powered—requires no external power supply
- Extremely compact and lightweight for mobile or desktop use
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The MX882 multi-function audio signal router features 6 inputs and outputs which allowing dual usage as a mixer or signal splitter. The signal splitter function allows users to route incoming audio signal, via the main stereo inputs, to any of the available 6 outputs. Servo-balanced, gold-plated XLR and 1/4" TRS inputs and outputs assure quiet, high-quality audio signal. You can use the MX882 as a DI-Box, or as a multi-channel line matching transformer. Every channel features comprehensive 8-segment metering of input gain, with 4-segment metering provided on main in and main output channels
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Feature:
- INCLUDES BONUS Universal Pop Filter Microphone Wind Screen with Mic Stand Clip, Monoprice 4752 Premier Series XLR 10' Male to XLR Female 16AWG Gold Plated Cable AND Monoprice Microphone Tripod Stand with Boom
- ALSO INCLUDES Pro Tools First Focusrite Creative Pack, Ableton Live Lite Software, Softube's Time & Tone Bundle, Red Plug-In Suite, 2GB Loopmasters Samples, Novation's Bass Station Virtual Synthesiser
- FOUR ANALOG INPUTS: two natural-sounding Scarlett mic preamps with plenty of even gain; two newly-designed instrument inputs, designed to handle seriously hot guitar pick-ups. CLASS-LEADING conversion and sample rates up to 192kHz / 24 bit. SUPER-LOW latency for using your plug-ins in real time without the need for DSP (measured at 2.74ms, working at 96kHz with a 32 samples buffer).
- 1/4-INCH BALANCED jack outputs to connect professional studio monitors; one headphones output with gain control. INCLUDES PRO TOOLS | First Focusrite Creative Pack and Ableton Live Lite, Focusrite Control, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 2GB of Loopmasters samples, and monthly Focusrite Plug-In Collective offers.
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The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor.
The phantom power adaptor is available in two different versions:- MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless)
- MZA 900 P-4 with lockable 3-pin special socket
The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications.
The MZA 900 P can also be used as a cable tester for XLR microphone cables.
Features
- Robust metall chassis
- Switchable gain (0/-12dB)
- Switchable roll-off filter (125 Hz (-3 dB), 12 dB/oct)
- Two-colour control LED (phantom power, audio peak)
- Input 3,5mm stereo jack socket, lockable
- Output XLR-3M
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The CDJ-2000NXS2 inherits all the best features from its predecessor – the CDJ-2000NXS – and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution formats.
KEY FEATURES
IMPROVED SOUND DESIGN For the best possible club sound, we've added a 96 kHz/24-bit sound card and improved the digital signal processing (DSP) and Digital Out. Analogue noise is reduced to a minimum by a high-performance 32-bit D/A converter and separate analogue power supply. Crisp high-resolution audio is supported for FLAC, Apple Lossless Audio (ALAC), as well as MP3, WAV, AAC, and AIFF. LARGE TOUCH SCREEN The 7-inch, full-colour touch screen gives you instinctive control of your favourite features. It displays all the info you need, including Wave Zoom, Needle Countdown, Phase Meter, and more. Keyword Search and Track Filter mode help you browse and select your tracks faster for an effortless performance. 8 HOT CUES Set cue points in rekordbox and customise their colours. 2 banks of 4 colour-illuminated Hot Cues put instant playback of pre-set cue points at your fingertips. BEAT PERFECT Quantize snaps cues and loops to the rekordbox beat grid for a reliable performance every time. ADD A DDJ-SP1 Add the DDJ-SP1 to your set-up and access even more performance features. Simply plug in a USB cable and control up to 4 CDJ-2000NXS2s using Pro DJ Link.