The HDC-4300 joins Sony’s widely acclaimed HDC Series family of Live Production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down.
rental of velvet Evo2 rgbwcw softlight for studio and cine shooting
available 7 camera for Rent Sony HDC-1700 and rent Sony HDC-4300 slowmotion camera, 4K, 25p 50P
GeneralPower requirement: 240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass: 4.5 kg (9 lb 15 oz)
Camera SectionPickup device: 3-chip 2/3-inch type Progressive CCD Effective picture elements: 1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system: F1.4 prism system Built-in filters(ND) 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical): Typical -60 dB
rental Roni2 dji full optional. Gimbal very professional for stabilised and very customised shooting. Available also with Readyrig
Nuovi radiomicrofoni serie sennhieser d6000 anche nella versione ENG per la realizzazione di acquisizione audio di qualità superlativa anche nelle troupe di ripresa ENG
Broadcast video mixer a noleggio. For-A Hvs-490 è un mixer video 4K con 2ME che permette di realizzare eventi e regie televisive senza limiti di creatività nella messa in onda di camere e contenuti complessi.
HVS-490 switcher inherits key technology of HVS-2000 and HVS-390HS while opening the door to even more affordable 4K production. Exclusive MELite™ technology extends the switcher’s 2 M/Es to offer 6 M/E performance.*1 Expand your switching capabilities even more by assigning FLEXaKEY™ or feature rich 2.5D DVE, for compositing with up to 12 keyers. Take advantage of this truly broad range of switching in live production.
- Compatible with 3rd generation Bolt 500, Bolt 500 XT, Sidekick II, and 703 Bolt
- SDI loop out on TX
- External antennas on Bolt 500 TX
- Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)
- Extremely affordable and offers the same wireless performance as the XT
Portable greenscreen set 6x6 meters to create a virtual studio in the client house, photo rooms, hotel meeting room.
The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
- 1920 x 1200 Touchscreen Display
- 10-Bit FRC Monitor Processing
- 4K HDMI and 12G-SDI Inputs/Outputs
- 1500 cd/m² Brightness
- HDR Mode with 10-Stop Dynamic Range
- High Bright Mode for Rec. 709 Viewing
- UHD 4K up to 60p / 1080p up to 240 fps
- 10-Bit 4:2:2 ProRes and DNxHR Encoding
- Records to 2.5" SSD/HDD Media
- Dual Sony L-Series Battery Slots
This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).
- Focus marks are in feet with select markings in luminous paint
- High image performance covering full frame sensors; suitable for 8K capture
- Fast T1.5 maximum aperture aids in shooting with low light levels
- Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
- Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)
Rental No. 6 Canon C300 Mark II EF Lenses: Canon 16-35 mm f4; Canon 24-70 f 2.8 Canon 70-200 f 2.8 Canon macro No. 4
GeneralPower Supply: 14.4V DC (battery pack), 16.7 V DC (DC-IN) Main Unit Weight: Approx. 3.9 lb (1770 g)
Camera SectionSensor: CMOS sensor (single-panel) equivalent to Super 35 mm Total Pixels: Approx. 9.84 megapixels (4206 x2340) Shutter Setting: Speed, Angle, Clear Scan, Slow, or Off mode selected Either 1/3 or 1/4 steps selected as speed increment lris Setting: 1/2-stop, 1/3-stop or fine setting selected (1) Push auto iris control (2) Auto iris control * * Available only with some EF lenses ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] ND Filter: 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected] Motorized drive
The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.Product Category: CINE-SERVO Product Series: CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT Mount Type: PL Zoom Ratio: 7x Angular Field of View: Aspect Ratio 1.9:1 26.2 x 13.8mm 75.2° x 44.2° at 30mm / 12.5° x 6.6° at 105mm Focal Length Range: 17-120mm Iris Blades: 11 Maximum Photometric Aperture T Number: T2.95 at 17-91mm T3.9 at 120mm MOD From Image Sensor: 0.85m / 2.8’ Scene Object Dimensions at MOD: Aspect Ratio 1.9:1 26.2 x 13.8mm 92.1 x 48.5cm at 17mm / 12.7 x 6.7cm at 120mm Dimensions (W x H x L): 6.86 x 4.92 x 10.04 in. (174.2 x 125.0 x 254.9 mm) Weight: 6.39lbs. (2.9kg) Front Diameter: Φ114mm Focus Angle: Focus: 0.8/0.5 Zoom: 0.5 Iris: 0.4