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Rent Cinema and television equipment

/Rent Cinema and television equipment

rental of cameras, video and cinema equipment for broadcast production

  • Nuovi radiomicrofoni serie sennhieser d6000 anche nella versione ENG per la realizzazione di acquisizione audio di qualità superlativa anche nelle troupe di ripresa ENG
  • Broadcast video mixer a noleggio. For-A Hvs-490 è un mixer video 4K con 2ME che permette di realizzare eventi e regie televisive senza limiti di creatività nella messa in onda di camere e contenuti complessi.  

    HVS-490 switcher inherits key technology of HVS-2000 and HVS-390HS while opening the door to even more affordable 4K production. Exclusive MELite™ technology extends the switcher’s 2 M/Es to offer 6 M/E performance.*1 Expand your switching capabilities even more by assigning FLEXaKEY™ or feature rich 2.5D DVE, for compositing with up to 12 keyers. Take advantage of this truly broad range of switching in live production.

  • Product Highlights

    • Compatible with 3rd generation Bolt 500, Bolt 500 XT, Sidekick II, and 703 Bolt
    • SDI loop out on TX
    • External antennas on Bolt 500 TX
    • Smaller and lighter chassis design with robust mounting points (3/8” and ¼”-20)
    • Extremely affordable and offers the same wireless performance as the XT
  • Portable greenscreen set 6x6 meters to create a virtual studio in the client house, photo rooms, hotel meeting room.
  • The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files. The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered. In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor. Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.


    • 1920 x 1200 Touchscreen Display
    • 10-Bit FRC Monitor Processing
    • 4K HDMI and 12G-SDI Inputs/Outputs
    • 1500 cd/m² Brightness
    • HDR Mode with 10-Stop Dynamic Range
    • High Bright Mode for Rec. 709 Viewing
    • UHD 4K up to 60p / 1080p up to 240 fps
    • 10-Bit 4:2:2 ProRes and DNxHR Encoding
    • Records to 2.5" SSD/HDD Media
    • Dual Sony L-Series Battery Slots
  • This 20mm PL mount prime is a wide focal length in the series, offering full frame sensor coverage, 6 to 8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and Sony E mounts. The 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select markings in luminous paint for easy visibility in low light. To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).


    Focus marks are in feet with select markings in luminous paint
    High image performance covering full frame sensors; suitable for 8K capture
    Fast T1.5 maximum aperture aids in shooting with low light levels
    Compact, dust- and water-resistant design with a common front diameter of 95mm across the line
    Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)
  • No.4  Sony HDC 1700 cameras complete with HDCU 1700, RCP, fiber cables. rack mounted with 4 cameras, vector control and 12x12 matrix.


    Power requirement:  240 V AC, 1.4 A (max.), 180 V DC, 1.0 A (max.), 12 V DC, 7 A (max.). Mass:  4.5 kg (9 lb 15 oz)

    Camera Section

    Pickup device:  3-chip 2/3-inch type Progressive CCD Effective picture elements:   1920 x 1080 (H x V) Signal format: 1080/50i, 1080/59.94i, 720/50p, 720/59.94p 1080/50p*2,1080/59.94p*2 1080/23.98p*3, 1080/24p*3, 1080/25p*3, 1080/29.97p*3 *2 HZC-PRV20 is required. *3 HZC-PSF20 is required. Spectrum system:  F1.4 prism system Built-in filters(ND)  1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND, 5: CROSS. Sensitivity: F10 (1080/59.94i mode), F11 (1080/50i mode) (at 2000 lx, 89.9% reflectance) Signal-to-noise ratio (typical):   Typical -60 dB    
  • Rental No. 6 Canon C300 Mark II EF Lenses: Canon 16-35 mm f4;  Canon 24-70 f 2.8 Canon 70-200 f 2.8 Canon macro No. 4


    Power Supply:  14.4V DC (battery pack), 16.7 V DC (DC-IN) Main Unit Weight:  Approx. 3.9 lb (1770 g)

    Camera Section

    Sensor:  CMOS sensor (single-panel) equivalent to Super 35 mm Total Pixels:  Approx. 9.84 megapixels (4206 x2340) Shutter Setting: Speed, Angle, Clear Scan, Slow, or Off mode selected Either 1/3 or 1/4 steps selected as speed increment lris Setting: 1/2-stop, 1/3-stop or fine setting selected (1) Push auto iris control (2) Auto iris control * * Available only with some EF lenses ISO: 1 step, 1/3 step settings [*100 - 160 - 25600 -*102400] ND Filter: 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected] Motorized drive
  • The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

      Product Category:  CINE-SERVO Product Series:  CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT Mount Type:  PL Zoom Ratio:  7x Angular Field of View: Aspect Ratio 1.9:1 26.2 x 13.8mm 75.2° x 44.2° at 30mm / 12.5° x 6.6° at 105mm Focal Length Range: 17-120mm Iris Blades:  11 Maximum Photometric Aperture T Number: T2.95 at 17-91mm T3.9 at 120mm MOD From Image Sensor:  0.85m / 2.8’ Scene Object Dimensions at MOD: Aspect Ratio 1.9:1 26.2 x 13.8mm 92.1 x 48.5cm at 17mm / 12.7 x 6.7cm at 120mm Dimensions (W x H x L):   6.86 x 4.92 x 10.04 in. (174.2 x 125.0 x 254.9 mm) Weight:  6.39lbs. (2.9kg) Front Diameter:  Φ114mm Focus Angle:  Focus: 0.8/0.5 Zoom: 0.5 Iris: 0.4
  • The DSLR Recoil Rig from Zacuto includes a Mini DSLR Baseplate with 6.5" rods, a QR Shoulder Pad, - the Recoil Handgrip Kit - a mechanical handgrip follow focus set up. The Mini DSLR Baseplate attaches to your camera with a single 1/4" 20 screw - has one 1/4" 20 - one 3/8" 16 screw underneath for tripod attachment. The Mini DSLR Baseplate has two lightweight spaced threaded rod ports at the back of the unit, a 15mm female rod port (tightened with an Allen key) which can be found at the left side, - a 15mm rod port which can be found on the underside of the unit. It has a built in quick release for the camera which is released with a red quick release ratcheting lever. This kit comes with 6.5" rods to attach to the front of the baseplate.

  • PRODUCT HIGHLIGHTS DSLR Rail Support Shoulder Support Suitable for any Body Type Allows Connection of Accessories Includes 350mm Long Rails 15mm Offset High Bracket Handgrip Kit Load-bearing Capacity - up to 55.1 lb Topside Handgrip Weight Attachment Plate / 1kg Weight   Manufacturer:  Vocas Systems Shoulder pad:   Adjustable, Removable Shoulder pad size:  Standard Bars position:  Front , Rear Bars system:  15 mm Camera mounting points:   2 Material:   Aluminum, Leather Weight:   3,298(gr.)        
  • The GoPro Hero6 Black looks just like the Hero5 Black. It's the same small size and still waterproof to 10 meters (33 feet) with the same ports, controls, battery and same size touchscreen on back.

    But, as the saying goes, it's what's inside that counts, and what's inside is a new custom-designed processor, the GP1, that's responsible for a whole lot of improvements. CEO Nick Woodman said in the past GoPro was building its cameras around off-the-shelf processors and those chips were available to competitors as well. The GP1 ends that by allowing GoPro to make a camera with the capabilities it wanted.

    The Hero6 Black can record 4K 2,160-pixel resolution clips at 60 frames per second, which can give fast action a smoother look. And if you're into slow-motion clips, you can record in 2.7K at 120fps and 1,080p at 240fps.

    Video Resolutions:

    800 x 480 | 1280 x 720 |1920 x 1080 | 2560 x 1440 | 3840 x 2160  pixels

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