audio

  • The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.

  • The QL series mixers offer mixing, processing and routing functions for small and medium-sized live performances, corporate events, installations and much more.

    Pure and natural sound with a powerful internal processing for a wide and creative control

    The Yamaha sound starts with a faithful reproduction of the sound source. The QL series mixers are equipped with circuits and components that have been designed and selected with the utmost care, obtaining an audio with surprising purity, both in input and output.

    Refined control for smooth operation

    The ability to respond quickly and reliably to the many and changing needs is essential for effective support for live sound. The QL series mixers offer large touch-screen displays that, combined with the "touch and turn" potentiometer, provide a significantly quick and efficient control interface.

    Expandable All-in-One support for every application

    In addition to the wide availability of analog inputs and outputs, the QL series mixers are equipped with the same Dante audio network protocol available in CL mixers, which offers extensive connectivity. Also available is an innovative "Port to Port" feature that can direct each input port to each output port so that the QL mixer can function as a remote I / O device for any other QL or CL series mixer.
  • Audio rental d&b audiotechnik Big Kit composed of: N.20 Q1 d & b audiotechnik N.4 Q7 d & b audiotechnik N.12 QSub d & b audiotechnik N.1 Yamaha M7CL mixer. Design and configuration assistance
  • d&b e12

    30.00

    The E12 and E12-D are high performance 2-way multipurpose loudspeakers, employing an integrated coaxial driver. The E12 and E12-D can be used for speech and music applications as stand-alone full range systems or incorporated into larger distributed sound reinforcement situations and, with the addition of an E15X or B4 subwoofer, can also easily reproduce high level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The E12 has an 80° x 50° dispersion pattern (h x v), while the E12-D has a wider 110° x 50° pattern. The horns in both loudspeakers are easily rotatable through 90° providing 50° x 80° or 50° x 110° dispersion patterns. The E12 and E12-D cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating handles and a hidden socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Colour (SC) and Weather Resistant (WR) options. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

  • This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, this microphone will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 inch) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance - a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The smooth and elegant design of the d:fine™ 4088 Directional Headset Microphone makes it the most invisible head-worn true cardioid microphone in the world. This microphone has a secure, dual-ear design that can be used for various performing talent applications. It has a small .64 cm (.25 in) diameter, which allows for discreet use. It only weighs 14 g (.5 oz) and is very comfortable when worn for long periods. The microphone can be mounted on the right or left side.

  • Instrument microphone design When it comes to versatility, no single microphone can do more for you than the d:vote™ CORE 4099 Instrument Microphone. You can use it in the studio today and during your live performance tomorrow. Designed with a supercardioid polar pattern for high rejection and superior gain-before-feedback, the mic retains a highly uniform off-axis frequency response. It also features an enhanced shock mount design, a choice of detachable cables in two diameters, as well as a versatile gooseneck extender. Known for their discreet size and elegance, these mics feature a lightweight design. Yet, d:vote™ CORE 4099 Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

  • The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.

  • The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.

    Main features

    • Frequency band: 20Hz-17kHz
    • Sensitivity: 1.8 mV / Pa
    • Electrical impedance: 210 Ohm
    • Recommended load impedance: 2000Ohm
    • Polar diagram: Cardioid
    • Audio output: XLR M, 3-pole balanced
    • Dimensions: 115 x H126 x D70mm
    • Weight: 0.300kg
  • AKG-C451B

    20.00
    Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.

    Main features

    • Polar Diagram: Cardioid
    • Frequency response: 20Hz - 20kHz
    • Sensitivity: 9 mV / Pa (-41 dBV)
    • SPL max: 135/145/155 dB
    • S / N ratio (A-weighted): 76dB
    • Pad: 10 dB, 20 dB
    • High pass filter: 12 dB / Octave at 75Hz and 100Hz
    • Power supply: Phantom 9V - 52V
    • Dimensions: D19 x 160mm
    • Weight: 125g
  • The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.

  • The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

    Main Features

    • Compact and Lightweight
    • Ample Bus Capacity: 16 MIX, 8 MATRIX, and STEREO
    • Virtual Rack with Top-quality Effects
    • Multiple Fader Functions
    • Intuitive Interface
    • Recall Safe and Recall Focus...Right Down to Head Amp Gain
    • USB Memory Recording and Playback
    • LS9 StageMix for iPad®
    • LS9 Editor
    • Yamaha Console File Converter
    • LS9 + Dante I/O Rack System
    • LS9 + EtherSound Stage Box System
    • LS9 + DSR Speakers
  • The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.

    Main Features

    Precise 24-bit/96-kHz Audio and High-performance Head Amps 40-input 18-bus Mix Capacity at 96 kHz Versatile Connectivity and Expandability for a Wide Range of Applications Powerful Channel Functions with Flexible Control and Patching Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHz Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys Versatile Pairing and Grouping Functions Enhance Mixing Efficiency I/O Expansion Slot for Easy Expansion in a Variety of Formats Sophisticated DAW or Digital Recorder Integration

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