- Maximum Aperture: 1:3.6 at 9~72mm (2.0x) 1:4.7 at 100mm (2.0x)
- Type: Wide Angle
- Mount: Canon
- Focal Length: 4.5mm-50mm
rental of cameras, video and cinema equipment for broadcast production
-
The OBD 1410 is a bidirectional Fiber Optic to SDI transmitter and receiver which uses a single fiber link supplied in a compact self-contained package. It is a convenient and cost-effective solution to combat the restrictions involved with distributing uncompressed broadcast-quality video signals over long distances.
-
Canon KJ20x8.2B KRSD 8.2-164mm HDgc Zoom Lens ENG, 8.2-164mm lens for 2/3" format camcorders, Shuttle Shot Zoom Pre-archiving function, 20x zoom ratio, Fast f/1.9 maximum aperture at 8.2-164mm, 1 second maximum speed, minimised chromatic aberrations, multi-layer optical coatings, silent servo zoom, fast, extraordinary dispersion glass
-
The FE 24-70mm F2.8 GM is a revamped standard zoom lens, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for stills and video. It is perfect for high-performance compact α-system bodies and covers a wide range of shooting situations.
-
A handheld telephoto lens with 24x zoom and a focal length of 7.5-180 mm, this lens integrates beautifully with a UHD workflow and offers standard 4K performance with enhanced operability, perfect for over-the-shoulder news gathering. 4K optical performance: The lens boasts standard 4K resolution power. Canon's unique optical design enables extraordinary levels of detail. Compact and lightweight: Designed for documentary and news gathering, the lens gives cameramen the flexibility to cover even the most challenging situations. Enhanced image correction: The lens features BT.2020-based correction data. This enables excellent colour reproduction at the corners of the screen when connected to a 4K camera.
-
G Series Master Premium telephoto zoom lens Sony nanocrystal anti-reflective coating to eliminate reflections and ghost images 11-blade circular aperture for beautiful blur effects Image stabilisation with built-in optical SteadyShot Dust and moisture resistant construction MINIMUM FOCUSING DISTANCE 0,96 m MAXIMUM MAGNIFICATION RATIO (X) 0,25x FILTER DIAMETER (MM) 77 mm WEIGHT 1,480 g (without tripod mounting bracket)
-
- Switch between 8 HDMI source devices and 8 HDMI displays connected simultaneously
- Supports resolutions up to 4K 60Hz, with additional support for HDR
- Extract audio from HDMI to SPDIF for connection to amplifiers and speaker systems
- EDID Management system for controlling and ensuring the optimum resolution possible
- 2 year warranty
-
A versatile and fully-featured broadcast 2/3” 4K field lens with 90x zoom, 9-810mm focal length and image stabilisation that’s fully compatible with 2/3” 4K cameras and broadcast environments where HDTV is currently in use. Benefits: -2/3” 4K field lens with 90x zoom and 9-810mm focal length (up to 1620mm with the 2x built-in extender) -Achieve stunning 4K resolution from 2/3” 4K cameras that extends right from the centre of the image -Retain stunning 4K resolution even with image stabilisation applied -Similar size and weight to HD field lenses mean it seamlessly integrates with existing HDTV technical setups and shooting environments. -Sustained 4K performance with precise focus and high zoom ratio -Cover wide spaces like large sports arenas with a single lens thanks to the wide focal range -Full support for virtual systems thanks to the built-in 16-bit encoder -Fully compatible with existing Canon HD field lens accessories
-
Aputure 60x is a battery-powerable daylight-balanced focusing LED that uses custom aspherical optics to achieve a 15-45° spot-flood beam angle with intense output and flexibility.
Aputure LS 60x punches way above its weight class as a 60W Expanded Bi-Color Focusing LED fixture that outclasses the output of a 300W tungsten Fresnel and outpaces comparable LED lights. With its custom, Aputure aspherical optics, the LS 60x (@ 5600K) can output 30,000+ lux in full spot, or 5,200+ lux in flood mode.
-
The new ATEM Television Studio Pro 4K provides the same advantages as the HD models plus Ultra HD compatibility and more SDI inputs. With 8 independent 12G-SDI inputs you work with all common HD and Ultra HD formats up to 2160p60. Each input offers frame synchronisation and a low-latency standard converter that automatically transforms the input according to the switcher format. So you can connect eight inputs with eight different formats! The new Fairlight audio mixer includes dynamics, 6-band parametric EQ, channel splitting into two mono channels, and stereo simulator with audio delay on analogue inputs. ATEM Television Studio Pro 4K also boasts ATEM Advanced Chroma Keyer, multiview Ultra HD, and media archive clip support.