Rent Audio Equipment

  • High-Performance Passive DI-Box

    • Professional and multi-purpose direct injection box for stage and studio applications
    • Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers
    • Ultra-flat frequency response due to renowned BEHRINGER OT-2 transformer
    • Allows direct connection to speaker outputs with up to 3,000 Watts
    • Ground Lift switch eliminates typical ground loop problems
    • Filter switch reduces annoying hiss and buzz
    • Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
    • ¼" TRS and gold-plated XLR connectors
    • Ultra-rugged, road-suitable metal case
    • High-quality components and exceptionally rugged construction ensure long life and durability
  • The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.

  • From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.

    Features:

    • Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
    • Lock Mode disables all controls easily for live and installation use
    • Incredible Dynamic Range of 152 dB
    • Three different bass cut filters and three pre-attenuation levels
    • Peak Hold LED detects even shortest overload peaks
    • Includes carrying case, pop filter, windscreen, and spider-type shock mount
    • Frequency range: 20 to 20 000 Hz
    • Sensitivity: 20 mV/Pa (-34 dBV) +/- 0.5 dB
    • Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
    • Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
    • Signal/noise ratio: 88 dB
    • Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
    • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
    • Impedance: <=200 ohms
    • Recommended load impedance: >= 2,200 ohms
    • Powering: approximately 4 mA
    • Connector: 3-pin XLR to IEC
    • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
    • Net weight: 300g (10.6oz.)
    • Requires +48V phantom power
  • Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.

    Features

    • Rugged professional microphone
    • Five position bass roll-off switch
    • Effective feedback rejection
    • Clear sound reproduction
    • Easy handling due to pronounced directivity
  • Without any doubt, you must have heard the KM 184 in various recordings, as it is the go-to instrument microphone in countless studios around the globe

    FEATURES

    • Versatile small membrane microphone primarily for instrumental recordings
    • Slight treble lift for fresh and vivid sound
    • Precise cardioid directionality with excellent rejection of rearward sound
    • Uncolored reproduction of neighboring sound sources
    • Tight production tolerances – perfect for stereo recordings
  • The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.

  • Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose. Tough, reinforced housing, and clamp.

    Features

    • Rugged reinforced glass-fibre body
    • Low sensitivity to impact and handling noise
    • Very high sound pressure handling capability
    • Low distortion microphone
    • Hum compensating coil
    • Easy to position due to compact design
    • Integral stand mount
  • Robust cardioid handheld microphone/transmitter. Fit for every vocal style. Lively, powerful sound. User-friendly menu operation with backlit graphic display. Sturdy metal housing.

    Features

    • Sturdy metal housing
    • 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
    • Enhanced frequency bank system with up to 12 compatible frequencies
    • Pilot tone squelch for eliminating RF interference when transmitter is turned off
    • Enhanced AF frequency range
    • Increased range for audio sensitivity
    • Wireless synchronization via infrared interface from receiver
    • User-friendly menu operation with more control options
    • Illuminated graphic display
    • Auto-Lock function avoids accidental changing of settings
    • HDX compander for crystal-clear sound
    • Battery indicatation in 4 steps, also shown on receiver display
    • Exchangeable microphone modules from evolution series
    • Contacts for recharging BA 2015 accupack directly in the transmitter
    • Wide range of accessories adapts the system to any requirement
  • Intended for monitoring stereo audio signals in professional applications such as stage or broadcasting, this range consists of a static transmitter and mobile diversity receiver, both built in metal enclosures. The system has a frequency-bank system with up to 16 compatible pre-set frequencies. The bandwidth is 42MHz, offering 1680 tunable UHF frequencies. An HDX compander is used to increase dynamic range, pilot-tone squelch avoids RF interference when the transmitter is turned off. Easy set-up uses the receiver to perform an automatic frequency scan to search for available frequencies. Settings may be transferred between the receiver and transmitter in either direction using infra-red communication. The transmitter may be connected to an Ethernet network for configuration of multi-channel systems using software. Transmitter and receiver are available separately or together as a complete system. Different models are available, in several UHF ranges; each offers 26 frequency banks with up to 16 channels. Each of the channels in the first 20 frequency banks are pre-set at the factory to fixed frequencies. The channels within each bank can be used without intermodulation. The remaining banks allow the user to select and store frequencies.

  • Features

    • High gain before feedback
    • Very good speech intelligibility
    • Outstanding bass reproduction
    • Frequency response 40...20.000 Hz
    • Sensitivity as per 121 TR 9-5 42 mV/Pa +- 3dB
    • Maximum sound pressure level (passiv) 118 dB (k=1%)
    • Pick-up pattern cardioid
    • Dimensions d=12mm, l=26mm
  • The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch your instrument. And you can use any mute together with the microphone clip. It is also easy to place your instrument in a stand with the mic and clip on.

  • Professional Speaker Stand Set
    • Material: Aluminium
    • At maximum height can hold up to 30 kg centric load
    • Height: 1.25 m - approx. 2.00 m
    • Pole diameter: 35mm
    • Weight (per piece): 2.16 kg
    • Total weight including carry bag (without packaging): 4.73 kg
    • Colour: Black

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