microphone Archivi - Eventi-x Group Srl

Noleggio Sennheiser SM 6000
Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.
Features

19’’ 2-Channel receiver, 19 inch 1RU

Large 244 MHz switching bandwidth

Legendary Long Range mode (LR) with proprietary audio codec (SeDAC) from the masterpiece Digital 9000

True bit diversity utilizes both receiver paths, combines their information content to provide the best possible signal

Equidistant frequency grid for maximum channel density and simplest setup

32 superior quality RF pre-selection filters for optimal suppression of interference signals at antenna input

Error correction and audio error masking

AES-256 encryption

Automatic frequency setup

Digital and transformer balanced analog outputs XLR, 6.3 mm jack, AES-3, EM 6000 Dante with Brooklyn II Card and Amphenol RJ-45

Integrated antenna splitter for cascading of up to 8 systems

one high-quality OLED display per channel

Link Quality Indicator (LQI)

Wireless Systems Manager (WSM) compatible

Compatible with standard Sennheiser UHF antennas

Compatible with Digital 9000 transmitters in Long Range mode
Details
Sennheiser SK 6212
Now, the digital SK 6212 heralds a new era. This mini bodypack complements the Digital 6000 family, benchmark for challenging digital transmission technology in modern audio productions. Developed and designed hand in hand with key customers around the globe, the all-new entirely digital SK 6212 meets the highest requirements and so much more. For performers, stylists and directors, the SK 6212 is neither heavy nor conspicuous. It is as small as a matchbox and conveniently lightweight, has no sharp edges or corners and is discreet and easy to conceal. Furthermore, engineers appreciate exchangeable batteries and antennas, as well as direct operability and a dependable transmission. The SK 6212 operates intermodulation-free and utilizes an equidistant frequency grid that enables more efficient use of the constantly shrinking available frequency spectrum. And even when things are taking a bit longer, don’t worry… the 6212’s operating time lasts unbelievable 12 hours. The SK 6212 combines high expectations with the smallest possible design. It encapsulates hundreds of stories which we have heard from professionals in the world of theatres and music venues, large or small. Developed for today's shows and equipped for the challenges of the future.
Features

Compact, ultra-small design with ergonomically optimized construction (63 x 47 x 20mm)

Designed for 12 hours of continuous operation

Made with ultra-light robust metal housing weighing only 112 grams

Intermodulation-free transmission – permits more channels even in very narrow frequency spaces thanks to equidistant frequency grid and simple setup

Superb sound and higher dynamic range thanks to Sennheiser Digital Audio Codec (SeDAC) and long-range mode, also found in the Digital 9000 series

Resistant to moisture and sweat

Two detachable clips (0°/90°) for secure fit in any position

Exchangeable antenna and battery

Can be used with a variety of lavalier microphones and headsets
Details
Sennheiser SKM 6000
The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205). The special magnesium housing offers the perfect balance between low weight and live-compatible robustness. The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60. The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.
Features

Three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz)

Sennheiser standard capsule interface, compatible with microphone heads from evolution wireless G3, 2000, Digital 9000, Neumann KK 204 and KK 205 series

Highly effective intermodulation protection

AES 256 encryption and Digital 9000 encryption

Compatible with EK 6042 and EM 9046 in Long Range mode

Li-ion battery packs with 5.5 hours run time

Magnesium housing
Details
MIC EASYFLEX EZG/18
Shure Easyflex EZG and EZG-SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed primarily for speech and vocal pickup. They can be mounted on lecterns, pulpits, or conference tables. All models include a preamplifier and are available with cardioid cartridges. EZG-SE Series microphones can be screwed onto a microphone stand or the supplied 5/8 inch, 27 threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable.

FEATURES

Single gooseneck section near microphone base for easy orientation of the microphone.

Tubular preamp body sized to fit many standard accessories.

Slide on windscreen
Details
Shure sm58
Features

Frequency response tailored for vocals, with brightened midrange and bass rolloff

Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise

Pneumatic shock-mount system cuts down handling noise

Effective, built-in spherical wind and pop filter

Supplied with break-resistant stand adapter which rotates 180 degrees

Legendary Shure quality, ruggedness and reliability

Cardioid (unidirectional) dynamic

Frequency response: 50 to 15,000 Hz

Replacement cartridge: R59
Details
Shure SM58S Dynamic Vocal Microphone with Switch
The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.

Features:

Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff

Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise

Pneumatic shock-mount system cuts down handling noise

Effective, built-in spherical wind and pop filter

Supplied with break-resistant stand adapter which rotates 180 degrees

Lengendary Shure quality, ruggedness and reliability

Cardioid (unidirectional) dynamic

Frequency response: 50 to 15,000 Hz
Details
Shure SM57
The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.

Features

Contoured frequency response for clean, instrumental reproduction and rich vocal pickup

Professional-quality reproduction for drum, percussion, and instrument amplifier miking

Uniform cardioid pickup pattern isolates the main sound source while reducing background noise

Pneumatic shock-mount system cuts down handling noise

Extremely durable under the heaviest use

Frequency response: 40 to 15,000 Hz

Replacement cartridge: R57
Details
Shure BETA 58A
The Shure BETA 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.

Features

Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect

Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound

Neodymium magnet for high signal–to–noise output

Hardened steel mesh grille that resists wear and abuse

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Minimally effected by varying load impedance

Legendary Shure quality and reliability
Details
Shure Beta 52
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Features

Frequency response shaped specifically for kick drums and bass instruments

Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum

Studio quality performance, even at extremely high sound pressure levels

Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise

Hardened steel mesh grille that resists wear and abuse

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Neodymium magnet for high signal–to–noise ratio output

Low sensitivity to varying load impedance

Legendary Shure quality and reliability
Details
Shure Beta 57
The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Features

Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound

Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound

Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse

Neodymium magnet for high signal–to–noise ratio output

Minimally affected by varying load impedance

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Legendary Shure quality and reliability
Details
Proel mic switch
Features:

Sensitivity: -40dB ± 2dB / 100ohm ±30%

Output Levels: –

Frequency response: 40Hz -20KHz (-3dB)

Power Supply: Phantom 48Vdc Batteries 3V (2x AA type batteries)

Gooseneck length: 445 mm

Controls: ON/OFF SWITCH

Input/Output Connectors: INPUT: 1x XLR | OUTPUT: 1x XLR

Dimensions (W x H x D): 115 x 140 x 30mm

Weight: 0.7 kg (1.543 lb)
Details
Shure Beta 91A
The Shure BETA®91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).

Features

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound

Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter

Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments

Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack

Requires no external mounting or accessories for ease of use and storage

Furnished with zipper pouch
Details