rental of cameras, video and cinema equipment for broadcast production
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Featuring two large independent 8 inch LCD screens in a compact rack mount design, SmartView Duo handles SD, HD and 3Gb/s SDI video standards. SmartView Duo is perfect for post production, broadcast and live event monitoring. For easy setup, all screens can be remotely adjusted via ethernet connection. With SmartView Duo you can install SDI monitoring everywhere you need!
Connections
SDI Video Input: Automatically switches between SD, HD and 3G-SDI. Reclocked loop through output. Multi Rate Support: Auto detection of 2K, HD or standard definition inputs. Updates and Configuration: Via USB 2.0 high speed (480 Mb/s) Ethernet: 10/100 BaseT with loop through. Tally: 9-pin D connector Power Supply: 12V universal power supply included with international socket adapters for all countries. -
GPS-ASSISTED HOVER
GPS andGLONASS combine to make the Phantom 3 completely aware of its location andrelation to you. It hovers more precisely, moves more accurately, and locksonto satellites faster. Through theDJI Go app, you can track its location on a live map, and record yourtakeoff point so you can bring it back to you with the tap of a finger.AUTOMATIC FLIGHT LOGS
Complete flight route, flight time, flight distance, flight location, and cached versions of any photos and videos you took during your flight are at your fingertips for future reference. At the same time, an advanced flight recorder constantly records data from all of your Phantom 3’s internal mechanisms, which can be easily shared with the DJI support team if you ever have any questions or issues.INTELLIGENT BATTERY
This upgraded Intelligent Flight Battery has built-in sensors and bright LEDs that let you know the status and remaining power of your battery in real time. Your Phantom 3 continuously calculates its current distance from you and the amount of power needed to return, so you always know how long you can continue flying and when it is time to recharge.UNMATCHED PROPULSION
Each motor has the power and precision needed to give you the best flight experience possible. Brushless motors work with lightning-fast ESCs to make your Phantom 3 fast, agile, and responsive. These powerful motors give you the ability to speed up, quickly increase or decrease altitude, and stop immediately. DJI’s powerful air braking mechanisms stop your Phantom 3 instantly , making it hover in place as soon as you release the control sticks. Aerodynamic self-tightening propellers boost thrust and stay firmly in place no matter how you fly.INTELLIGENT, EASY TO FLY SYSTEM
It processes information from every sensor and completes complex calculations in real time, giving you a worry-free flight experience .MAIN CONTROLLER
Processing and analyzing flight data in real time takes serious power. The Main Controller is the control center of your Phantom 3. It collects data from the entire system, including motor speed, GPS location, your command inputs, and data from automatic sensors, and analyzes it all to tell your Phantom 3 exactly how to behave at any given moment.RETURN TO HOME
Your system automatically remembers* the point at which it took off, and returns and lands safely at this point when you command it to Return to Home. -
Canon KJ20x8.2B IRSD is a 2/3-inch portable HD telephoto lens with a wide 8.2mm wide-angle lens and an integrated 2x multiplier that expands the focal length to 16.4 -328mm, 10mm and the min distance of the subject (MOD) is 0.9m. MTF or modulation transfer function
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Benefits
Powerful optics: superb images thanks to a new generation design Focal range: from 4.3 mm to 60 mm (120 mm with multiplier) Cross-over technology options: switching between 16: 9 and 4: 3 Optimized Digital Drive technology Ergonomic design compact and robust The reduced focal length (4.3 mm) offers a horizontal angle of view of 96.3 degrees for the 16: 9 HD picture format. Thanks to an extended focal range (between 4.3 and 60 mm, up to 120 mm with multiplier), this lens offers unrivaled operational capabilities in a compact format of only 1.99 kg. The maximum relative opening is equal to F1.8. Furthermore, the flicker of the focus was significantly reduced compared to the previous model, HJ11ex4.7B. -
Get the compact, portable and affordable disk recorder that’s battery powered so it’s the perfect on set field recorder! HyperDeck Shuttle records to uncompressed QuickTime and compressed Apple ProRes 422 HQ or Avid DNxHD MXF file formats. Bypass your camera’s compression and record from SDI and HDMI onto low cost solid state disks. SSDs are cheap and fast, so you can edit directly from the SSD media itself!
Connections
SDI Video Input 1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector. SDI Video Output 1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector. SDI Rates 270Mb, 1.5G HDMI Video Input 1 x HDMI type A connector HDMI Video Output 1 x HDMI type A connector SDI Audio Input 16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. SDI Audio Output 16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. HDMI Audio Input 8 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files. HDMI Audio Output 2 channels embedded in SD and HD Recorder Configuration Use USB 2.0 high speed interface Computer Interface 1 x Mini-B type USB 2.0 connector for initial setup, software updates and HyperDeck Utility software control. -
HyperDeck Studio Pro is the ultimate in compatibility and technology, featuring a more advanced design that includes 6G-SDI so you get SD, HD and Ultra HD formats, plus HyperDeck Studio Pro includes a wide range of video and audio connections in both analog and digital so you get the widest compatibility with older and newer equipment. Get SD, HD up to 1080p60 and Ultra HD up to 2160p30 all in the one deck! Also includes 6G-SDI and Quad SDI, HDMI 4K, analog component, balanced analog audio and AES/EBU audio compatibility. You even get built in Thunderbolt for computer capture and UltraScope software for live scopes!
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The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimised the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.
General
Mass: Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U30 battery, SELP28135G LENS, an XQD memory card) Power Requirements: DC 12 VCamera Section
Imaging Device (Type): Super35 type Single-chip Exmor CMOS Effective Picture Elements: 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) Built-in Optical Filters: Clear, 1/4ND, 1/16ND, 1/64ND Sensitivity (2000 lx, 89.9% reflectance): Video Gamma: T14 (3840 x 2160/23.98P mode 3200K) ISO Sensitivity: ISO 2000(S-Log3 Gamma D55 Light source) Minimum Illumination: 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4) S/N Ratio: 57 dB (Y) (typical) Shutter Speed: 1/3 sec to 1/9,000 sec Slow & Quick Motion Function: XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P) XAVC-L mode 3840x2160：1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L mode 1920x1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P) White Balance: Preset, Memory A, Memory B(1500K-50000K)/ATW Gain: -3, 0, 3, 6, 9, 12, 18 dB, AGC Gamma Curve: STD,HG,User,S-log3 -
SliderPLUS+ è l'estensione rispetto agli slider normali. Quando si spinge la fotocamera, le rotaie arretrano o avanzano senza interferire con le riprese. -
Teradek Beam is a H.264 Full HD back-end video encoder (bit rate up to 30 Mbps), which also allows operating on the 5 GHz band without a license. The Teradek Beam transmits up to over 700 meters with only 2 frames of latency. The Teradek Beam video encoder (receiver receiver) includes a 3G-SDI input and a battery plate (Anton Bauer or V-mount) that integrate with all the most popular professional cameras. The Teradek Beam includes an OLED screen for fast configuration, LAN port for transmission over wired networks, and support for high power transmission with 5.25GHz 5.15 band. They are able to manage the characteristics of professional encoders / tdecoders in pairs with the power of high-performance transmitters / receivers with low latency to manage incoming video streams from a troup eng.
Main features of the Bade Teradek video encoder (receiver - transmitter)- H.264 Full HD encoder with rear camera
- Transmit video via internet to the Beam decoder or directly to the PC with high bitrate
- Transmit video up to over 700 meters with 2 frames of latency
- Video Inputs: HD-SDI, SD-SDI, 3G-SDI
- Multicast capable of up to 4 receivers
- RTSP and MPEG-TS protocols
- Available in V-Mount or Anton Bauer Mount
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Raise the production standard of any live event with the amazing built in features of ATEM live production switchers! You get upstream luma, linear, pattern and chroma keying for special effects, as well as downstream keying for logos and lower thirds. You also get 2 built in media players with media storage in the switcher for professional broadcast graphics! The ATEM 1 M/E and 2 M/E Production Studio 4K models as well as the ATEM 4 M/E Broadcast Studio 4K include a world class DVE for picture in picture effects and exciting stinger transitions
Creative Transitions
Choose from a wide range of built in transitions!Upstream Keyers
Amazing multi-layer live actionDownstream Keyers
Add bugs, logos and lower thirdsMulti View
Get multi camera monitoring using a single low-cost TVsMultiple Television Standards
Switch television standards for any type of live production.Internal Media Players
Load on-air graphics to eliminate complex external servers! -
The Dimension 3D is a unique and highly versatile 3D Format converter allowing the conversion of any standard 3D format to another including changing of the frame rate. Standard video formats are supported from high definition to 2K. Dimension-3D accepts both dual and single stream as well as HDMI inputs and outputs. The versatility of Dimension 3D makes it suitable to fit into virtually all stereoscopic workflows: - Allows for any 3D input stream format to be used with all types of display components currently available, including high end projectors and the latest generation of 3D ready LCD displays. - Converts stereoscopic camera rig output to recorders and displays. - Enables double stack 3D projection. - By encoding the left and right eye streams into a single HDSDI stream and back again the unit becomes ideal for recording 3D content on standard HD tape and server technologies. - When coupled with Doremi’s Nugget or V1 servers, a very cost-effective 3D playout solution is provided especially in conjunction with the powerful Doremi Asset Management software. A two-line LCD display and function knob together simplify navigation through the Dimension-3D’s menus. A USB connection for remote operation and an infrared remote control are also provided. -
Extender HDSDI su fibra ottica -
The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera.
- Media and recorded files access and viewing at a distance
- Monitor output or ‘control only’
- May be used in applications or in place of RCP-700 series remote control panels
- Control of automatic adjustment functions
- Control of the ECS/ shutter function
- Control of the Slow Shutter function
- Assignable buttons
- Parallel operation with another control panel
- High brightness buttons
- Guard to prevent unintended operation
- GPI interface
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Rent a 5D Mark II camera with a wide range of EF lenses. In cinematic shooting the quality achieved by cameras allows to better enhance creativity in the video industry to make a video game and creatives creating professional audiovisual products at competitive prices the camera is also available with: rig with optical follow focus choice between 18mm f2 .8 24-70 f2.8 70-200 f2.8
KEY FEATURES
- 21.1 Megapixel full-frame CMOS sensor
- 3.9fps shooting speed
- 1920x1080 Full HD Movie Capture
- ISO range from 50-25,600 with expansion
- DIGIC 4 processor
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Rent a 6D camera with a wide range of EF lenses. In cinematic shooting, the quality achieved by the cameras makes it possible to best express creativity in the video sector, allowing video makers and creative professionals to create professional audio-visual products at competitive prices. The camera is also supplied with: rig with optical follow focus choice between 18mm f2 .8 24-70 f2.8 70-200 f2.8
Benefits
- 20.2-megapixel full-frame sensor
- Light and resistant body
- ISO sensitivity 100-25.600 (expandable up to ISO 102.400)
- 11-point AF sensitivity up to -3 EV
- Recording of the position by GPS *
- Transfer files via Wi-Fi and remote control
- Full-HD video
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Unrivalled Features
The HVS-300HS is the newest addition to FOR-A’s popular Hanabi series and represents one of the most powerful, compact, broadcast level switchers on the market. Although small, its 1 Rack Unit main frame is packed with features including; Frame synchronizing and re-sizing engine on every channel which allow any Standard Definition equipment to be used in full HD mode. It also has plenty of wipe patterns including 2D and 3D DVE transitions. The base unit also has keyer with chroma key, DSK, Dual picture in picture, 16-channel Multi Viewer, Still Stores and much more. It is perfectly suited for a wide-range of applications including studio production, event and sports coverage, news, live staging and corporate use.
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Since first appearing on the market, the HDW-750P HDCAM camcorder has become associated with the very best in quality programming, helping establish HDCAM as the preferred High Definition format worldwide. Many of the best programmes on-air in Europe today continue to be shot using the HDW-750P.
The HDW-790P features an extremely compact and lightweight design, with a robust and reliable construction. The use of three 2.2 million-pixel FIT CCDs, and 12-bit Advanced Digital Signal Processing (ADSP) ensures superb picture quality.
In addition to 12bit ADSP, the HDW-790P also shares a number of other features with the top-of-the-range HDW-F900R. These include 2 HD-SDI outputs, inputs for recording 4 channels of 20-bit AES/EBU digital audio and 4 HyperGamma settings, which allow the cinematographer to precisely optimise the desired 'look' of the acquired image. A choice of either colour or monochrome viewfinder completes the feature set
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3X FASTER ASSEMBLY TIME
The Triangle Pro features our signature connection joint on each tube section.STRONGER, LIGHT-WEIGHT CONSTRUCTION
The Triangle Pro is designed for maximum performance and ease of handling.FASTER & EASIER LEVELING IN LOW LIGHT CONDITIONS
The main pedestal assembly of each Triangle Pro Series model was designed with over 10 upgraded features, including an integrated leveling system. length from 2.5 to 13 meters. -
Steadycam Easy Steady portata 10 kg -
The PDW-700 captures stunning HD images. It features three newly developed 2/3-inch progressive Power HAD FX CCDs at 1920 x 1080 resolution. 14-bit A/D conversion and advanced digital signal processing are also used to ensure the highest picture quality. The PDW-700 records at a data rate of up to 50Mb/s using an MPEG-2 4:2:2P@HL compression technology called MPEG HD422. The camcorder features multi-format recording at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P*, 720/50P* and 720/59.94P*. It also supports record and playback of XDCAM HD* (4:2:0) at 35Mb/s, 25Mb/s and 18Mb/s**, and XDCAM standard definition MPEG IMX and DVCAM material***. With fast file-based operation and outstanding picture quality, the XDCAM HD422 line-up has widened the appeal of XDCAM for applications such TV drama, documentaries and general entertainment programs, and for ENG where speed of operation is a critical requirement.
* 1080/29.97P, 720/50P, 720/59.94P and XDCAM HD (4:2:0) operation requires V1.2 firmware. ** Operation in MPEG HD at 18Mb/s is replay only. *** SD operation requires CBKZ-MD01 option. -
The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode or a 25Mb/s, HDV 1080i compatible mode. To take advantage of this high performance recording capability, the PMW-EX3 uses the same imaging system as the PMW-EX1, consisting of three ½-inch type CMOS sensors, each with an effective pixel count of 1920x1080. In addition, there's a purpose-built interchangeable Fujinon Professional HD ½-inch 14x lens and a unique dual focus ring mechanism. Included in the package is a ½-inch lens adaptor to allow use of other ½-inch lenses, plus the ability to use other optional lens adaptors for 2/3rd-inch, cinema-style and digital SLR lenses. To maximise recording time, the PMW-EX3 has two memory card slots which means with a pair of 16 GB SxS PRO memory cards, it can record up to 140 minutes of HD footage.
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The AG-MX70 Digital Audio-Video Mixer from Panasonic is a versatile switcher with (8) inputs that functions as a digital video effects generator and an audio mixer. This unit comes equipped with everything you need to operate a digital post-production environment. Use this unit with 25Mbps DVCPRO VTRs in a digital editing system, as a switcher in the studio, or as your main unit at live events, among many other possibilities.
Audio-Video Mixer
This unit is a versatile switcher with (8) inputs that function as a digital video effects generator and an audio mixer.Broadcast Quality Support
This unit supports broadcast-grade 4:2:2:4 digital component image quality and wipe patterns accommodate both 16:9 and 4:3 image production needs.Import Graphics & Titles
Titles and graphics created on a PC can be downloaded from MX-Navi application and superimposed for use in studio or live production programming.
Video Inputs & Outputs
The (8) inputs on this unit can all be used for analog composite feeds, or may be used as (4) analog component Y/Pb/Pr or YC inputs and (4) SDI inputs (SDI functionality is optional and requires a separate board).Audio Inputs & Outputs
This unit includes (4) stereo inputs,(2) auxiliary mono inputs, a microphone input, and a headphone jack.Audio Functionality
Audio can additionally be linked or unlinked to video transitions.Controls
This unit's large LCD panel, joystick controller, a numeric keypad, and (13) preset patterns that can be stored in memory all facilitate management and use of this mixer. -
Lightweight, robust, and ready for production, Chrosziel's MB 450R2 Matte Box can complement a wide range of cameras, from smaller camcorders or mirrorless cameras, up to larger cinema cameras and ENG camcorders with an outer lens diameter of up to 114mm (lenses with a diameter smaller than 110mm may require additional accessories for full compatibility). With the included top flag and 16:9 mask, glare from outside the frame can be effectively controlled for improved contrast and reduced ghosting in the recorded image. Further control can be achieved through separately available side and bottom flags.
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Ideal for equipping ENG camcorders or EFP cameras with focal lengths and viewfinders, the CARTONI DELTA has been made with the extensive use of lightweight magnesium alloys. The continuous balancing system has been tested to balance up to 22 kg ensuring excellent performance for each angle of inclination. The DELTA head also features a continuous fluid damping system on both the horizontal and vertical, which the European standard set-up with quick release machine attachment plate and balancing arc from -60 ° to + 70 °, can be increased to + / - 90 ° with the sliding slide support supplied as an accessory. The necessary digital displays, powered by a 9v battery, are the values of balancing and vertical fluid damping, while the bubble is illuminated by a quick set-up of the system even in conditions of poor visibility.
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The FOCUS 8 Fluid Head is the ideal support for the latest ultra-lightweight cameras weighing from 0 to 8Kg (17,7 lbs). Extremely compact, the 8 features a continuously variable fluid damping system on both pan and tilt movements and a unprecedented patented variable counterbalance which brings its range of use to cover all existing cameras. The FOCUS 8 Fluid Head comes equipped with a sliding camera plate compatible with Sachtler ACE and Manfrotto standard plates, spirit level and orientable pan bar. Its tilt angle is +/- 90° with perfect response throughout the entire tilt range. FOCUS 8 interfaces with all 75mm bowl base tripods and supports. The extreme ruggedness and versatility together with the superior quality/price ratio makes the FOCUS 8 the best possible support for its range.
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Designed to provide an extremely stable support for standard EFP configurations, the C20S is ready to operate with a wide range of cameras weighing from 7 to 32 Kg (15 to 71 lbs). C20S features three award winning fluid damping modules assuring outstanding drag levels and extraordinary smoothness in both pan and tilt modes. Movements can be selected with 7 precisely repeatable steps of drag, while free wheeling is available by simply setting the drag selector ring into position "0". Counterbalance is activated by an easy grip selector in 7 progressive steps and "0". The C20S comes with a 100 mm bowl base, illuminated spirit level and one telescopic pan bar. A 150 mm bowl base is also available as an option.
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DSNG stands for Digital Satellite News Gathering. DSNG system is used as mobile earth station. To perform live broadcasting from a remote place where any physical link like optical fiber, transmission wire, radio link are not available, then the satellite link is the only way to send the raw footage to the main TV station. The DSNG system is approximately similar to the earth station system together with a mini program control system.
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Features:
- Built-in touch display for easy camera control, shot-framing and playback
- Professional 1080p60 and 720p120 video with 12MP photos at up to 30 frames per second
- Built-in Wi-Fi and Bluetooth support the GoPro App, Smart Remote and more
- Improved camera control and built-in video trimming lets you create and save short video clips right on your camera
- Protune™ with SuperView™ delivers cinema-quality capture and advanced manual control for photos and video with the world’s most immersive wide-angle field of view
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A CLOSER LOOK
Get closer to your subjects than ever before with the DJI Osmo+, DJI’s first handheld gimbal with an integrated zoom camera. A 7× zoom, consisting of 3.5× optical and 2× digital lossless zoom*, gives it a focal length ranging from 22mm to 77mm without sacrificing HD quality. This gives you more control over your composition than ever before. *Digital lossless zoom only available when shooting at 1080pMOTION TIMELAPSE
Osmo+ helps you record the passage of time more easily than ever. Just mark where you want the camera movement to start and end, and tap ‘Start’ to create phenomenal moving timelapses without additional specialist equipment.ADVANCED STABILIZATION
The Osmo+ builds on the advanced stabilization technology introduced with the Osmo to keep the camera flat no matter how you move it, whether you are live streaming or shooting your first film, and has been optimized for ultimate stability during stills capture. -
NEC's 46" V463 high-performance large-screen display utilizes LED backlighting to deliver both environmental and functional benefits for digital signage. The V463's commercial-grade panel is capable of displaying brilliant imagery and capturing the audience's attention. This full HD model features built-in 10W speakers and an Open Pluggable Specification (OPS)-compliant expansion slot, which future-proofs the display and allows for the seamless integration of a computer or other NEC/third-party component. Because video, RS-232 control and power are passed internally from the display to the computer, additional cabling is not required, thereby simplifying installations. With integrated temperature sensors and fans, this display is ideal in applications that require extended use, including retail stores, restaurants, indoor venues, training facilities and corporate boardrooms. LED backlighting technology reduces power consumption and allows for a slimmer cabinet depth Built-in expansion slot supports the Open Pluggable Specification (OPS), which is the industry's first standardization option slot that simplifies digital signage installations Full 1080p high-definition resolution provides stunning detail Commercial-grade LCD panel and components enable extended run time Expanded connectivity with digital loop-through
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NEC’s 55” V552 commercial-grade large-screen LCD display utilizes LED-backlighting to reduce the product’s depth and power consumption when compared to its predecessor. The V552 also features built-in 10W speakers and an Open Pluggable Specification (OPS)-compliant expansion slot. This future-proofs the display and allows for the seamless integration of a computer or other NEC/third-party component. Because video, RS-232 control and power are passed internally from the display to the accessory, additional cabling is not required, thereby simplifying installations. The V552’s full high-definition panel is capable of displaying brilliant imagery and capturing the audience’s attention, making it ideal for use in applications that require extended use, including retail stores, restaurants, indoor venues, training facilities and corporate boardrooms.
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The Agile 2.0 R is following client demands for smaller, lighter encoders built for harsh environments. The system is small enough to fit between camera body and battery pack, or can be carried in a small backpack. Its aluminum design makes it extremely sturdy and will survive drops of more than 2 meters without problems. All this while still offering up to 8 4G modems, HD-SDI/ CVBS/HDMI input, a LAN connection, satellite/KA-sat/BGAN support and 32GB of removable storage for recording video locally, ready for editing. The Agile 2.0 R can be integrated in existing Playout environments or hired with a Playout Decoder.
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The PMW-200 is supplied with a 14x Fujinon lens for remarkable picture quality and flexible creative control with three independent rings with end stops. The PMW-200 can also record in a range of different formats as well as being compatible with other XDCAM HD 422 and XDCAM EX equipment. High-quality MPEG HD422 50 Mbps recording is fully compliant with the latest EBU recommendations for long form broadcast production and is widely accepted in broadcasting stations and production houses. This capability ensures the PMW-200 is ideal for a wide range of different applications, including newsgathering and documentary production.
- Three 1/2-inch type ExmorCMOS Full HD sensors for a wide range of shooting conditions
- 14x Fujinon professional HD zoom Lens with three independent rings with end stops
- Optical SteadyShot and LCD panel for focus assist functions
- High quality MPEG HD 422 recordings
- WiFi remote control*
- Switchable recordingsfor greater flexibility
- Slow and quick motion from 1 fps to 60 fps
- Two SxS Memory Card slots
- Shutter angle setting similar to a film camera
- HD/SD-SDI and HDMI Interface
- Four hours of use with a BP-U battery
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The HDW-750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.
- Superb High Definition pictures
- Peace of mind for High Definition post production
- Easy integration with Standard Definition
- Ease-of-use for minimum re-training
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The PDW-680 XDCAM HD422 camcorder is a mid-range Professional Disc camcorder with many of the same features as the more advanced PDW-700. The PDW-680 has three 2/3-inch type Exmor CMOS sensors for recording 1080/50i or 1080/60i HD images or MPEG IMX and DVCAM SD, as standard. Progressive mode is available only for playback. More IT based operation. The PDW-680 is designed to enable a smooth migration from tape camcorder use to PC-based operation to improve workflow efficiency with MXF/MPEG interoperability and metadata functions.
- Three 2/3-inch type Exmor CMOS sensors with high sensitivity
- Lower power consumption for longer battery life
- Choice of SD or HD operation
- Maximum x4 Digital Extender function for magnification without loss of image sensitivity
- High-quality 4-channel 24-bit audio recording
- Shock and dust-resistant disc drive
- Slow Shutter speeds for increased creativity
- Interval Recording function
- Optical ND filters and electrical CC filters
